Dominant dimension: Vitaliser-rage-smell, his skill.
Disconnected dimension: Synthesiser-sadness-hearing, his talent.
Prohibited dimension: Transformer-pride-taste, his vocation.
Healthy dimensions: Protector-love-sight.
Tipología MAT Reveladora por Preciada Azancot
Sensory perception of the Revealer:
WHAT ARE WE GOING TO SEE? The prevailing geometrical shape in the visual perception of the Revealer is the oval: face, bust, buttocks, hands and feet.
The gland that works with rage is the liver, which secretes bile and also conditions all of the digestive functions: stomach, intestines, anus. The Revealer corresponds in many ways to the classical “bilious” temperament.
The body aesthetic of the Revealer adjusts in everything to the classic Greek canon: the oval face, harmonious Greek proportions, athletic and slim body, the special shape of the muscle that starts above the waist and descends below the intestines in a V-shape, fine thighs and stylised legs, harmoniously wide shoulders, without any stridencies, nice feet and sensual hands that combine what is perfect of the adult with the reminiscence of what is tender in the ephebe, everything in the body of the Revealer is harmony, vitality and slenderness. His aspect is feline in his harmonious and sensual movements, lazy and powerful, always ready to jump elastically. He is loose because he always trusts the power of his body and looks even gawky and indolent because he is “that” feline and makes no effort to control his bearing or his movements. He is as gracious and agile as a panther or a cat.
His face, very harmonious, is of perfect proportions according to the Greek canons: clear forehead but of an ideal height, rather large and open eyes, without excesses, an often Greek nose that comes directly out of the forehead and has a gracious twist to break the Roman straightness, a restless and very mobile mouth that twists and moves all the time in a sensual manner. The expression that most distinguishes the Revealer’s face is the cheeky glint in the eye, always alert and ready to make fun of others, and the mouth that he lifts at one of the corners, as if smiling, while the other corner drops scornfully, as if making fun of all situations defiantly. In all else, we will insist once more on the ease and gracefulness of that elastic and hyper-present body for which the law of gravity doesn’t appear to exist. They also have an incredible sense of balance and make everyone else nervous while they weave through traffic, for example, looking as though they are about to be run over at any moment, which never happens. It can be said that the Revealer IS a body before anything else. A hyper-present body that he constantly puts to the test. And he enjoys it to the maximum, running, jumping, slouching in strange positions that require great contortionist control and amaze others. And they are also indolent and graceful out of an excess of confidence in their bodies. They are human felines.
They dress just as loosely and informally. They invented jeans, which are their uniform for everything. They hate suits and ties, which hinder their naturalness and limits their sacred freedom. They also like sports shoes, which they can combine with their jeans or with a dinner jacket for major galas. Only dressed that way do they feel that they are themselves. Otherwise, they look disguised and protest. They use preferably blue, red and black.
Their house is also very informal and rarely do they take care to decorate it. They leave that to their family or to their partner. If they must, they will choose a mixture of cheap and practical furniture mixed with ethnic objects, but will leave their house half-decorated. They rarely finish what they start, in fact. They get bored halfway through, as soon as they need to make an effort to persist. They no longer “feel like” continuing. Everything they do is if and when they “feel like it”. They are fairly indolent and therefore, irritate others. And that is just one of the many manifestations of their prohibited pride: that way they don’t finish or shine or feel proud of a finished work.
They are not glamorous or smart, but are sensual and show their naked body with total innocence and lack of shyness. They are natural-born naturists.
The Revealer is of medium-tall height.
WHAT ARE WE GOING TO HEAR? Not much really, and nothing excessively coherent. He is lazy about giving speeches and, for him, giving a speech is finishing a sentence. He starts it, yes, full of difficulty, using plenty of fillers such as “well… that is…you know…”, and leaves you halfway, without finishing his idea. The effort of understanding him and completing his sentences is up to us, the others. Plus he speaks quietly, almost inaudibly, and, on top of it all, instead of emphasising important words and raising his voice, he leaves them for the end of the sentence and swallows the words. It is another irritating example of his way of behaving with others, but that is easy to decode as further proof of his prohibited pride. Plus he is very informal and even rude, since he uses a lot of swear words and crude expressions.
Revealers are the greatest lovers of culture and literature. Nobody would say so from hearing them speak. Even if they are marvellous writers or great poets, they will speak like an infant school child or illiterate person.
They aren’t bothered by noises and they make noise. They are the ones we need to complain at most when we are their neighbours and we find rock music blaring out at three o’clock in the morning, at full blast. Revealer music is of a broken rhythm, with a profusion of drums and percussion: rock and disco music. Also African music, starting with jazz, and to the wildest drums.
WHAT ARE WE GOING TO TOUCH?
The Revealer doesn’t mind touching or being touched. It’s all the same to him. He doesn’t give touch a special importance, except when it’s some sort of fetish that he keeps and strokes since childhood, soft and plush. He likes oriental carpets because they are pleasing and of funny colours, and they throw themselves indolently on them, naked, because that is something they do feel like doing.
The Revealer’s skin is soft and of a medium satin-like thickness. It is pleasant. He suffers a lot from heat, which he cannot stand. He literally chokes in summer. He tolerates cold better although he doesn’t like extreme temperatures. Where extremists are concerned, he’s the job.
WHAT ARE WE GOING TO TASTE?
The Revealer doesn’t like eating: he is like a child that needs to be distracted and entertained in order to eat. He eats little and is bored by formal meals at a table with a tablecloth. He prefers snacking and rations of croquettes, fried fish, hams and cheeses that he can prod with a fork or pick with his hands. He loves trash food because it is fast and fun. Plus, since he is undisciplined in everything, he prefers to snack when he’s hungry and to stop thinking about something as boring and repetitive as food. When he’s hungry, he doesn’t feel it. He waits until he’s about to faint, or pass out to realise that he’s missed one or several meals.
There are few Revealer chefs, unless they reached their connection. Cooking is a waste of time and they prefer to telephone and order a pizza or a Chinese takeaway. They love sandwiches. They like drinking beer and wines and also stronger stuff, like a rum and coke, tequila or margaritas. They can drink and smoke too much.
WHAT ARE WE GOING TO SMELL?
The Revealer is extremely olfactory and can recognise people by their body odour even when blindfolded. He is surprised when he realises this, since he hadn’t realised how olfactory he is. And that is because he is so sensitive to smells that he knows how to disconnect his sense of smell in all places that smell bad. And, for him, that’s most of them. His favourite smell is jasmine and mint and also the smell of freshly prepared coffee.
They have a feline body odour: they smell like a lion cub.
The Revealer, since he is the most rebel and informal of all the typologies, takes a long time to acquire scrupulous hygiene habits. They often forget to wash or happily skip brushing their teeth. When they wash, they prefer an expeditious shower, but if you prepare them a warm bath, they also enjoy it very much.
WHAT ARE WE GOING TO PERCEIVE SEXUALLY?
The Revealer preserves, in sexual matters, the freshness and candour of a child. He feels intense curiosity for sex and likes to know and try everything. But once tried, he is lazy about doing it repeatedly. He is quite a fetishist, especially about bare feet. He likes everything that gives him morbid curiosity, what is new, unusual. It’s like with food: he is bored by repetition. He can easily lack appetite. Making love is marvellous and fun and exciting, but he doesn’t need it to live.
The Revealer chooses his partners fairly badly. He is so afraid of being controlled and dominated that he tends to fall into the hands of the worst, those who have become artists of power and control and who exercise it beneath the mask of silent victims who ask him for protection and shelter. When they discover the fraud, it’s already too late and they have several children. Since they estimate that it is misfortune enough to be in this unfair and merciless world, they don’t abandon their innocent children and remain trapped.
As lovers they are excellent: very imaginative, with a lot of control and stamina and fun accomplices with absolutely no prejudices. This total lack of prejudice can lead them to have partners who are much older than them or to try in all tranquillity untraditional forms of sex, such as homosexuality, bisexuality, group sex or with animals they find pleasing. Of course, the difference of skin colour or religion is not any obstacle at all for them. They also love masturbation, which they practice with the innocence and purity of a peaceful animal. His only problem, and it’s a shame because he is super-gifted for it, is in the conversion of sex into art. If you suggest a night of love to them with the entire tantric ritual, they will consider it an imposition that “breaks with what is natural” and they will therefore reject it, indignant. Sex, for the Revealer, is a normal and organic necessity, like sleeping or moving and which they see no added value to, unless it is a question of fetishism, of which he is very fond.
Structural analysis of the Revealer typology:
The entire way of being, feeling and expressing himself of the Revealer illustrates the dominant presence of the Vitaliser. The Revealer is the great rebel and avenger of all the typologies. And to begin with, he hates the idea of having a typology, which seems unthinkable for the free and elusive being that he is. But when he discovers that the MAT approach is to see the typologies as prisons from which to learn to free oneself he becomes one of the greatest adepts of this science. In all our groups, the proportion of Revealers dominates, which is a guarantee of quality and of truth. The Revealer seeks and defends only one thing in his life: truth. For him, truth is beauty and freedom. That is why he hates and fights viciously against any lie, which he knows how to detect like nobody. He seems to have a radar to detect lies and manipulation. He literally smells them, even before they manifest themselves. And he is very proud of it. And he denounces them with delighted anger. And he doesn’t let the liar go until he rectifies and says he’s sorry. Then he forgives magnanimously, because even though it may not seem it from the passion and tenacity that he puts into denouncing, the Revealer does not bear grudges and truly forgives when there is genuine repentance. Except that he cannot be fooled when that repentance is opportunist. Then, he will continue to denounce and will harbour any offence resentfully in his memory, which is large.
And also, we already saw, the Revealer is the one with most corporality. He is free and agile body and that is obvious to anyone. All truth comes from the body and returns to it. He feels life with his body, not with his mind or with his emotions or concepts, or, much less, beliefs. His aspect and physical and mental constitution is eternally juvenile.
The Synthesiser is his talent and that is noticeable, because he is extremely intelligent. But he doesn’t like to analyse first and react after, as adequate functioning requires. He does so the other way round: first he reacts epidermically against what he likes and feels like and what he doesn’t. Then he analyses, after the fact, when it’s too late and he destroyed something that could have been preserved. When that happens, he looks for culprits outside and becomes even angrier.
He doesn’t tolerate a loss, however small it may be. When something is lost or deteriorates, when there is the slightest disturbance, the Revealer reacts with rage and searches for culprits. If he doesn’t find them quickly, he will pass onto paranoia and believe in a skilfully woven plot against him.
His talent is also noticeable in the Synthesiser, because he knows how to listen very well. He likes to listen more than to speak.
With death, maximum disappearance and irreparable loss, he has a strange relationship mixture of fascination and horror. He is a romantic, in the most etymological and nineteenth-century sense of the word. He is attracted by death and by everything related to it. For him, it is the clearest form of eternity that can be captured on this earth. And eternity is his major search for spirituality. But he is horrified by the decomposition that can be associated with death. Even so, he feels more identified with it than with life, which he finds a vulgarity.
His Transformer is prohibited, but it is also noticeable that this is his authentic vocation, because he only likes creators and artists. That is his true and authentic world. But he doesn’t dare to affirm his pride in any field, except in that of clandestine or semi-official creation and discovery, which he hides as if apologising to the world. He knows a number of essential answers that the world awaits, but has the conviction that if he says them, nobody will take him seriously and he will be made fun of, or, even worse, made the target of general envy. What most shocks him in life is arrogance and inflated pride, which he finds grotesque and pathetic.
For him the Rector constitutes the maximum in his hierarchy of values. Although sometimes he is not conscious of this. For him, norms and rules are corsets that he is proud to burst open in the name of the unseizable freedom that human beings ought to die and live for. But he knows and defends, and, in the last case, finds, the exact norms that should govern social life in order to facilitate cohabitation without having to limit freedom. At the same time, safety is his maximum yearning which he most often renounces, because society is set up to make that illusory safety payable at the cost of freedom. But his maximum search in this life would be that authentic safety that he knows exists and that rests on the strength of real self-knowledge and self-control of the lowest most contemptible instincts, which other human beings abusively associate with freedom.
The Revealer’s Protector is perfect. The Revealer is supportive and affectionate. He is endearing and tender like a kitten and loves to purr and rub against you when you are not castrating or playing daddy or mummy. The Revealer is faithful and constant with his loved ones. He is reliable and does not betray the trust deposited in him. What horrifies him is that most people use love as a weapon of power and domination over others. That’s why he “passes” and leaves, even if he gives the impression of being fickle. In that his pride is well placed, since he doesn’t care about others’ opinions, he is only interested in his own self-esteem and his own appreciation of the reasons that made him move away from an alleged and socially applauded love. He left because that was not love but possession. Full stop. And he will give nobody any explanations, nor expect to be understood. He will not waste his time or energy on that.
The Revealer’s Orienter is also marvellous. He enjoys and takes pleasure in every one of the world’s delights, however small it may be. His greatest joy is provided by animals in freedom. He prefers them, and a lot, to people. For him they are a symbol of liberty and of the perfection of life. He finds any animal lovable, however ugly it may be. He likes to live in their company and he is the greatest defender of wild species at risk of extinction. He also likes change, which is the greatest manifestation of joy. He is also spiritual, although very Manichean, and only distinguishes good and evil, without nuances. Nor does he understand dialectics. For him the greatest search for transcendence is eternity. It tires him to think of infinity. That’s not made for him; he can’t be bothered.
Emotional engineering of the Revealer:
– Rage is his inflated emotion. He becomes furious too easily. It can be said that he is furious half of the time: naturally, when there is the slightest cause for authentic rage, such as in the face of an injustice, a lie, falsehood or deceit. He literally bellows in those cases, denounces and denounces and doesn’t stop denouncing until he has been able, all on his little own, to eliminate the cause for indignation.
But also when sadness is the suitable emotion. He doesn’t tolerate frustration, loss or deterioration. He becomes furious in the face of any of these circumstances and searches for culprits that he can reproach for the things, in life, not always being as they should be.
And, finally, in the face of reasons for pride, he also becomes furious and irritated. He doesn’t dare to propose his ideas, which are many and very good, so, to console himself, he busies himself making fun of and scorning those who do dare. Unless they are consecrated artists, who then, he will venerate.
Sadness is disconnected in the Revealer. He changes it for vengeful and resentful rage. However, he is very intelligent and witty and has an excellent memory. He reads a lot and remembers everything he reads. His mind is like a computer that remembers exactly in which book to find the information everybody else is looking for. And he is capable of finding a book in a library of thousands of volumes, as if he had a radar that guided him. He likes to accumulate information and knows how to listen very well, especially, and with immense delight, to old people and children.
Pride is a veneration and phobia of his at the same time. He doesn’t tolerate the expression of pride, which he sees as bluster, in anybody. But he only lives for art. That is his real home and country of choice.
Archetypal beliefs of the Reactivator:
The Revealer has, although he believes that he is the most iconoclastic of all of us, his archetypal god, whom he venerates: it is Prometheus. He created the first men according to certain traditions. Benefactor of humanity who deceives Zeus himself in order to favour mankind, and then steals fire from him to give it to mortals. That is why he is condemned to be chained, while an eagle permanently devours his liver. Even so he manages to win, to recover his freedom, to be immortal and possess the prophetic gift, without Zeus being able to oppose it. He is the one who defeats God himself, opposing himself to the injustice of discrimination and divine privileges.
His existential beliefs are:
“Life is not a party” (because others’ envy makes it bitter for you)
“If I say what I know, nobody will believe me” (and they will come for me, with envy)
His Existential Drama E.D. is “Yes….but”. Since he doesn’t dare to communicate his ideas and discoveries to the world, he asks others for ideas and, when he receives them, rejects them one by one, finding faults in them. That way he moves first in doing to others what, in his fantasy, he is afraid being done to him. That is why he is seen as embittered, scornful and envious, meaning that he becomes what he is afraid of others being. That way he has a pretext for feeling resentful against the world and not becoming reconciled with it.
Psychological profile of the Revealer:
The Revealer is a free unseizable being. He is the rebel and non-conformist who denounces out loud all lies, abuses, injustices and chains. With it he chains himself, because since he attacks and protests all the time, he is afraid of being the target of attacks from the society of conformists and resigned people made up by the rest of us. If the attack doesn’t come, he takes charge of inventing a plot against him, because he is very paranoid. If he finds support and solidarity he will believe that it is a misunderstanding that only postpones the attack that will not take long coming. This way, he becomes defensive and aggressive, until he is rejected. Then he finds confirmation of his darkest opinions of others. The essential thing for him is not to question his own paranoia and not to reconcile himself with the world. His favourite expression is: “people are…” and he adds all the negative adjectives that can be imagined.
He lives life as a king in exile: everything happens as if, in some moment and place, he had lost, without him remembering it, that marvellous world, his world, made of peace and happiness, of sensuality and understanding, of splendours and creations, which he feels as his and of which he was deprived one fine day without any reason. Out of pure envy. He feels, that way, like Gulliver in the country of dwarfs: he is a good-natured and patient giant, joyful and brilliant who doesn’t pick on anyone. It’s the others who pick on him, because he is bigger than them. Out of envy. Until he roars and they flee in terror. Cowards!
That world, his world, where he is king, he can only find in art, created by exceptional beings like him and for beings like him. Why aren’t there kingdoms like those of art in the world? Why is the world so mean, small and jailing? Why is God unfair? Then he recognises the depth of his conflict: God is the inadequate, unjust, incapable and shoddy maker who has created an imperfect and jailing world and has put him there, him, alone and abandoned. Man is better than God, at least men like him, capable of creating perfect worlds like those of literature, poetry, music, dance, sculpture, remote and disappeared civilisations, which he loves like nobody. That is his world. His only possible world. That is how he sees himself. Meanwhile, others see him as an irresponsible, retarded adolescent incapable of accepting the least discipline required for life in society.
He feels tolerant and magnanimous. He feels like an indulgent and good-natured lion around which monkeys and squirrels frolic, and which he watches with delight. He is seen as a resentful bitter, non-conformist and retarded hippie, incapable of inserting himself in adult society.
He only seeks the perfection of beauty and truth and also of freedom. He is seen as the only one who makes peace and concord impossible, as the one who introduces civil war and discord, as the one who separates those who wish to live in harmony.
He is the most sensitive of all human beings. He dreams of a world of beauty and harmony, respect and consideration. He is seen as a harsh avenger who is only excited by war and revolution.
He is the most intelligent, and always searches for novel solutions that suppress and eradicate pain. He is seen as tough, indifferent to pain, because he doesn’t want to sob and complain like everybody else.
The Revealer is the most misunderstood of all the typologies, although, as we already saw, they are all misunderstood also. But the Revealer, although he complains about being misunderstood, also enjoys it at the same time. That way he feels different and finds reasons for condemning the world and not reconciling himself with it.
And the thing is that the Revealer assigns himself the task of revealing the incoherencies and injustices of the world, which, according to him, all human beings have manufactured, except for him, of course. It is very true that the Revealer is a touchstone of what isn’t working, of what is twisted, of what is stupid, cowardly, mimetic, and especially, idolatrous. His function would be perfectly realised if he connected his talent and his vocation, after, of course, having resized his skill. If this were to happen, he would find brilliantly intelligent solutions to our underdevelopment, in a clam and tranquil manner, without ever getting angry and happy to help. If this were to happen, he would only denounce what is false, deceitful, idolatrous, starting with himself, and would propose new worlds out of his imagination, his creating capacity, worlds based on authenticity and the calm bravery of he who knows that what is, is. And he would place that exceptional creation at the service of love and human solidarity. And he would put that belonging at the service of a clean spirituality based on the certainty of a fair and perfect creator who gave the same to all his creatures. It can be said that the Revealer would reveal the truth and possible ways out; if he were connected, if he were out of his Map. Like everyone else, like all of us. But, while he is in his Map he functions, like everybody else, as if there were two weights and two measurements: he sees the mote in the other’s eye, nobody can deny him that, but not the beam in his own. He denounces as if he didn’t have idols, as if he didn’t inflate his rage and didn’t transform his sadness into resentment, as if he accused all of us of doing to him what, in truth, back then and there one or two people did to him. As if everyone else hadn’t been obliged to disconnect their talent and their vocation and grotesquely inflate their skill. And, instead of crying for his losses, instead of allowing us to console him and show him that we do love him and value him, he bellows and attacks all of us, putting us all in the same bag of the wicked. And the pygmies.
His opinion of everybody else is very clear: his greatest enemy is the Legislator: he has a real phobia of him because his inflated pride shocks him and offends him to the maximum. For him, they are the creators of this facile, idolatrous and inverted world that he would wish to eradicate from the face of the earth.
The Promoter entertains him because they make fun of the world, but he cannot tolerate their tricks and ploys, since he is very ethical and moral. Plus they act as if they, the Promoters, were the type of man or woman who truly attract and seduce the opposite sex, convincing him that he, the Revealer, is seen as a child who cannot attract any adult.
The Constructor is, in his eyes, a despicable slave who adores servitude and the chains for which he lives.
The Reactivator is worthwhile and he would like to count on them. They are the only ones he appreciates, whom he values. With him, they would form a complete world, with everything that is worth being considered. But that fool spends his time ecstatic in the face of the pygmies and never joins him. He spends his life kneeling before those who damage and use him. He would slap some sense in to them to join him! But when they hear him speak badly of people, moreover their people, the Reactivator accuses him of being the only baddy in the picture and abandons him.
As for the Fortifier, he considers that they could be individuals if they weren’t so cowardly and quiet. Bah! At the end of the day they are dead.
So he is alone in the world. That is the only truth. His truth. And his only escape is in imaginary, artistic or virtual worlds.
But when he gets tired of reprimanding and blaming the world, he realises that perhaps he is the only inadequate person, the only one who’s spare: Isn’t he the one who always attacks others, to then accuse them of coming for him? This way he comes into contact with his greatest fear: that of being Doctor Jekyll and Mister Hide. Then he despairs and only wishes to die and to become nothing. Because only there will he be in his kingdom, in his element, have what he deserves and, moreover, be where he wants to be, since that way he will be as far away as possible from that cruel god who created a bad world. Bad like him.
But when you know how to decode the Revealer’s inflated rage and translate it into pain for all the world’s imperfections, we discover the real personality locked in there. He is tender, joyful and playful like a kitten. He is generous and sensitive. He is marvellously tolerant with the defects and faults of the beings he really trusts. He is a great protector of the best. And he is frightened, very frightened of displeasing the world, of seeing himself rejected by it.
In any case, whether we know him in depth or not, nobody doubts that the Revealer is the great avenger. His emblematic figure is that of the lone ranger who defends the oppressed, orphans and those who have been humbled, who restores harmony and peace, and who retires riding towards the next injustice, where crushed beings need him whom he will shelter and free with his nobility, with that heart of gold that doesn’t fit inside his chest. And he will leave, because he never sought honours or gratitude that could bring unwanted privileges with them.
In love, the Revealer dreams with the Reactivator, his cosmic partner, with whom he will be able to build a universe of radiant light. Few dare to realise this dream because, absurdly, they believe that they will be rejected. So they marry the greyest possible person, who claims to admire and need them, but who will then try to castrate and subjugate them to their power.
As a father or mother, the Revealer is at the same time marvellous, since he considers that children are born already perfect, but, also the one who least wishes to be a parent. They consider that this life is too ugly and threatening to want to bring beings into it who will suffer out of their lack of conscience. Out of a narcissistic desire to perpetuate themselves at the expense of innocent beings who didn’t ask to be here.
What the Revealer most values, we already know this, is art, in all its forms and expressions. He lives for art and from art. It is his refuge and the only thing that gives him the strength to carry on. He lives immersed in that exceptional universe which he considers his only possible nation. He also loves travelling, because it is his way of accepting the real world: remotely and provisionally. He is a great explorer and a great adventurer. If it were up to him, he would always be travelling the world. He would take only a pair of jeans, a T-shirt, his guitar and a few good books. He doesn’t need anything else in order to be happy.
The Revealer’s spiritual dimension is in the image and likeness of his inner self: conflictive. He has a serious problem with god, who he blames for all the injustices committed by men, but feels fascination towards Eternity and Immortality. When he is confronted with his main dilemma, that of not accepting evil as one of the options of man gifted with freedom, he gets out of the jam in a spin: if he were god, he would behead the wicked, and destroy entire cities so that they learned their lesson. Therefore, since god doesn’t do it, he loves evil. And that’s that. The Revealer invented his own religion: Manichaeism, an eternal fight between good and evil, where, of course, in the end good triumphs, like in the archetypal story of Prometheus. But how tiring! What a drag, a world like that!
His house contains books; it is a refuge for books. And for records. Otherwise, he is not interested in either comfort or expensive objects that are binding and represent ties. If it were for him, if it weren’t for books and records, he wouldn’t have a home. He doesn’t like inviting people home much. He prefers a bar where you can eat standing up, informally, snacking. Although he does like talking a lot. But he prefers to do so walking. He loves to move and he is a tireless walker, who has fun that way and feels alive. Plus that makes him drain adrenalin and he feels more pacific.
All animals are his favourite animals. He adores all of them and prefers them to men. Tarzan is an archetypal Revealer. Everybody else identifies him with felines: cats for the most banal and lions for the superior ones.
What most despairs him about himself is when, tired of accusing the world, he suddenly sees himself as Mister Hide who defeated Doctor Jekyll and will show the world how evil he is. After that crisis, he tends to make enemies with the world again and with “people”, so as not to commit suicide or allow himself to die of hunger.
His relationship with the vocation is only fulfilled when he manages to become a great artist, which occurs very frequently in Revealers. Everything else, such as building civilisations, companies, or families doesn’t interest him too much, since he doesn’t give them as much value. He has a very special gift for recognising the real value of works of art, both his own and other people’s. He dreams of becoming a genius, and if he puts himself to it, he achieves it. But he doesn’t tend to be recognised in life. Which exacerbates his enmity with the world even further.
(inflated rage – sadness transformed into rage, resentment, vengefulness – pride transformed into fear, profanation, meanness) + love + joy – fear.
Professions: Artist. Writer. Explorer. Journalist. Travelling salesman. Defence lawyer. Doctor. Analyst. Comedian. Revolutionary.
Phases of typological evolution:
THE CONNECTED REVEALER: THE REVEALER – LEGISLATOR.
He retains, purified and uncontaminated, the qualities of his Map: he is just, fun, creating, sensual, witty, seductive, charming, kind-natured, reliable, loyal, romantic, loving, tender sensitive, vulnerable and brave. He is creative and creating. He hates injustice, lies, manipulation, the inversion of values. He is an idealist and timid. He saves victims and doesn’t wish to be recognised by them. He adores live culture and creates culture. He defends to the hilt the uniqueness of the human being and his inalienable freedom.
He becomes a person who is sure of himself and of the immanent justice that exists in the world. He believes in good faith and in the love of the best. He accepts life as it is and improves it. Those around him find in him a tender protector, strong and brave. He is a specialist in confronting and putting the worst, the most toxic, in their place. He no longer suffers from jealousy and is generous and patient. He is wise and a discoverer of paths. He is the full Promoter of a new order based on the miraculous balance between love and justice at the service of life. He is a marvellous lover, an outstanding parent, an unconditional and fun friend. He finds his twin soul and lives a love like out of a novel that ends well. He is hyper-creative and deeply tolerant and spiritual. He assumes that God is all good and learns from him. He is strong and fortifying. He believes in the human being and adores the connected Reactivator, with whom he builds a garden of Eden on this earth and for everyone.
He wastes no time in placing himself on the path to hyper-connection and transcendence, and has as a reference a Shakespeare and a Mozart.
Professions: Television. Press. Head of state. Company manager. Head of a medical service. Triumphant artist. Analyst. Teacher. Advisor. Engineer. Coordinator.
S.E.F.: (rage + sadness + pride) + love + joy + fear.
He uses 80% of innate energy and forms part of 2% of the population of Revealers.
PRECONNECTION PHASE: THE REVEALER – REACTIVATOR:
He is a great artist and a fervent just idealist. He lives for the great love that lasts beyond death. He is just, brave, patient and adorable. He retains all the qualities of his Map and loses the paranoia with his loved ones. He falls in love with Reactivators and sets about protecting them.
But he is too dependent on love and becomes like a baby who is afraid of losing his mother’s breast. He doesn’t assert himself and is afraid to stand out. He can die if betrayed. He seeks useless risks and goes about life like a bullfighter. He is prone to tuberculosis and other romantic diseases. He believes that “opposing himself to” is being free. He rots with a guilt complex against his jailers and doubts about abandoning them.
Professions: Lawyer. Consultant. Doctor. Political scientist. Bullfighter. Writer. Painter. Film maker. Sociologist. Psychiatrist.
S.E.F.: (rage – sadness, vengefulness – pride, timidity) + love + joy – fear, hysteria.
E.D.: “Yes…but” and “I’m only trying to help you”
He uses 40% of energy and forms part of 15% of the population of Revealers.
MAP PHASE: THE REVEALER – REVEALER.
He is in everything identical to what is written in the general presentation.
He uses 30% of innate energy and forms part of 10% of the population of Revealers.
DISCONNECTION PHASE: THE REVEALER – FORTIFIER.
He is the safe employee who will stay with the company or in the administration for life, because he doesn’t dare to stand out. Or, on the other extreme, he is the individualist and isolated artist who shelters in the false safety of being superior to everybody else. He is somewhat grouchy but won’t leave. He marries inadequate people who subject him to their power. He is the indomitable “bohemian” artist who speaks of art instead of making it. He protests, but he doesn’t change the world because he doesn’t dare to propose creative solutions.
But he is even more mistrustful and paranoid. He lives in a great contradiction since he looks for safe jobs that generate his own scorn, or chooses the miserable life of the “bohemian” artist. He becomes an alcoholic and suffers from liver and stomach problems. He has nervous disorders and suffers from insomnia. He is envious and corporate-minded. He doesn’t believe in himself or in others. He is a grouch. He is a passive saboteur addicted to work to rule. He has a phobia towards the Legislator and is jealous of the Promoter.
Professions: Craftsperson. Taxi driver. Labourer. Administrator. Deputy chief. Beggar. Clown. TV presenter. Tourist guide. Bureaucrat. Left-wing politician.
S.E.F.: (inflated rage, vengeful – resentful sadness – envious pride) – subjugated love – cowardly fear + joy.
E.D.: “Yes…but” and “If it weren’t for…”
He uses 20% of innate energy and forms part of 55% of the population of Revealers.
PREDISSOCIATION PHASE: THE REVEALER –CONSTRUCTOR.
This phase tends to follow the previous one, when, instead of accepting mistakes and undoing wrongs the Revealer becomes stubborn about doing “more of the same”, and, moreover without reprieve and in the most perfectionist way as possible.
In the case of being 100% in this phase, in other words, with his back absolutely turned on his real self, we would have the following profile:
Finally he believes that he is safe and worthy of being taken into account! At last he believes that he is useful and irreplaceable!
He becomes mean and envious of the best and of creators. He stops being interested in art and decides to stand out in an imprisoning company. He aspires to power and doesn’t allow others to grow. He loses himself in hyper-rationalisations so as not to feel. He is insecure and is convinced that he cannot interest anybody. He works for the worst exploiters and stamps on Reactivators. He promises and doesn’t fulfil, in order to make himself feel important. He is capable of betraying the best, because he envies them. He is selfish and has faith in nothing and in no one. He is prone to heart attacks, cirrhosis of the liver and cancer. He no longer enjoys food or drink. He stops smoking but declares holy war on smoking. He works and overwhelms himself so as not to think. He is obsequious and servile with the powerful. He flees from life and what he truly loves. He doesn’t hear well, loses his sight and is prone to high cholesterol and to diabetes.
Professions: General manager of opaque companies. Director of multinational companies. Henchman of Mafiosi or exploiting entrepreneurs. Pimp.
S.E.F.: (inflated rage – resentful sadness – envious pride) – jealous love – necrophilic joy – contemptible fear. Plus he inverts the love-sadness axis, which he transforms into necrophilia and masochism.
E.D.: “Yes… but” and “Overwhelmed”.
He uses 3% of innate energy and forms part of 15% of the population of Revealers.
DISSOCIATION PHASE: THE REVEALER – PROMOTER.
In the extremely rare case of being, 100%, not only with his back turned on himself, but also, immerse in his lethal formula (vengeful and resentful rage plus the joy of revenge in open war), we would have the following pre-psychotic profile. But often he is this way in only one or two areas of his life, most of the time in war only against his inner self:
He is the ideal person to unleash wars of extermination and holocausts.
He is a Manichean megalomaniac who believes that he is the saviour of his people chosen by the gods against the forces of evil. In fact he inverts everything and turns to the holocaust and the extermination of the most luminous. It is a way of committing suicide while killing everybody else along with him. He is a delirious Manichean and extremely dangerous, since he is capable of dragging the failed and envious, mediocre and discontent towards a war of extermination. He is of an overwhelming violence and sadism. He hates everything that is beautiful and everything that is pure. He is necrophilic and idolatrous. He is Mister Hide driven mad by the joy of revenge. He is cowardly in the face of dissociated Promoters and Magnetisers. He hates connected Reactivators and Revealers.
Professions: Warrior. Dictator. Soldier. Politician. Yellow press journalist. Mercenary. Manager.
S.E.F.: (false rage against what is beautiful + joy of revenge, lethal formula) – inversion of the two axes: love transformed into necrophilia and sadness transformed into masochism and sadism – rage transformed into joy: idolatry and fanaticism and joy transformed into rage: sacrilege.
He uses –16% of innate energy and forms part of 3% of the population of Revealers.
An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot