THE EIGHT BENEFITS TO BE GAINED FROM MAT’S OMEGA THEORY

From the hands of its creator, Preciada Azancot.

MAT Omega Theory – Preciada Azancot

Benefit #1.

1.a.- WIN:

– Discover your human structure with its 7 dimensions, 7 systems and 7 motivations. Live in plenitude with the potency of the 7^th! Only Four Out – All Seven In.

 1.b.- EXPLANATION:

– Discovering that it is NOT true that they only have 4 dimensions as believed since the ancient Greeks and until MAT, and that it IS true that the elements possess 4 dimensions, plants 5, animals 6 and human beings 7 specialised dimensions, giving them 7 specialised and hierarchical systems at their disposal. Through this, they possess universally 7 HIERARCHICAL AND PRESENT DIMENSIONS and not 4 optional and disordered dimensions as we have been made to believe until MAT. In this way, having a natural right to satisfy the 7 dimensions in plenitude. Influencing: becoming an Integral Leader in Teaching and a  reference model for students.

Benefit #2.

2.a.- WIN:

– Experience SAFETY beyond survival, assuming your own differential characteristics. Multiply your potency by 2! Risks Out – Safety In.

2.b.- EXPLANATION:

– Experiencing that SAFETY is NOT managing to have others condescend to offering you provisionally the economic means for survival and that it IS to diagnose and to assume one’s own differential competence, talent and vocation, in such a way as to be sought and valued for the best in oneself and to surround oneself with those people who are the most favourable, avoiding the most toxic. Through this, multiplying initial potency by 2 and averting the reasons for fear (risks). Influencing HR, the diagnosis of situations and the selection of personnel.

Benefit #3.

3.a- WIN:

– Understand the DEVELOPMENT produced by nourishing and communicating with the best in each group member. Multiply your potency by 3! Lost Out – Synergy In.

 3.b.- EXPLANATION:

– Understanding that DEVELOPMENT, is NOT the sum of group weaknesses and compromises and that it IS sharing the most generous commitment to feeding motivations to the best in each group member, along with a communication system which encourages to train the talents and vocations of others and one’s own. Therefore multiplying initial potency by 3 and averting the causes of sadness (losses). Influencing: the Development of Intelligence and Companies’ Internal and External Communication.

Benefit #4.

4.a- WIN:

– Feel the JUSTICE that emanates from the common values which guarantee the right to grow from the best within you. Multiply your potency by 4! Lies Out – Justice In.

 4.b.- EXPLANATION:

– Feeling that JUSTICE is NOT immobile corporatism and IS agreeing on common cultural values which guarantee the continuous and sustained growth of that which is most exemplary in each individual, along with a leadership system which guarantees that each individual bases it on their own differential talent and vocation towards personal plenitude for the good of everyone. Therefore multiplying initial potency by 4 and averting the causes of rage (lies). Influencing: Corporate Culture and the Integral Leadership model.

Benefit #5.

5.a- WIN:

– Discover the INNOVATION that arises from the STATUS of growing and making others grow through their differential characteristics. Multiply your potency by 5!  Competitiveness Out – Status In.

 5.b.- EXPLANATION:

– Discovering that INNOVATION, is NOT plagiarism or competitiveness and IS Status, in other words the art of growing and making grow through each individual’s differential talent and vocation. And that we have all been born to be transformed into authentic pioneers and creators, to build a better Civilisation and to garner the admiration of those who are most advanced. Therefore multiplying initial potency by 5 and conquering causes of pride (to be better). Influences Innovation and Quality Circles.

Benefit #6.

6.a- WIN:

– Feel the BELONGING that is born from delivering the best in you to the best in others. Multiply your potency by 6!   Weakness Out – Best In.

 6.b.- EXPLANATION:

– Feeling that BELONGING is NOT the alliance with weaknesses and IS delivering the best of oneself to the best in others, thereby forming a network of solidarity which consolidates generously that which is most valuable and noble in human beings and in the groups they create. This way multiplying initial potency by 6 and attaining causes of love (commitment from the best). Influences Business Loyalty and Pacts with the Surroundings.

Benefit #7.

7.a- WIN:

– Learn of the PLENITUDE that arises from the knowledge of finding truth. Multiply your potency by 7!  Partial knowledge Out –  Holistic Wisdom In.

 7.b.- EXPLANATION:

– Knowing that PLENITUDE is NOT trivialising life by devoting it to expensive pastimes and IS the wisdom of finding higher truths from each individual’s differential vocations, offering strategic paths which expand the liberty to flow in peace and establishing generational bridges from the wisest to the youngest. This way multiplying initial potency by 7 and accessing causes of joy. Influences Strategic Planning and Commercial Management.

Benefit #8.

8.a- WIN:

– Contribute to the Evolution of your surroundings through 7 different and cumulative paths:  Nostalgia Out – Evolution In.

 8.b.- EXPLANATION:

– Experiencing that EVOLUTION is not nostalgia for “every yesterday that was better” and IS the highest privilege and commitment of human beings and of all creation. Feeling themselves to be a stellar contributor to said personal and group evolution. This way multiplying initial potency by 8. Influences Positioning and Company Image.

You will experience everything mentioned here and be convinced of it all in a PRESENTATION-DEMONSTRATION directed by MAT’s creator, lasting only two hours, during which your differential competence, talent and vocation will be revealed. Influences: organising the presentation and teaching of the Omega Theory and being Pioneers in the business training of the Third Millennium.

THE SPLENDOUR OF THE HUMAN BEING; fascicle 30: FORTIFIER TYPOLOGY

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

Dominant dimension: Rector-fear-touch, his skill.
Disconnected dimension: Vitaliser-anger-smell, his talent.
Prohibited dimension: Synthesiser-sadness-hearing, his vocation.
Healthy dimensions: Protector-love-sight.
Orienter-joy-sex.
Transformer-pride-taste.

Tipología MAT Fortificadora por Preciada Azancot

Sensory perception of the Fortifier:

WHAT ARE WE GOING TO SEE? The geometrical shape that prevails in the Fortifier’s aesthetic is the octagon (face, bust, stomach, hands and feet).
The glands that respond to fear and that function with it are the suprarenal glands, and very particularly, the secretion of cortisone and adrenalin which govern the Fortifier’s body and way of being. Cortisone causes swelling, and excess adrenalin, a defensive position against life.
The Fortifier’s face is generally wider than normal. The skin, very fine and delicate, is smooth and tense, as well as soft. The excess of infiltrated water, doesn’t allow the bone structure or the muscle to be perceived, and the features are blurred, very subtle. They seem to have been drawn to then blur out. The forehead is smooth and reflects light like a mirror. There are no wrinkles or expression lines on the face, smooth and subtle. The eyes appear more sunken than normal and have little shine, as if looking inwards. The mouth is somewhat soft and he sucks his upper lip. The hair is fine and not very abundant, except in a few Fortifiers with an innate tendency towards the Constructor connection and who have hair just as profuse and thick as Constructors. But the immense majority of Fortifiers have hair as fine as their skin, very delicate, and become bald precociously, starting at the crown. The face is proportionally large.
The neck is wide and short. The body round and with a tendency to obesity since, on top of excess cortisone, the Fortifier has sadness prohibited and therefore a low functioning of the thyroids and the metabolism. Plus he has disconnected rage and doesn’t burn everything that he could. The result is a great tendency to put on weight, even if he doesn’t eat in excess. On top of that tendency, there is the great water retention in the tissues (stomach, feet and hands which swell easily, and a great propensity to sweat excessively). Delicate shoulders and a rather wide waist, rather prominent stomach and belly, arms and legs somewhat shorter proportionally to the bust, and very narrow hips.
The hands and feet, somewhat wide, have fingers that taper towards the top, much finer than at the base.
The Fortifier moves in a slow and restrained manner, as if in slow motion. He is a bit heavy where he treads. He seems a bit clumsy corporally.
He dresses very discretely, as if to go unnoticed, and takes care of his underwear, which can be of natural silk or satin. He uses navy blue and grey, which are discrete although sombre colours. He doesn’t like to draw attention. When he is in a group, he will place himself on its edge or outside of it.
He has very delicate eyesight and normally suffers from astigmatism. Fortunately it is not a frequent case, but most blind people are Fortifiers.
The Fortifier is very homely and he invented the word home. He likes houses that are humble from the outside and very sensual and rich inside, like Arab palaces. He accumulates a lot of objects because he is sentimental, and keeps the grandparents’ locket. Plus he buys a lot of oriental carpets, silks and brocades, wood and embossed leathers, glittering coppers. He also likes porcelains and figurines. His house in general is overloaded and, for aesthetes, of dubious taste. He has a predilection for pastel colours in decoration. He tries to avoid black, but it is abundant in the decoration of his living spaces. He likes navy blue. He also collects dolls, cuddly toys and miniature cars. He likes intricate gardens, bonsais and fountains. He would love to have a maze in his garden.
The Fortifier is of medium stature and looks a bit stocky. Peruvian Indians are an excellent prototype to give an idea of this typology’s aesthetic.

WHAT ARE WE GOING TO HEAR? The Fortifier is very timid and speaks as little as possible. When he does, he lowers the volume of his voice, which has a deep timbre. In the dissociation phase, the voice becomes fluted and screechy. The Fortifier’s rhythm in speaking is slow and he has a tendency to repeat the words he wishes to emphasise. When asked a question, he takes an infinite time to answer and does so blushing and feeling clumsy.
The Fortifier is an essential being in everything and he likes to choose his words. When he does, he is very impressionistic and one can see that his inner world is basically governed by sensations. Not by ideas, or concepts, or emotions. By sensations. That’s why his language can be as fine as a painting by Monet. In the passage of the Little Prince with the Fox, the latter is a standard Fortifier who can give us a very precise and sensorial idea of this typology.
Although the Fortifier has achieved inner silence much more and better than any other typology, he lives surrounded by strident and aggressive music at full volume, which he needs in order not to think. He also likes the noise and agitation of the street, since concrete is his natural setting.
The Fortifier is not particularly attracted by culture, at least formalised. He prefers live culture, in the making, in the city. He is very curious and is the stroller par excellence. He passionately observes the people who surround him. This is his favourite source of culture.
The Fortifier has the best sense of humour. He captures the ridiculous side of situations that we see as normal and that, for him, are surrealistic. He also cultivates black humour. He tells jokes extraordinarily well.

WHAT ARE WE GOING TO TOUCH?
The Fortifier hates being touched and never dares to touch other people. In that he gets on well with Reactivators. But only where touching is concerned, because he is horrified by Reactivators’ emotional outpourings. The Fortifier’s skin is damp, because he sweats a lot. And the flesh is soft. If you press his skin, the flesh will be marked, with white marks where the fingers sunk in.
Although he doesn’t have a single blemish or wrinkle, the Fortifier always seems older than he is. That is up to the age of fifty, when he starts rejuvenating and looking younger than it says on his identity card.
The Fortifier is not very tolerant of extreme temperatures and suffers a lot from both the cold and the heat.
He has very sensitive skin and suffers from skin eruptions and allergies very easily.

WHAT ARE WE GOING TO TASTE?
The Fortifier loves eating. He eats a lot and well, and he invented stews cooked lovingly for hours over the fireplace. He loves sponge cakes, and fairy cakes and all sorts of pastas. He knows everything about home-made liqueurs and infusions and also about jams and crystallized fruit. He eats everything avoiding only raw meat and fish, although if they are accompanied with seasoning and sauces, he will also eat them. He often chooses to be a vegetarian.
The Fortifier is an excellent cook, careful, loving, patient and fairly imaginative. It relaxes him to cook and he never gets bad tempered if food must be prepared for twenty people. He is a master of confectionery. And he dies for sweets. He prefers to refuse to have dinner as long as he can eat two desserts.

WHAT ARE WE GOING TO SMELL?
The Fortifier, since he sweats a lot, has to wash more than the average person. His skin smells of moss and of earth recently wet by tropical rain. He is not very olfactory, because his rage is disconnected. Body odours don’t tend to disgust him.
However, he is the one who most likes perfumes. He adores them. He collects them, as well as all essences for the bath and also incense, which he frequently burns to scent his home. Giving a Fortifier a perfume as a gift is to get it right for certain. He likes all of them, floral and organic, herbal and mineral. The Fortifier is very sensory and uses each and every one of his senses with delight. That is the base and root of his enormous sensuality.

WHAT ARE WE GOING TO PERCEIVE SEXUALLY?
Of among all the typologies, it can be said without fear of error, that the Fortifier is the best of lovers. He loves making love and has no manias or special preferences. In general, he is basically heterosexual, but can, out of his insatiable curiosity, have one or several relations with people of his own sex. He has no taboos.
He is discrete and doesn’t seduce wherever he goes, like the Promoter. He is fairly faithful when he is in love, at least in the beginning of a relationship.
He is a meticulous and patient lover, and knows how to control himself and wait for his lover to have as many orgasms as possible before thinking of himself.
Plus he loves the slow and subtle rhythms of the oriental style and is adept at tantra even without knowing it.
For him, sex is fundamental, and he can remain with an unsuitable partner perfectly well as long as sex is satisfactory. He likes sex in itself and doesn’t need, like the Reactivator, to be in love in order to have sexual relations with somebody that he likes. And he has a taste for sex that fairly resembles his taste for food: he likes all types of people.
His choice of partner is very conservative. The Fortifier is terrified of falling hopelessly in love, since he associates the true and great love with death: he believes that if he loses that great love, all he will have left to do is commit suicide. Therefore, he protects himself from that great love by marrying people of his same typology. The Fortifier is the only one to do so. He is so afraid of difference, because he associates difference with potential conflicts and tensions, that he prefers to be alone with himself, with somebody just like him. Almost no Fortifier chooses his cosmic partner, a Legislator. He prefers to avoid risks. Then he dreams of Tristan and Isolde.

Structural analysis of the Fortifier:
The very dominant dimension in the Fortifier is the Rector and fear. A Fortifier is afraid of practically everything. He is afraid of change and he is afraid of habit, he is afraid of people and he is afraid of animals. He is afraid of the emotions above all, because it seems to him that people are irrational and don’t know how to control themselves. He does. Controlling himself is what he knows how to do best. He controls himself in such a way, and puts on such an impassive face, that nobody can ever guess what he feels. And he hates people asking him. “The usual, as normal” is his favourite reply in such cases.
On top of authentic fear, which he has at 100%, he experiences fear instead of rage, and also, fear instead of sadness. Meaning that he is almost always in that emotion. And, as if that were not enough, he loves to watch horror movies and to press hard on the accelerator. That way he’s in his element.
His rage is disconnected. If somebody attacks or manipulates him, he will feel fear. Then he will turn his legitimate rage against himself and will feel blame. The guilt complex is a Fortifier’s invention. He feels guilty if something doesn’t go well, if something goes wrong, if it rains and he is with somebody, if somebody trips over, if somebody leaves him, if he gets bad results. Always and in the most unexpected situations. Fear and guilt are his two existential emotions.
He finds rage grotesque. Plus, it is the emotion that can least be controlled. That’s why it horrifies him. He represses it in such a way, that his need for human rage ends up generating a fantasy that terrifies him in the extreme: he believes that if he feels rage he will be capable of assassinating. He believes that he carries an assassin inside and that is why he doesn’t express rage. He doesn’t even allow himself to feel it. He replaces it with guilt. Or with fear.
Since his Vitaliser is disconnected, his corporality leaves a lot to be desired: he is clumsy and slow in his movements. He is afraid of being ridiculous if he allows his body to act. That’s why few practice sport and almost none dance. Fortunately, they make love.
His Synthesiser and sadness are prohibited. He doesn’t think. He very easily falls into confusion and can fall asleep in the most unlikely situations. He would love to be able to understand the causes of everything that exists in the world. That is Nirvana for him, that is the impossible goal that he is anxious to reach, yes, but on condition of not feeling the emotions, of not questioning his loved ones, and of not breaking with routine or what is established. In other words, never.
His Protector is very good, and he is a loyal and reliable friend. He is very kind, supportive and understanding. On condition that he doesn’t have to choose, doesn’t have to say “no”, doesn’t have to put his neck on the line. Love is intact, yes, but conditioned by so much fear and so much guilt, that he prefers to dedicate himself to something else and flees commitment.
Joy, yes, is the best of his emotions. It is fantastic whenever it’s a question of enjoying every pleasure. In that, he is the first to arrive and the last one to leave. But if we consider the high function of joy, spirituality and religiousness, we find that the biggest atheist of all the typologies is precisely the Fortifier. He has seen so much foolishness and so much blood spilled in the name of gods that he has never been able to touch personally, that he prefers to renounce and to think that all that about believing in god is for madmen and that he is sane and doesn’t believe in anything. Even in the most extreme cases, in the culmination phase, for example, we find Buddhism, which does not experience god, but tends towards the total sadness of disappearing, the dilution in Nirvana.
Pride, in principle, is one of his intact emotions and his Transformer is of a good size. The Fortifier is very witty, very creative, very imaginative. True. But the Fortifier is not an authentic creator, because he lacks two essential things for it: the rage to emphatically discount what is no good and the passion to put his neck on the line down to the last consequences, in other words, radicalism and the thirst for the absolute.
For certain, the Fortifier has the most solid structure of all the typologies, since it is based on three healthy dimensions. But the excess of fear and the lack of rage, as well as the prohibition of sadness (the only emotion that allows us to think) reduce the overall tone and stature. The Fortifier flies low, because otherwise he gets vertigo. Once he has passed hyperconnection, he will become an eagle and a titan. But that also happens to the rest of us.

Emotional engineering of the Fortifier:
(inflated fear: timidity – disconnected rage: guilt – sadness: fatalism, defeatism) + love + joy + pride.
The Fortifier, whom we are looking at last after describing all the other typologies, best illustrates the absurdity of them all: here is the strongest, since his structure rests on three healthy dimensions, who feels, presents himself and acts as if he were the weakest. The sensation of insignificance in the face of omnipotent giants impregnates his entire behaviour. Here the story would be of Gulliver in the kingdom of giants.
Indeed, that sensation of being handicapped in what is precisely our unquestionable strength: our skill, our talent, our vocation, which we have, all of us, developed in our mother’s uterus, with the miserly means within our reach in a time and place where the other, our mother, had the power of life or death over us, should precisely make us reflect and react.
Without looking for responsibility where it doesn’t exist, and due to our condition of mammals, we have lost contact with our Centre at a time when we didn’t even have a brain to think.
But there is the positive side, which is no small feat: we have managed, all of the earth’s mammals, to develop a counterweight, with our scarce and limited resources as a human foetus, to manufacture ourselves a skill, a talent, and a vocation that give us back our plenitude at the precise moment of our birth. The Fortifier remained attached to that memory which he transforms into existential nostalgia.
It is that above all else which it terrifies the Fortifier to think about, because if he allowed himself to do so, he would go direct to the cause and solution of the problems, and then stop being passive.
And that is the talent and vocation of the Fortifier: to realise this first with sadness, then with liberating rage, to access the pride of being everything that each one of us was born to be. If that talent and vocation is not assumed, and transformed into a panic of personal insignificance, into a panic that none of us had even as a one-day old embryo, it is not surprising that the strongest should appear the weakest, since everything, in a typological world, is upside down.

Archetypal beliefs of the Fortifier:
The Fortifier, as could not be otherwise, also has his own personal god, whom he venerates. It is Achilles. His rage was about to lose his army. Son of a king and a goddess, he is the innocent cause of a dispute between his father and his mother, where he loses his mother and is entrusted to a centaur. Bathed by his mother in an infernal river to make him immortal, these waters did not touch the heel through which he is mortal and vulnerable. Perfectly trained in the arts and in combat, he was an invincible hero. Warned of the danger of going to war in Troy, he decided to confront the danger, although disguising himself several times and concocting several stratagems to escape his destiny. Even with his divine armour he was reached by an arrow to his heel and died.
This certainly resembles the history of the typologies, the Achilles’ heel being our dominant emotion! But, of course, if we consider that the divine armour is any of the archetypes of the typologies and not the Centre, the axes and the sequence, we will be lost, since “what is not” is a cause only of authentic fear. That way there is no possible escape.
Identified with the hero Achilles, the Fortifier also has, as could not be otherwise, two existential beliefs:
The world is a jungle (from which we have to hide beneath the veil of invisibility).
Nothing can change (you end up being caught anyway).
His Existential Drama E.D. is: “If it weren’t for…” Convinced of his impotence and insignificance, the Fortifier passes the buck so as not to think and thereby not find options so as not to express rage and say no. That way he maintains his perennial feeling of blame, since the feeling of blame is based on the belief that there is always a culprit. If he doesn’t find one within, because he is innocent, he searches for one outside and thereby justifies is immobility. If it weren’t for the politicians, for his mother in law, for the boss, for immigrants, etc., how easy living would be! That way he remains still, and, the strongest, presents himself as the greatest impotent victim.

Psychological profile of the Fortifier typology:
The Fortifier has a human quality as extraordinarily high as the Reactivator’s. But his existential decision is the opposite to the latter’s: whereas the Reactivator boldly takes the plunge, ignoring all the real dangers, the Fortifier hides inside his shell and displays a banner that reads “there is nobody, there is nothing in here”. Where the greatest reserve of respect, sensitivity, strength, and subtlety of the human being exists, there seems to be a great void, an authentic desert.
The Fortifier is considerate and respectful. He never invades the territory, belongings or inner being of anybody, even if he is invited to do so, like the Promoter or the Reactivator; even if the other doesn’t mind, like the Constructor or the Revealer. He treats everybody as if they were Legislators.
But he doesn’t apply the same treatment to himself. He swallows bullshit without complaining. Although he is very proud and the most sensitive of all, it even seems sometimes that he has no dignity. He can be told, or at least everybody else thinks that way, anything and in the crudest ways. Because he totally controls his anger. Because he is exceedingly polite and hates to hurt anyone, everybody believes that he has no sensitivity. As a child, he sometimes had brutal parents who abused him physically and, since he didn’t cry or get angry, they deduced that he was a masochist and would routinely beat him, so that he would remain calm.
But what few know is that the Fortifier has the memory of an elephant and doesn’t forget a single thing that is done to him. He doesn’t forget the good things, for which he remains indebted for life, or forget the bad ones. But the latter only confirm his existential belief that the world is a jungle and that we are all that inconsiderate.
The Fortifier sees himself as the most mature and realistic of all human beings. The rest of us are so dominated by our passions and emotions, that we do not realise the ridiculous situations in which we continuously find ourselves. Others see him as a dreamer, in the clouds, and very insensitive.
The Fortifier has more fun in life than any of the rest of us. To do this he only needs to observe us. He has an outstanding capacity of observation and a gift for caricature and a sense of humour that would dissuade many from playing clever with him. He tears up his caricatures, unless he is pre-connected and works as a comedian, at which he is brilliant. Others believe that, simply, he didn’t see anything, he didn’t think anything. Everyone behaves with him as if he were transparent. That is what the Fortifier most wants on the other hand. And he achieves it, doesn’t he just! That way he can continue to have fun with the grotesque show that the rest of us put on.
The Fortifier is not proud. He rather tends to undervalue himself in everything, except in one thing: he is proud of his self-control. He can and does put on a statue-like and impenetrable face, he can control his emotions and his sensations, and even the beat of his own heart.
The Fortifier is very sensitive, as we already saw, very sensory, yes, but also extremely intelligent. He doesn’t express it, sometimes out of fear of standing out and being saddled with a responsibility or a commitment, sometimes so as not to offend others’ dimwittedness.
The greatest challenge, the greatest passion of the Fortifier is to control and understand time. Not space. Because space, he already decided, for once and for all, not to occupy. That’s why his body protests and puts on weight, in order to occupy its own space. But time, in all its forms, is his existential preoccupation. He achieved inner silence, that silence that we all seek and that the Legislator never finds because he is besieged by internal dialogues. He doesn’t understand how others become agitated and enter into dialogue with internal ghostly figures who demand from them notoriety, recognition, fame, compliments, affection, gods, competitions. For this reason, the Fortifier considers himself to be the only sane person in a world of madmen. And he is grateful for the luck of being in such an entertaining world, where it is sufficient to take a peek at a street, a train, a plane in order to watch the procession of the zoo of human passions.
Time is experienced by the Fortifier with delight: second by second, sequentially, in which each second is unique and different and, at the same time, as if all of his lifetime and all of humanity’s time could be condensed into a single second, unique and identical to itself. It can be said that the only one to experience INMORTALITY day by day and hour by hour is the Fortifier. Just as the Reactivator experiences infinity step by step and even in total immobility. Others believe, and are irritated by it, that the Fortifier is a rock and never changes in anything.
The Fortifier suffers. Moreover, a lot. He suffers for the surrounding loutishness. He suffers for everyone’s brutality. He suffers for perennial injustice. He suffers for the lack of compassion that makes his extremely tender heart weep. He suffers for the relationships of power that appear to drive all humans mad. He suffers for diseases, hunger and miseries. And, in order to do his bit to improve the world, the one he dreams of, he conforms himself with not having any needs, with not needing anything material, or emotional, or much less spiritual. He is sober as a camel and trained in crossing deserts, like one. With the difference that he carries the only oasis that he needs on him: it is his armour, which he uses to deceive the world about his alleged weakness. That is, for the Fortifier, being truly strong. And being wise.
As a supreme display of his wisdom, the Fortifier doesn’t need god. While others kill themselves daily in the name of increasingly grotesque gods, in his view, he decided that god never existed. Not because the world is badly made, since he has loads of fun living and is very long-lived, but because nobody needs him. He sees god as the father or the mother that we all search for to be their protected children. He has always been an adult and has such a memory of his childhood and of his parents that, frankly, he would prefer to stop living before returning to that nightmare.
The relationship that the Fortifier has with rage is one of total scorn. He sees it as a total lack of self-control, in other words, maximum decadence. He doesn’t realise at all that the guilt, with which he lives minute by minute and believes is inherent of “normal” existence, is anger unchannelled and reverted against himself. When he is told this, his eyes pop out of their orbits in amazement: Is it possible to live without guilt? If he displays rage, will he not let out the assassin inside? Won’t it dominate him completely? And, before thinking about the answer, he flees. “One shouldn’t listen to madmen”. And he continues his placid stroller’s walk. He believes that non-violence is the key and the solution to all the world’s evils.
However, sadness, he believes, is his Achilles’ heel. In the face of it he feels weak and disarmed. He cannot tolerate it. As soon as he loses anything or anything is lost, he feels terror: if something deteriorated, if something was lost, the catastrophe he always feared will happen: everything will be lost, everything. The whole world will end. Then he feels guilty: it was his fault, for not being sufficiently alert that thing was lost. And following an exhaustive self-examination, and not finding any fault with himself, he finds a culprit outside and resorts to his Existential Drama: “If it weren’t for…” and calms down.
As we can see, the Fortifier’s inner life is very intense and rich except that it isn’t reflected in anything outside, and, for others, unless it is a dear child or a baby, the truth is, that if he didn’t exist, he wouldn’t be missed. With that the Fortifier, who likes to follow the crowd, would agree. In any case living is a farce or a dream, or a karmic misunderstanding. Nothing more.
As a parent, the Fortifier is marvellous. He doesn’t castrate or interfere in his children’s development, or in their originality and personality. What happens is that few Fortifiers wish to have children, because of the lack of meaning of life. And, those who do, have such slow sperm, so curbed by fear, that they don’t reach the ovule. Sterility is, more often than not, a Fortifier phenomenon. They need to connect rage and sadness to resolve it.
As a house owner he is very homely and likes to gather his loved ones inside. He is attentive to detail, patient, indulgent, and loves to see the variety and diversity of human prototypes. Home-made food is eaten, cooked very lovingly for hours and hours. He likes offal, lentils, candied dishes, simple home-made desserts, and cooks very well. He is not very imaginative, and, sometimes, a bit mean.
For him the family, tradition, and customs are very important. They give him safety and he only counts on them in this jungle of a life.
He tends to placidly marry somebody of his own typology, with whom he will never have any conflict, since they see life the same way. He will live by her side, perhaps have children whom he will adore, age, occasionally have a very exotic and dangerous affair, which will make him value his home even more, and will die. And that’s all. Everything ends where it never should have started: in nothing.
The animals he can best be identified with are the tortoise and the elephant. Otherwise, he doesn’t have a particular love for animals: he prefers the human zoo.
The only thing that despairs him about himself is that, from time to time, very rarely, he feels overwhelmed by a wave of sensations and an emotional paralysis that make him lose control and start to shake, as if it were an epileptic attack. He never found an explanation for that: it is only accumulated sadness, which he doesn’t wish to make contact with. He knows well that when others oblige him to become conscious of or share his sadness, he becomes blocked, his mind goes blank and he doesn’t think. If he is forced to do so he will enter total confusion. He doesn’t like to think. If one thinks a lot, one ends up shooting oneself in the head, for no reason, just like that.
He doesn’t know that precisely the opposite happens: thinking eliminates problems. That is why, most suicides are committed by Fortifiers. And if they don’t do so consciously, they will do so by falling asleep at the wheel or treading hard on the accelerator, which they love doing.
As their life passes by without pain or glory, the Fortifier pays the consequences of deciding to live it in a half light: since he doesn’t want to think or resolve problems, since he doesn’t express rage, since he has no spiritual life his body makes him pay the price and he feels bad. He somatises problems. Since current medicine doesn’t work on the causes of diseases but on their symptoms, they examine him and don’t find anything. That’s why everybody says that he is a hypochondriac. Then a kidney failure or “unforeseeable” lymphatic cancer appears.
Professions: Researcher. Caricaturist. Miniaturist. Gardener. Cloister monk. War reporter. Circus. Clown. Watchmaker. Engineer. Humorist.

S.E.F.: (inflated fear: timidity – rage: guilt – sadness: fatalism) + love + joy + pride.

Phases of typological evolution:
CONNECTED FORTIFIER: THE FORTIFIER – CONSTRUCTOR.
He retains the qualities of his Map: he is faithful, discrete, intimate, kind, dreamy, and resistant. He is a born caricaturist and humorist. He is dreamy, secret, discrete, permissive, and patient. He is very grateful and considerate, self-sacrificing, mature, very intelligent and hardworking. He is attentive to detail, sober, austere, pure. Great sense of observation. He is capable of seeing the ridiculous of every magnification or disqualification. He doesn’t give others advice. He is the least prone to contracting serious diseases (because his structure rests on three authentic emotions).
Plus, he becomes a person in all his magnificence, the standard and prototype of what is humanly possible. A tireless and humble fighter who builds, in whatever time and place he is, an oasis that serves as a reference, model and norm for everybody else. He is an authentic leader who spreads optimism and trust through personal example. A human being who irradiates the certainty of finding the barrier of what is possible and making dreams a reality. A fair and firm judge. Brave. A true friend. The axis and centre of life in society.
Sometimes he places himself reluctantly on the path to hyperconnection and transcendence. He needs help, guidance and a model to do so. He places himself on the path of a Brahms.
Professions: Judge. Legislator. President. Poet. Politician. Organiser. Coordinator. Singer.
S.E.F.: (fear + rage + sadness) + love + joy + pride.
E.D.: none.
He uses 80% of innate energy and forms part of 2% of the population of Fortifiers.

PRECONNECTED FORTIFIER: THE FORTIFIER –REVEALER:
He is a genius of the absurd, of what is comic, a caricature, surrealistic. He is the passer-by who sees everything and tells it in his own way, synthetic and striking. He is a discrete and marginal creator (in the sense of not belonging to any trend). He lives in his glass bubble.
But he believes too much in the power of laughter as a weapon for denouncing and unmasking injustice. He fears confrontation and violence. He feels guilty with the most manipulative. He mistrusts everyone and himself more than anything. Prone towards alcohol and anorexia. He doesn’t accept positions of control or responsibility. And if he does accept them, he distances himself from them, he bends over, because he doesn’t dare to express rage or to expresses sadness for losing essential and sensitive parts of life.
Professions: Artist. Comedian. Film-maker. Journalist. Caricaturist. Biologist. Writer.
S.E.F.: (fear – rage (timidity) – sadness (impotence)) + love + joy + pride.
E.D.: “If it weren’t for…” and “yes… but”.
He uses 40% of innate energy and forms part of 15% of the population of Fortifiers.

MAP FORTIFIER: THE FORTIFIER –FORTIFIER.
He corresponds in everything to the description at the beginning.
He uses 30% of innate energy and forms part of 10% of the population of Fortifiers.

DISCONNECTED FORTIFIER: THE FORTIFIER – REACTIVATOR:
He dares to approach others, although he leaves his skin in every encounter. He is full of mercy towards those who suffer and of severity towards himself. He is tender and grateful. He is absolutely reliable and can be a great artist. He values friendship above everything else in this world.
But he is more vulnerable than ever and is capable of dying for a love not corresponded. He dreams with a connected Reactivator order, but doesn’t dare to believe in it. He is masochistic and chooses those around him badly. He rescues dissociated Reactivators and Promoters. He is unhappy and prone to neurological (epilepsy, multiple sclerosis) and kidney diseases. He doesn’t move for fear of hurting. He doesn’t trust himself.
Professions: Doctor. Priest. Confessor. Teacher. Missionary. Artist.
S.E.F.: (inflated fear: intimidation – rage: guilt – sadness: masochism) – love: mistrust + joy + pride.
E.D.: “If it weren’t for…” and “I’m only trying to help you”.
He uses 20% of innate energy and forms part of 55% of the population of Fortifiers.

PREDISSOCIATED FORTIFIER: THE FORTIFIER – PROMOTER.
In this phase, his back is turned on his real self, and what is even more alarming, he believes that he is in top form and very dynamic. He feels joy at fleeing forward instead of sadness for now losing everything that is saveable and valuable in life. Also, and this is the greatest evidence that he has his back turned on his being, he becomes cynical with the best and shows off about being the “sceptical” realist instead of being ashamed of it, since placing one’s own stature and the measure of what one is capable of understanding as a barrier and benchmark of what is possible and imaginable is bordering on pathetic, especially in somebody so little inclined to arrogance, in somebody of such a patient and human nature.
In the hypothetical case of being 100% in Promoter pre-dissociation, we would have the following absurd scenario:
The ideal henchman for any dictator, anyone without scruples.
Terrified by a world without love, which he sees as a jungle where the strongest swallow the weakest, he renounces his essence and puts himself at the service of the most cynical. He is an unscrupulous and envious social climber. He rises and then crashes spectacularly. He is addicted to amphetamines, cocaine and alcohol. He is prone to cancer, leukaemia, circulatory spasms, traffic accidents and inversions of sexual and social patterns. He submits to all the fashionable trends. He is a hypochondriac.
Professions: Mafiosi. Unscrupulous policeman. Politician. Motorcycle, plane or car racer.
S.E.F.: (inflated fear: cowardice – rage: fanaticism – sadness: nihilism) – love: narcissism – joy: sacrilege – pride: proselytism. Plus he inverts the joy-rage axis.
E.D.: “If it weren’t for…” and “Rubber cheque”.
He uses 3% of innate energy and forms part of 15% of the population of Fortifiers.

DISSOCIATED FORTIFIER: THE FORTIFIER – LEGISLATOR.
This phase is the most tremendous and damaging since, on top of having is back turned on his being, the person is pre-psychotic, immerse in his “lethal formula” of false fear (instead of rage) plus false pride (of accepting as the norm what is most inverted and profaning the surroundings, so as to feel “safe”.
In the improbable case of being 100% like this, we would have the following profile: Although it is necessary to clarify that there are dissociated people who damage themselves exclusively inwards and others do so more outwards, damaging preferably others:
He is the ideal soldier of a terrorist group, the perfect kamikaze and the “martyr” who dies in the holy war. He is the cold executioner of the concentration camps.
He kills in cold blood and then eats and strokes his dog. He doesn’t feel anything. He is only excited by sadomasochism. He is a contract killer, a civil servant of death, a jailer. He is dehumanised. He loves giving dictatorial and militaristic orders. He can suffer a kidney failure or mortal heart or lung spasm. He can commit suicide with pleasure and in a ritual manner (hara-kiri) in the name of an archaic and tribal code of honour.
Professions: Soldier. Interrogator. Politician. Executioner. Mercenary. Kamikaze. Terrorist.
S.E.F.: (lethal formula: false inflated fear + false inflated pride) and inversion of the other two axes: love instead of sadness: martyrdom, masochism and sadness instead of love: necrophilia + rage instead of joy: sacrilege and joy instead of rage: fanaticism and idolatry.
E.D.: “If it weren’t for…” and “Defect”
He uses–16% of innate energy and forms part of 3% of the population of Fortifiers.

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING: fascicle 29: REVEALER TYPOLOGY

Dominant dimension: Vitaliser-rage-smell, his skill.
Disconnected dimension: Synthesiser-sadness-hearing, his talent.
Prohibited dimension: Transformer-pride-taste, his vocation.
Healthy dimensions: Protector-love-sight.
Orienter-joy-sex.

Tipología MAT Reveladora por Preciada Azancot

Sensory perception of the Revealer:

WHAT ARE WE GOING TO SEE? The prevailing geometrical shape in the visual perception of the Revealer is the oval: face, bust, buttocks, hands and feet.
The gland that works with rage is the liver, which secretes bile and also conditions all of the digestive functions: stomach, intestines, anus. The Revealer corresponds in many ways to the classical “bilious” temperament.
The body aesthetic of the Revealer adjusts in everything to the classic Greek canon: the oval face, harmonious Greek proportions, athletic and slim body, the special shape of the muscle that starts above the waist and descends below the intestines in a V-shape, fine thighs and stylised legs, harmoniously wide shoulders, without any stridencies, nice feet and sensual hands that combine what is perfect of the adult with the reminiscence of what is tender in the ephebe, everything in the body of the Revealer is harmony, vitality and slenderness. His aspect is feline in his harmonious and sensual movements, lazy and powerful, always ready to jump elastically. He is loose because he always trusts the power of his body and looks even gawky and indolent because he is “that” feline and makes no effort to control his bearing or his movements. He is as gracious and agile as a panther or a cat.
His face, very harmonious, is of perfect proportions according to the Greek canons: clear forehead but of an ideal height, rather large and open eyes, without excesses, an often Greek nose that comes directly out of the forehead and has a gracious twist to break the Roman straightness, a restless and very mobile mouth that twists and moves all the time in a sensual manner. The expression that most distinguishes the Revealer’s face is the cheeky glint in the eye, always alert and ready to make fun of others, and the mouth that he lifts at one of the corners, as if smiling, while the other corner drops scornfully, as if making fun of all situations defiantly. In all else, we will insist once more on the ease and gracefulness of that elastic and hyper-present body for which the law of gravity doesn’t appear to exist. They also have an incredible sense of balance and make everyone else nervous while they weave through traffic, for example, looking as though they are about to be run over at any moment, which never happens. It can be said that the Revealer IS a body before anything else. A hyper-present body that he constantly puts to the test. And he enjoys it to the maximum, running, jumping, slouching in strange positions that require great contortionist control and amaze others. And they are also indolent and graceful out of an excess of confidence in their bodies. They are human felines.
They dress just as loosely and informally. They invented jeans, which are their uniform for everything. They hate suits and ties, which hinder their naturalness and limits their sacred freedom. They also like sports shoes, which they can combine with their jeans or with a dinner jacket for major galas. Only dressed that way do they feel that they are themselves. Otherwise, they look disguised and protest. They use preferably blue, red and black.
Their house is also very informal and rarely do they take care to decorate it. They leave that to their family or to their partner. If they must, they will choose a mixture of cheap and practical furniture mixed with ethnic objects, but will leave their house half-decorated. They rarely finish what they start, in fact. They get bored halfway through, as soon as they need to make an effort to persist. They no longer “feel like” continuing. Everything they do is if and when they “feel like it”. They are fairly indolent and therefore, irritate others. And that is just one of the many manifestations of their prohibited pride: that way they don’t finish or shine or feel proud of a finished work.
They are not glamorous or smart, but are sensual and show their naked body with total innocence and lack of shyness. They are natural-born naturists.
The Revealer is of medium-tall height.

WHAT ARE WE GOING TO HEAR? Not much really, and nothing excessively coherent. He is lazy about giving speeches and, for him, giving a speech is finishing a sentence. He starts it, yes, full of difficulty, using plenty of fillers such as “well… that is…you know…”, and leaves you halfway, without finishing his idea. The effort of understanding him and completing his sentences is up to us, the others. Plus he speaks quietly, almost inaudibly, and, on top of it all, instead of emphasising important words and raising his voice, he leaves them for the end of the sentence and swallows the words. It is another irritating example of his way of behaving with others, but that is easy to decode as further proof of his prohibited pride. Plus he is very informal and even rude, since he uses a lot of swear words and crude expressions.
Revealers are the greatest lovers of culture and literature. Nobody would say so from hearing them speak. Even if they are marvellous writers or great poets, they will speak like an infant school child or illiterate person.
They aren’t bothered by noises and they make noise. They are the ones we need to complain at most when we are their neighbours and we find rock music blaring out at three o’clock in the morning, at full blast. Revealer music is of a broken rhythm, with a profusion of drums and percussion: rock and disco music. Also African music, starting with jazz, and to the wildest drums.

WHAT ARE WE GOING TO TOUCH?
The Revealer doesn’t mind touching or being touched. It’s all the same to him. He doesn’t give touch a special importance, except when it’s some sort of fetish that he keeps and strokes since childhood, soft and plush. He likes oriental carpets because they are pleasing and of funny colours, and they throw themselves indolently on them, naked, because that is something they do feel like doing.
The Revealer’s skin is soft and of a medium satin-like thickness. It is pleasant. He suffers a lot from heat, which he cannot stand. He literally chokes in summer. He tolerates cold better although he doesn’t like extreme temperatures. Where extremists are concerned, he’s the job.

WHAT ARE WE GOING TO TASTE?
The Revealer doesn’t like eating: he is like a child that needs to be distracted and entertained in order to eat. He eats little and is bored by formal meals at a table with a tablecloth. He prefers snacking and rations of croquettes, fried fish, hams and cheeses that he can prod with a fork or pick with his hands. He loves trash food because it is fast and fun. Plus, since he is undisciplined in everything, he prefers to snack when he’s hungry and to stop thinking about something as boring and repetitive as food. When he’s hungry, he doesn’t feel it. He waits until he’s about to faint, or pass out to realise that he’s missed one or several meals.
There are few Revealer chefs, unless they reached their connection. Cooking is a waste of time and they prefer to telephone and order a pizza or a Chinese takeaway. They love sandwiches. They like drinking beer and wines and also stronger stuff, like a rum and coke, tequila or margaritas. They can drink and smoke too much.

WHAT ARE WE GOING TO SMELL?
The Revealer is extremely olfactory and can recognise people by their body odour even when blindfolded. He is surprised when he realises this, since he hadn’t realised how olfactory he is. And that is because he is so sensitive to smells that he knows how to disconnect his sense of smell in all places that smell bad. And, for him, that’s most of them. His favourite smell is jasmine and mint and also the smell of freshly prepared coffee.
They have a feline body odour: they smell like a lion cub.
The Revealer, since he is the most rebel and informal of all the typologies, takes a long time to acquire scrupulous hygiene habits. They often forget to wash or happily skip brushing their teeth. When they wash, they prefer an expeditious shower, but if you prepare them a warm bath, they also enjoy it very much.

WHAT ARE WE GOING TO PERCEIVE SEXUALLY?
The Revealer preserves, in sexual matters, the freshness and candour of a child. He feels intense curiosity for sex and likes to know and try everything. But once tried, he is lazy about doing it repeatedly. He is quite a fetishist, especially about bare feet. He likes everything that gives him morbid curiosity, what is new, unusual. It’s like with food: he is bored by repetition. He can easily lack appetite. Making love is marvellous and fun and exciting, but he doesn’t need it to live.
The Revealer chooses his partners fairly badly. He is so afraid of being controlled and dominated that he tends to fall into the hands of the worst, those who have become artists of power and control and who exercise it beneath the mask of silent victims who ask him for protection and shelter. When they discover the fraud, it’s already too late and they have several children. Since they estimate that it is misfortune enough to be in this unfair and merciless world, they don’t abandon their innocent children and remain trapped.
As lovers they are excellent: very imaginative, with a lot of control and stamina and fun accomplices with absolutely no prejudices. This total lack of prejudice can lead them to have partners who are much older than them or to try in all tranquillity untraditional forms of sex, such as homosexuality, bisexuality, group sex or with animals they find pleasing. Of course, the difference of skin colour or religion is not any obstacle at all for them. They also love masturbation, which they practice with the innocence and purity of a peaceful animal. His only problem, and it’s a shame because he is super-gifted for it, is in the conversion of sex into art. If you suggest a night of love to them with the entire tantric ritual, they will consider it an imposition that “breaks with what is natural” and they will therefore reject it, indignant. Sex, for the Revealer, is a normal and organic necessity, like sleeping or moving and which they see no added value to, unless it is a question of fetishism, of which he is very fond.

Structural analysis of the Revealer typology:
The entire way of being, feeling and expressing himself of the Revealer illustrates the dominant presence of the Vitaliser. The Revealer is the great rebel and avenger of all the typologies. And to begin with, he hates the idea of having a typology, which seems unthinkable for the free and elusive being that he is. But when he discovers that the MAT approach is to see the typologies as prisons from which to learn to free oneself he becomes one of the greatest adepts of this science. In all our groups, the proportion of Revealers dominates, which is a guarantee of quality and of truth. The Revealer seeks and defends only one thing in his life: truth. For him, truth is beauty and freedom. That is why he hates and fights viciously against any lie, which he knows how to detect like nobody. He seems to have a radar to detect lies and manipulation. He literally smells them, even before they manifest themselves. And he is very proud of it. And he denounces them with delighted anger. And he doesn’t let the liar go until he rectifies and says he’s sorry. Then he forgives magnanimously, because even though it may not seem it from the passion and tenacity that he puts into denouncing, the Revealer does not bear grudges and truly forgives when there is genuine repentance. Except that he cannot be fooled when that repentance is opportunist. Then, he will continue to denounce and will harbour any offence resentfully in his memory, which is large.
And also, we already saw, the Revealer is the one with most corporality. He is free and agile body and that is obvious to anyone. All truth comes from the body and returns to it. He feels life with his body, not with his mind or with his emotions or concepts, or, much less, beliefs. His aspect and physical and mental constitution is eternally juvenile.
The Synthesiser is his talent and that is noticeable, because he is extremely intelligent. But he doesn’t like to analyse first and react after, as adequate functioning requires. He does so the other way round: first he reacts epidermically against what he likes and feels like and what he doesn’t. Then he analyses, after the fact, when it’s too late and he destroyed something that could have been preserved. When that happens, he looks for culprits outside and becomes even angrier.
He doesn’t tolerate a loss, however small it may be. When something is lost or deteriorates, when there is the slightest disturbance, the Revealer reacts with rage and searches for culprits. If he doesn’t find them quickly, he will pass onto paranoia and believe in a skilfully woven plot against him.
His talent is also noticeable in the Synthesiser, because he knows how to listen very well. He likes to listen more than to speak.
With death, maximum disappearance and irreparable loss, he has a strange relationship mixture of fascination and horror. He is a romantic, in the most etymological and nineteenth-century sense of the word. He is attracted by death and by everything related to it. For him, it is the clearest form of eternity that can be captured on this earth. And eternity is his major search for spirituality. But he is horrified by the decomposition that can be associated with death. Even so, he feels more identified with it than with life, which he finds a vulgarity.
His Transformer is prohibited, but it is also noticeable that this is his authentic vocation, because he only likes creators and artists. That is his true and authentic world. But he doesn’t dare to affirm his pride in any field, except in that of clandestine or semi-official creation and discovery, which he hides as if apologising to the world. He knows a number of essential answers that the world awaits, but has the conviction that if he says them, nobody will take him seriously and he will be made fun of, or, even worse, made the target of general envy. What most shocks him in life is arrogance and inflated pride, which he finds grotesque and pathetic.
For him the Rector constitutes the maximum in his hierarchy of values. Although sometimes he is not conscious of this. For him, norms and rules are corsets that he is proud to burst open in the name of the unseizable freedom that human beings ought to die and live for. But he knows and defends, and, in the last case, finds, the exact norms that should govern social life in order to facilitate cohabitation without having to limit freedom. At the same time, safety is his maximum yearning which he most often renounces, because society is set up to make that illusory safety payable at the cost of freedom. But his maximum search in this life would be that authentic safety that he knows exists and that rests on the strength of real self-knowledge and self-control of the lowest most contemptible instincts, which other human beings abusively associate with freedom.
The Revealer’s Protector is perfect. The Revealer is supportive and affectionate. He is endearing and tender like a kitten and loves to purr and rub against you when you are not castrating or playing daddy or mummy. The Revealer is faithful and constant with his loved ones. He is reliable and does not betray the trust deposited in him. What horrifies him is that most people use love as a weapon of power and domination over others. That’s why he “passes” and leaves, even if he gives the impression of being fickle. In that his pride is well placed, since he doesn’t care about others’ opinions, he is only interested in his own self-esteem and his own appreciation of the reasons that made him move away from an alleged and socially applauded love. He left because that was not love but possession. Full stop. And he will give nobody any explanations, nor expect to be understood. He will not waste his time or energy on that.
The Revealer’s Orienter is also marvellous. He enjoys and takes pleasure in every one of the world’s delights, however small it may be. His greatest joy is provided by animals in freedom. He prefers them, and a lot, to people. For him they are a symbol of liberty and of the perfection of life. He finds any animal lovable, however ugly it may be. He likes to live in their company and he is the greatest defender of wild species at risk of extinction. He also likes change, which is the greatest manifestation of joy. He is also spiritual, although very Manichean, and only distinguishes good and evil, without nuances. Nor does he understand dialectics. For him the greatest search for transcendence is eternity. It tires him to think of infinity. That’s not made for him; he can’t be bothered.

Emotional engineering of the Revealer:
– Rage is his inflated emotion. He becomes furious too easily. It can be said that he is furious half of the time: naturally, when there is the slightest cause for authentic rage, such as in the face of an injustice, a lie, falsehood or deceit. He literally bellows in those cases, denounces and denounces and doesn’t stop denouncing until he has been able, all on his little own, to eliminate the cause for indignation.
But also when sadness is the suitable emotion. He doesn’t tolerate frustration, loss or deterioration. He becomes furious in the face of any of these circumstances and searches for culprits that he can reproach for the things, in life, not always being as they should be.
And, finally, in the face of reasons for pride, he also becomes furious and irritated. He doesn’t dare to propose his ideas, which are many and very good, so, to console himself, he busies himself making fun of and scorning those who do dare. Unless they are consecrated artists, who then, he will venerate.
Sadness is disconnected in the Revealer. He changes it for vengeful and resentful rage. However, he is very intelligent and witty and has an excellent memory. He reads a lot and remembers everything he reads. His mind is like a computer that remembers exactly in which book to find the information everybody else is looking for. And he is capable of finding a book in a library of thousands of volumes, as if he had a radar that guided him. He likes to accumulate information and knows how to listen very well, especially, and with immense delight, to old people and children.
Pride is a veneration and phobia of his at the same time. He doesn’t tolerate the expression of pride, which he sees as bluster, in anybody. But he only lives for art. That is his real home and country of choice.

Archetypal beliefs of the Reactivator:
The Revealer has, although he believes that he is the most iconoclastic of all of us, his archetypal god, whom he venerates: it is Prometheus. He created the first men according to certain traditions. Benefactor of humanity who deceives Zeus himself in order to favour mankind, and then steals fire from him to give it to mortals. That is why he is condemned to be chained, while an eagle permanently devours his liver. Even so he manages to win, to recover his freedom, to be immortal and possess the prophetic gift, without Zeus being able to oppose it. He is the one who defeats God himself, opposing himself to the injustice of discrimination and divine privileges.
His existential beliefs are:
“Life is not a party” (because others’ envy makes it bitter for you)
“If I say what I know, nobody will believe me” (and they will come for me, with envy)
His Existential Drama E.D. is “Yes….but”. Since he doesn’t dare to communicate his ideas and discoveries to the world, he asks others for ideas and, when he receives them, rejects them one by one, finding faults in them. That way he moves first in doing to others what, in his fantasy, he is afraid being done to him. That is why he is seen as embittered, scornful and envious, meaning that he becomes what he is afraid of others being. That way he has a pretext for feeling resentful against the world and not becoming reconciled with it.

Psychological profile of the Revealer:
The Revealer is a free unseizable being. He is the rebel and non-conformist who denounces out loud all lies, abuses, injustices and chains. With it he chains himself, because since he attacks and protests all the time, he is afraid of being the target of attacks from the society of conformists and resigned people made up by the rest of us. If the attack doesn’t come, he takes charge of inventing a plot against him, because he is very paranoid. If he finds support and solidarity he will believe that it is a misunderstanding that only postpones the attack that will not take long coming. This way, he becomes defensive and aggressive, until he is rejected. Then he finds confirmation of his darkest opinions of others. The essential thing for him is not to question his own paranoia and not to reconcile himself with the world. His favourite expression is: “people are…” and he adds all the negative adjectives that can be imagined.
He lives life as a king in exile: everything happens as if, in some moment and place, he had lost, without him remembering it, that marvellous world, his world, made of peace and happiness, of sensuality and understanding, of splendours and creations, which he feels as his and of which he was deprived one fine day without any reason. Out of pure envy. He feels, that way, like Gulliver in the country of dwarfs: he is a good-natured and patient giant, joyful and brilliant who doesn’t pick on anyone. It’s the others who pick on him, because he is bigger than them. Out of envy. Until he roars and they flee in terror. Cowards!
That world, his world, where he is king, he can only find in art, created by exceptional beings like him and for beings like him. Why aren’t there kingdoms like those of art in the world? Why is the world so mean, small and jailing? Why is God unfair? Then he recognises the depth of his conflict: God is the inadequate, unjust, incapable and shoddy maker who has created an imperfect and jailing world and has put him there, him, alone and abandoned. Man is better than God, at least men like him, capable of creating perfect worlds like those of literature, poetry, music, dance, sculpture, remote and disappeared civilisations, which he loves like nobody. That is his world. His only possible world. That is how he sees himself. Meanwhile, others see him as an irresponsible, retarded adolescent incapable of accepting the least discipline required for life in society.
He feels tolerant and magnanimous. He feels like an indulgent and good-natured lion around which monkeys and squirrels frolic, and which he watches with delight. He is seen as a resentful bitter, non-conformist and retarded hippie, incapable of inserting himself in adult society.
He only seeks the perfection of beauty and truth and also of freedom. He is seen as the only one who makes peace and concord impossible, as the one who introduces civil war and discord, as the one who separates those who wish to live in harmony.
He is the most sensitive of all human beings. He dreams of a world of beauty and harmony, respect and consideration. He is seen as a harsh avenger who is only excited by war and revolution.
He is the most intelligent, and always searches for novel solutions that suppress and eradicate pain. He is seen as tough, indifferent to pain, because he doesn’t want to sob and complain like everybody else.
The Revealer is the most misunderstood of all the typologies, although, as we already saw, they are all misunderstood also. But the Revealer, although he complains about being misunderstood, also enjoys it at the same time. That way he feels different and finds reasons for condemning the world and not reconciling himself with it.
And the thing is that the Revealer assigns himself the task of revealing the incoherencies and injustices of the world, which, according to him, all human beings have manufactured, except for him, of course. It is very true that the Revealer is a touchstone of what isn’t working, of what is twisted, of what is stupid, cowardly, mimetic, and especially, idolatrous. His function would be perfectly realised if he connected his talent and his vocation, after, of course, having resized his skill. If this were to happen, he would find brilliantly intelligent solutions to our underdevelopment, in a clam and tranquil manner, without ever getting angry and happy to help. If this were to happen, he would only denounce what is false, deceitful, idolatrous, starting with himself, and would propose new worlds out of his imagination, his creating capacity, worlds based on authenticity and the calm bravery of he who knows that what is, is. And he would place that exceptional creation at the service of love and human solidarity. And he would put that belonging at the service of a clean spirituality based on the certainty of a fair and perfect creator who gave the same to all his creatures. It can be said that the Revealer would reveal the truth and possible ways out; if he were connected, if he were out of his Map. Like everyone else, like all of us. But, while he is in his Map he functions, like everybody else, as if there were two weights and two measurements: he sees the mote in the other’s eye, nobody can deny him that, but not the beam in his own. He denounces as if he didn’t have idols, as if he didn’t inflate his rage and didn’t transform his sadness into resentment, as if he accused all of us of doing to him what, in truth, back then and there one or two people did to him. As if everyone else hadn’t been obliged to disconnect their talent and their vocation and grotesquely inflate their skill. And, instead of crying for his losses, instead of allowing us to console him and show him that we do love him and value him, he bellows and attacks all of us, putting us all in the same bag of the wicked. And the pygmies.
His opinion of everybody else is very clear: his greatest enemy is the Legislator: he has a real phobia of him because his inflated pride shocks him and offends him to the maximum. For him, they are the creators of this facile, idolatrous and inverted world that he would wish to eradicate from the face of the earth.
The Promoter entertains him because they make fun of the world, but he cannot tolerate their tricks and ploys, since he is very ethical and moral. Plus they act as if they, the Promoters, were the type of man or woman who truly attract and seduce the opposite sex, convincing him that he, the Revealer, is seen as a child who cannot attract any adult.
The Constructor is, in his eyes, a despicable slave who adores servitude and the chains for which he lives.
The Reactivator is worthwhile and he would like to count on them. They are the only ones he appreciates, whom he values. With him, they would form a complete world, with everything that is worth being considered. But that fool spends his time ecstatic in the face of the pygmies and never joins him. He spends his life kneeling before those who damage and use him. He would slap some sense in to them to join him! But when they hear him speak badly of people, moreover their people, the Reactivator accuses him of being the only baddy in the picture and abandons him.
As for the Fortifier, he considers that they could be individuals if they weren’t so cowardly and quiet. Bah! At the end of the day they are dead.
So he is alone in the world. That is the only truth. His truth. And his only escape is in imaginary, artistic or virtual worlds.
But when he gets tired of reprimanding and blaming the world, he realises that perhaps he is the only inadequate person, the only one who’s spare: Isn’t he the one who always attacks others, to then accuse them of coming for him? This way he comes into contact with his greatest fear: that of being Doctor Jekyll and Mister Hide. Then he despairs and only wishes to die and to become nothing. Because only there will he be in his kingdom, in his element, have what he deserves and, moreover, be where he wants to be, since that way he will be as far away as possible from that cruel god who created a bad world. Bad like him.
But when you know how to decode the Revealer’s inflated rage and translate it into pain for all the world’s imperfections, we discover the real personality locked in there. He is tender, joyful and playful like a kitten. He is generous and sensitive. He is marvellously tolerant with the defects and faults of the beings he really trusts. He is a great protector of the best. And he is frightened, very frightened of displeasing the world, of seeing himself rejected by it.
In any case, whether we know him in depth or not, nobody doubts that the Revealer is the great avenger. His emblematic figure is that of the lone ranger who defends the oppressed, orphans and those who have been humbled, who restores harmony and peace, and who retires riding towards the next injustice, where crushed beings need him whom he will shelter and free with his nobility, with that heart of gold that doesn’t fit inside his chest. And he will leave, because he never sought honours or gratitude that could bring unwanted privileges with them.
In love, the Revealer dreams with the Reactivator, his cosmic partner, with whom he will be able to build a universe of radiant light. Few dare to realise this dream because, absurdly, they believe that they will be rejected. So they marry the greyest possible person, who claims to admire and need them, but who will then try to castrate and subjugate them to their power.
As a father or mother, the Revealer is at the same time marvellous, since he considers that children are born already perfect, but, also the one who least wishes to be a parent. They consider that this life is too ugly and threatening to want to bring beings into it who will suffer out of their lack of conscience. Out of a narcissistic desire to perpetuate themselves at the expense of innocent beings who didn’t ask to be here.
What the Revealer most values, we already know this, is art, in all its forms and expressions. He lives for art and from art. It is his refuge and the only thing that gives him the strength to carry on. He lives immersed in that exceptional universe which he considers his only possible nation. He also loves travelling, because it is his way of accepting the real world: remotely and provisionally. He is a great explorer and a great adventurer. If it were up to him, he would always be travelling the world. He would take only a pair of jeans, a T-shirt, his guitar and a few good books. He doesn’t need anything else in order to be happy.
The Revealer’s spiritual dimension is in the image and likeness of his inner self: conflictive. He has a serious problem with god, who he blames for all the injustices committed by men, but feels fascination towards Eternity and Immortality. When he is confronted with his main dilemma, that of not accepting evil as one of the options of man gifted with freedom, he gets out of the jam in a spin: if he were god, he would behead the wicked, and destroy entire cities so that they learned their lesson. Therefore, since god doesn’t do it, he loves evil. And that’s that. The Revealer invented his own religion: Manichaeism, an eternal fight between good and evil, where, of course, in the end good triumphs, like in the archetypal story of Prometheus. But how tiring! What a drag, a world like that!
His house contains books; it is a refuge for books. And for records. Otherwise, he is not interested in either comfort or expensive objects that are binding and represent ties. If it were for him, if it weren’t for books and records, he wouldn’t have a home. He doesn’t like inviting people home much. He prefers a bar where you can eat standing up, informally, snacking. Although he does like talking a lot. But he prefers to do so walking. He loves to move and he is a tireless walker, who has fun that way and feels alive. Plus that makes him drain adrenalin and he feels more pacific.
All animals are his favourite animals. He adores all of them and prefers them to men. Tarzan is an archetypal Revealer. Everybody else identifies him with felines: cats for the most banal and lions for the superior ones.
What most despairs him about himself is when, tired of accusing the world, he suddenly sees himself as Mister Hide who defeated Doctor Jekyll and will show the world how evil he is. After that crisis, he tends to make enemies with the world again and with “people”, so as not to commit suicide or allow himself to die of hunger.
His relationship with the vocation is only fulfilled when he manages to become a great artist, which occurs very frequently in Revealers. Everything else, such as building civilisations, companies, or families doesn’t interest him too much, since he doesn’t give them as much value. He has a very special gift for recognising the real value of works of art, both his own and other people’s. He dreams of becoming a genius, and if he puts himself to it, he achieves it. But he doesn’t tend to be recognised in life. Which exacerbates his enmity with the world even further.
His S.E.F.:
(inflated rage – sadness transformed into rage, resentment, vengefulness – pride transformed into fear, profanation, meanness) + love + joy – fear.
Professions: Artist. Writer. Explorer. Journalist. Travelling salesman. Defence lawyer. Doctor. Analyst. Comedian. Revolutionary.

Phases of typological evolution:
THE CONNECTED REVEALER: THE REVEALER – LEGISLATOR.
He retains, purified and uncontaminated, the qualities of his Map: he is just, fun, creating, sensual, witty, seductive, charming, kind-natured, reliable, loyal, romantic, loving, tender sensitive, vulnerable and brave. He is creative and creating. He hates injustice, lies, manipulation, the inversion of values. He is an idealist and timid. He saves victims and doesn’t wish to be recognised by them. He adores live culture and creates culture. He defends to the hilt the uniqueness of the human being and his inalienable freedom.
He becomes a person who is sure of himself and of the immanent justice that exists in the world. He believes in good faith and in the love of the best. He accepts life as it is and improves it. Those around him find in him a tender protector, strong and brave. He is a specialist in confronting and putting the worst, the most toxic, in their place. He no longer suffers from jealousy and is generous and patient. He is wise and a discoverer of paths. He is the full Promoter of a new order based on the miraculous balance between love and justice at the service of life. He is a marvellous lover, an outstanding parent, an unconditional and fun friend. He finds his twin soul and lives a love like out of a novel that ends well. He is hyper-creative and deeply tolerant and spiritual. He assumes that God is all good and learns from him. He is strong and fortifying. He believes in the human being and adores the connected Reactivator, with whom he builds a garden of Eden on this earth and for everyone.
He wastes no time in placing himself on the path to hyper-connection and transcendence, and has as a reference a Shakespeare and a Mozart.
Professions: Television. Press. Head of state. Company manager. Head of a medical service. Triumphant artist. Analyst. Teacher. Advisor. Engineer. Coordinator.
S.E.F.: (rage + sadness + pride) + love + joy + fear.
E.D.: none.
He uses 80% of innate energy and forms part of 2% of the population of Revealers.

PRECONNECTION PHASE: THE REVEALER – REACTIVATOR:
He is a great artist and a fervent just idealist. He lives for the great love that lasts beyond death. He is just, brave, patient and adorable. He retains all the qualities of his Map and loses the paranoia with his loved ones. He falls in love with Reactivators and sets about protecting them.
But he is too dependent on love and becomes like a baby who is afraid of losing his mother’s breast. He doesn’t assert himself and is afraid to stand out. He can die if betrayed. He seeks useless risks and goes about life like a bullfighter. He is prone to tuberculosis and other romantic diseases. He believes that “opposing himself to” is being free. He rots with a guilt complex against his jailers and doubts about abandoning them.
Professions: Lawyer. Consultant. Doctor. Political scientist. Bullfighter. Writer. Painter. Film maker. Sociologist. Psychiatrist.
S.E.F.: (rage – sadness, vengefulness – pride, timidity) + love + joy – fear, hysteria.
E.D.: “Yes…but” and “I’m only trying to help you”
He uses 40% of energy and forms part of 15% of the population of Revealers.

MAP PHASE: THE REVEALER – REVEALER.
He is in everything identical to what is written in the general presentation.
He uses 30% of innate energy and forms part of 10% of the population of Revealers.

DISCONNECTION PHASE: THE REVEALER – FORTIFIER.
He is the safe employee who will stay with the company or in the administration for life, because he doesn’t dare to stand out. Or, on the other extreme, he is the individualist and isolated artist who shelters in the false safety of being superior to everybody else. He is somewhat grouchy but won’t leave. He marries inadequate people who subject him to their power. He is the indomitable “bohemian” artist who speaks of art instead of making it. He protests, but he doesn’t change the world because he doesn’t dare to propose creative solutions.
But he is even more mistrustful and paranoid. He lives in a great contradiction since he looks for safe jobs that generate his own scorn, or chooses the miserable life of the “bohemian” artist. He becomes an alcoholic and suffers from liver and stomach problems. He has nervous disorders and suffers from insomnia. He is envious and corporate-minded. He doesn’t believe in himself or in others. He is a grouch. He is a passive saboteur addicted to work to rule. He has a phobia towards the Legislator and is jealous of the Promoter.
Professions: Craftsperson. Taxi driver. Labourer. Administrator. Deputy chief. Beggar. Clown. TV presenter. Tourist guide. Bureaucrat. Left-wing politician.
S.E.F.: (inflated rage, vengeful – resentful sadness – envious pride) – subjugated love – cowardly fear + joy.
E.D.: “Yes…but” and “If it weren’t for…”
He uses 20% of innate energy and forms part of 55% of the population of Revealers.

PREDISSOCIATION PHASE: THE REVEALER –CONSTRUCTOR.
This phase tends to follow the previous one, when, instead of accepting mistakes and undoing wrongs the Revealer becomes stubborn about doing “more of the same”, and, moreover without reprieve and in the most perfectionist way as possible.
In the case of being 100% in this phase, in other words, with his back absolutely turned on his real self, we would have the following profile:
Finally he believes that he is safe and worthy of being taken into account! At last he believes that he is useful and irreplaceable!
He becomes mean and envious of the best and of creators. He stops being interested in art and decides to stand out in an imprisoning company. He aspires to power and doesn’t allow others to grow. He loses himself in hyper-rationalisations so as not to feel. He is insecure and is convinced that he cannot interest anybody. He works for the worst exploiters and stamps on Reactivators. He promises and doesn’t fulfil, in order to make himself feel important. He is capable of betraying the best, because he envies them. He is selfish and has faith in nothing and in no one. He is prone to heart attacks, cirrhosis of the liver and cancer. He no longer enjoys food or drink. He stops smoking but declares holy war on smoking. He works and overwhelms himself so as not to think. He is obsequious and servile with the powerful. He flees from life and what he truly loves. He doesn’t hear well, loses his sight and is prone to high cholesterol and to diabetes.
Professions: General manager of opaque companies. Director of multinational companies. Henchman of Mafiosi or exploiting entrepreneurs. Pimp.
S.E.F.: (inflated rage – resentful sadness – envious pride) – jealous love – necrophilic joy – contemptible fear. Plus he inverts the love-sadness axis, which he transforms into necrophilia and masochism.
E.D.: “Yes… but” and “Overwhelmed”.
He uses 3% of innate energy and forms part of 15% of the population of Revealers.

DISSOCIATION PHASE: THE REVEALER – PROMOTER.
In the extremely rare case of being, 100%, not only with his back turned on himself, but also, immerse in his lethal formula (vengeful and resentful rage plus the joy of revenge in open war), we would have the following pre-psychotic profile. But often he is this way in only one or two areas of his life, most of the time in war only against his inner self:
He is the ideal person to unleash wars of extermination and holocausts.
He is a Manichean megalomaniac who believes that he is the saviour of his people chosen by the gods against the forces of evil. In fact he inverts everything and turns to the holocaust and the extermination of the most luminous. It is a way of committing suicide while killing everybody else along with him. He is a delirious Manichean and extremely dangerous, since he is capable of dragging the failed and envious, mediocre and discontent towards a war of extermination. He is of an overwhelming violence and sadism. He hates everything that is beautiful and everything that is pure. He is necrophilic and idolatrous. He is Mister Hide driven mad by the joy of revenge. He is cowardly in the face of dissociated Promoters and Magnetisers. He hates connected Reactivators and Revealers.
Professions: Warrior. Dictator. Soldier. Politician. Yellow press journalist. Mercenary. Manager.
S.E.F.: (false rage against what is beautiful + joy of revenge, lethal formula) – inversion of the two axes: love transformed into necrophilia and sadness transformed into masochism and sadism – rage transformed into joy: idolatry and fanaticism and joy transformed into rage: sacrilege.
He uses –16% of innate energy and forms part of 3% of the population of Revealers.

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING, fascicle 28: REACTIVATOR TYPOLOGY

Dominant dimension: Protector-love-sight, his skill.
Disconnected dimension: Rector-fear-touch, his talent.
Prohibited dimension: Orienter-joy-sex, his vocation.
Healthy dimensions: Synthesiser-sadness-hearing, original dimension.
Transformer-pride-taste, original dimension.

Sensory perception of the Reactivator:

WHAT ARE WE GOING TO SEE? The geometrical shape that dominates the Reactivator’s appearance is the triangle (face, bust, hips, feet and hands).
Love, his prevailing emotion, governs the hypophysis gland and provides great beauty and harmony in what is visible and also in the proportion and harmony of functions and emotions. Its visible consequence is, very especially, the beauty and depth of large and luminous eyes, often pale, a triangular face, a regal bearing, fine and strong bones, and beautiful proportions that always make him look taller and thinner than he is.
His triangular face has a broad forehead with a hairline that often starts with a triangle appearing from the top half (widow’s peak). He has wide eyebrows, often joining and that define a seagull moving its wings while the Reactivator speaks or thinks. The eyes are enormous and almond-shaped like a gazelle’s and he has a profound and warm gaze that appears to penetrate the examined object’s soul. The gaze also appears to come from the soul and to communicate directly from soul to soul. And that’s how it is. He has a small and often upturned nose. His mouth is very peculiar, because the upper lip, of a suitable width, has a well-defined Cupid’s bow, in the shape of a heart, and the lower lip trembles like that of a child about to break out in tears. However, the Reactivator never looks sad and smiles warmly and empathically.
The neck, wrists and ankles are long and fine and give him a prince-like bearing. His bust is more slender and narrower than the hips and his waist is very thin. The Reactivator’s hips are wide, especially in women, giving them a very maternal appearance.
He has flabby thighs, fine and elegant legs and forearms, and lovely hands and feet, fine and long, with fine and straight seemingly endless fingers. The Reactivator uses his hands a lot when he speaks and makes them draw symbols that support and emphasise his speech, appearing like birds in flight.
The Reactivator’s way of moving is characterised by two things: his prince-like bearing, and his light aerial way of walking, that appears to levitate about five centimetres above the ground. In that too he is reminiscent of birds.
He dresses in an original and daring manner, because he likes to mix noble materials with crafted and original fabrics such as wild silk, muslins combined with thickly woven wools, high necks with frills and long skirts that give an appearance of integrating what is ethnic with what is most refined made by man (silks, brocades, etc). In any case, the Reactivator hates what is formal, clichéd and even classical, which he considers boring. He is an artist in everything and original in everything. He breaks moulds without seeking to and never bows to any fashion. Neither does he like to create fashion, because it offends him to be imitated. He hates suits if he is a man and tailored suits if a woman. He creates his own wardrobe.
The colours that dominate in his wardrobe are black and white and also oranges and ochres, as well as khaki green. His house only has natural materials, plants and ethnic objects and is very warm and welcoming.
He is impeccable but not fussy because he is unaware of his physical attractiveness. He looks after his haircut, and if a woman, her make-up, which emphasises her amazing eyes. He likes to disguise himself a lot. He feels very bad if the colours he uses are not beautifully combined. He can perfectly well leave the house without a coat or wallet if the colours don’t match properly. Mastery and generosity in the use of colour are typical in the Reactivator. The great colourist painters such as El Greco, Chagall, Goya, the fauvists, Van Gogh, are all Reactivators. For him, life is two things: emotions and colours. However daring he is with them, he is never scandalous, and much less, vulgar.
He is of normal stature and looks taller than he is. And thinner, except for the hips.

WHAT ARE WE GOING TO HEAR? The Reactivator has a very strange voice: it is a broken voice, it seems to come from the heart, and its volume is rather low. However, it reaches every corner and wraps its audience in harmony and emotion. The rhythm is fluid, his language very rich and loose and the words are well modulated and emphasise exactly what is essential and important of what he says. He mobilises others and never leaves anyone indifferent. The vocabulary is above all emotional, without being, however, cloying, rather modest instead. The vocabulary is very rich. He says what is essential and expands on it freely if asked, but never invades other’s turn to speak. He likes speaking as much as listening and encourages the most timid to speak. And manages it. People tend to open up when he is there and to say things that in general they would never reveal, because they feel that they are in a safe and intimate space. For the Reactivator, the word is the most important thing in life: it is the spirit incarnate. It is magical and curative. It is essential.
He loves romantic music with a continuous pace, such as the overture of Tristan and Isolde. He invented the bolero and love songs and hates broken rhythmic music which can give him tachycardia and panic attacks. He is extremely sensitive to noise, which can make him cry and go mad.

WHAT ARE WE GOING TO TOUCH? The gestural language of the Reactivator is very dissuasive for lovers of informality. He hates to be pawed and he never paws anyone. He can calmly slap the daring person who tries to do so. He is very close and comes into contact naturally with others on condition that every one’s vital space is respected: in other words, he detests invading or being invaded. It is much better to wait for a Reactivator to touch us or embrace us, before daring to do so. And we can only respond extremely lightly.
His skin is very pleasant and appears to perfectly combine air and fire. His skin looks like the texture we could imagine in angels. Plus it is fresh in summer and warm in winter. It doesn’t wrinkle nor age.

WHAT ARE WE GOING TO TASTE? The Reactivator loves to eat, but only what he likes. He loves bread above anything else, especially home-made large loaves and integral ecological breads. He loves cheeses, especially French ones, is delighted by chocolate and goes crazy with oysters. He likes creative salads that mix fresh and dried fruits, raw vegetables, and smoked meat or fish. He loves almonds in all its forms. Otherwise, he recoils from the “corpses” of foul, as well as meat or fish. It makes him sad to eat live beings that are killed to be consumed. But since he considers that everything in nature is alive, he doesn’t have a good conscience if he becomes a vegetarian either. Being in a world where breathing means ingesting life and expelling death torments him. That’s why he heats like a camel: he eats a lot one day or two and forgets to do so for a week. That’s his style.
He cooks very creatively and even invents memorable dishes. He likes to cook, on condition it is when he wants to, not as a routine, much less as an obligation. If he lives alone, he will never cook for himself. If he has somebody round, he will organise a festival of smells, tastes and colours that his guest will remember as something unique.

WHAT ARE WE GOING TO SMELL? When the Reactivator, who is a marvellous host – since he puts everything that he has on a tray to offer it to his guest – receives a friend – and any human being is a potential friend – he will arrange a magical environment, which will be a festival of tastes, sounds and smells. He will use a lot of candles, but no incense, since he loathes that smell and it makes him sad; he associates it with temples and with the absence of God in the normal world. For him, god is everywhere and alive and laughing with his creation.
The Reactivator is very olfactory: a bad smell, in other words a dishevelled body odour mal or the smell of something dead or decomposing, will make him step back and feel instant anger against the person or the place. He will reject anybody who smells bad. And he will flee from a place for the same reason. Against a bad smell, the Reactivator will feel and behave like a little animal: using both arms to shoo away the other, no ifs or buts. And he will not be able to see the other person again. He will record the smell, associated to the place or person. A good smell, on the other hand, will be an open door but will not be associated in such a definitive manner, he will wait for it to be repeated on every occasion. He doesn’t retain pleasant smells very much, because he likes change.
However, he is among the most faithful to his perfume or cologne. He will identify with it and be faithful to it forever.
Love, of all the emotions, is the one that gives the skin the best smell. That’s why the Reactivator’s skin has the best smell: it smells of sandalwood and, plus, it never decomposes. A Reactivator could not wash for a week, or more, and his smell would remain incorrupt. Of course, the Reactivator will wash every day, not because he smells bad if he doesn’t, but because he loves warm baths with essences, salts, herbs and bubbles. He never uses the shower if he can avoid it.
What he most likes to smell are natural perfumes, such as the smell of the earth after the rain, the smell of pine trees or snow. He cannot stand those people who flood themselves in perfume and invade others’ territory. He will stand up from their side and move far away, not without first staring daggers at them.
He chooses a perfume that simply emphasises his own smell: sandalwood and a touch of moss.

WHAT ARE WE GOING TO PERCEIVE SEXUALLY?
The Reactivator is a dream lover. Making love is what he most likes in the world. He invented the night of love as a continuum of orgasms, wise caresses, a magical atmosphere of candles and smells, splashed with exotic tastes of fruit, caviar and champagne, and baths and massages, all night long until sunrise. The Reactivator was born to be a lover, not a husband or a wife. If the wife, since he marries very easily, is his lover, he will stay with her eternally. Otherwise, he will change lover. The Reactivator was not born for infidelity either. He changes partner when he becomes in the slightest dissatisfied, but never cheats. He says so and leaves with his new lover. He doesn’t tolerate to be sexually with two people at the same time: he loses his sense of orientation and becomes schizophrenic.
The Reactivator chooses his partners acceptably well: he has to be in love, since he cannot conceive a marriage of convenience, nor even a comfortable marriage. Also, his partner must be his best lover. His standard is as high as his capacity to love and give himself over completely to his partner’s happiness and pleasure. So if he doesn’t find what he’s looking for, he will explain his needs, which he will see as a right, a hundred times or more and, one morning, will disappear and leave with his new lover. Without looking back.

Structural analysis of the Reactivator typology:
The dominant Protector, nourished with 100% of authentic love and inflated with 40% of false love that replaces fear make him eternally loving, warm, endearing and kind, yes, but also paternalistic and weak with the worst. The Reactivator cannot conceive evil and interprets it as a disease that he attributes himself the capacity to cure by giving more and more love to the worst, because he understands that this is what they haven’t received and that this is why they became unsociable and defensive. That way he projects outwards the inversion of his own drama. It is he who hasn’t been loved, and even so, he reacted by giving more love to the soulless. The Reactivator believes that everything can be cured with love: that love is the universal remedy, and instead of seeking to be cured and asking for love from the best, he never asks for it, and distributes his love to the worst. They crucify him and he gives in to his conviction that something is wrong with him since his love is not answered with love. That makes him even more loving and he continues to give love where there is none, without asking where he would find an answer and nourishment for his thirst.
The Rector is disconnected: he cannot conceive evil. Therefore, it doesn’t exist. He will be furious with anyone who tries to “scare” him by showing him the evil or real danger that there is in the world. That way he maintains his Stockholm syndrome. He is in the world in order to rescue everyone, showing them to the path of light and love. Towards redemption. He is always in love with people, with life, with God. When he is afraid, he becomes hysterical.
The Orienter and its joy are prohibited. He never has the time to give himself what he wants. The vocation of joy is noticeable in him, and a lot, because he is the most spiritual. He searches for and devotes himself to God. He is his true and only infinite and eternal passion and everything that he does in the world he does in order to serve God. He is also a great lover and adores sex, with love always. And he adores laughing and dancing. That is pure joy. But he cannot so much as say “I am happy” without having a panic attack and believing that the sky is about to fall on his head or that a major disaster is going to occur that will make him lose everybody he loves.
His Transformer is the most perfect of all the typologies’. He is a constant and dazzling creator, and more often than not, however little he dedicates himself to it without trivialising his talents, a multifaceted genius. Growing for him is his North and the meaning of his life. He is a good teacher, but is the best of pupils. The world is, for him, a place of learning where anyone, however small and insignificant they may be, can teach him something. And, that way, he forgets how much he gives and kneels in gratitude at everything that he receives.
His Vitaliser is very strange: his health is very delicate and always threatened by a sudden death, the typical death of the Reactivator. He has no physical or corporal energy. He moves very little. He believes that he doesn’t have a body, that he is a soul inhabiting that, the body, which he doesn’t make contact with. That’s why he withstands so much pain: he almost doesn’t feel it. However, he sees lies, manipulation, inversions, bad faith, like nobody else and denounces it without any fear whatsoever and without conscience of the danger. A Reactivator girl is the main character in “The Emperor’s New Clothes”. She doesn’t mind saying “not like that” to the king, dictator or attacker who points at her with a gun.
His Synthesiser works very well in terms of the capacity for analysis, and especially synthesis. He is extremely intelligent and sensitive. He doesn’t tolerate harming anything that is alive. And always forgives when he is harmed. He prefers to learn with people rather than with books, although he reads with love. He doesn’t like to keep data and data in his memory, because he says that this occupies useless space in his head and puts a brake on creation, on top of making one dogmatic, something that horrifies him.

Emotional engineering of the Reactivator
Inflated love nourishes his Protector and makes him as generous with those who do deserve his love as with those who don’t deserve it.
Disconnected fear hides his skill and he is brave and even reckless. He likes to transform fear into art and therefore all great bullfighters are Reactivators or are in the Reactivator phase. His talent is visible in that he is very harmonious and seeks and cultivates harmony in everything and in everyone. But his disconnection dominates his life, because he neither believes in evil, nor sees it.
Joy is prohibited and he replaces it with more love. He doesn’t recognise the right to consider caring for himself and enjoying himself. However, the vocation clearly shows in the spiritual and also strategic terrain. He is a great visionary, capable of seeing the future with the same clarity as he sees the present. And he has the most enormous optimism that anyone can imagine when it comes to opting for what is great and beautiful that exists in other people.

Archetypal beliefs of the Reactivator:
The Reactivator’s archetype is Orpheus. Orpheus, king of Thrace, insuperable genius of song, managed to calm and dilute all evil and to keep men on the path of the divine light. Then his beloved wife, Eurydice, dies tragically and Orpheus decides to go to rescue her from the underworld. There he manages to calm and appease all the devils, but it is imposed on him to guide his wife towards the light of life without ever looking back. When he is a step away from leaving hell, Orpheus, assaulted by a terrible doubt turns to check on whether his wife was following him. She falls back into hell and Orpheus, devastated, is obliged to live without her. Upon returning to earth, women, offended at being rejected by the faithful husband, quarter him and throw his head into the sea. This crime is punished by various natural disasters, and Orpheus’s head works miracles on earth, while his lyre becomes a celestial constellation. Orpheus continues to sing in heaven for the blessed. He is believed upon his return from hell to have brought with him the secrets to all the mysteries and the keys for men not having to pass so many tests and misfortunes before becoming blessed.
Subjected to this god that governs his spirit, the Reactivator is frozen in his two existential beliefs, which are:
“Nobody will be able to love me” (even though I loved everybody equally)
“There will be no justice for me” (in this world or in the next one)
His Existential Drama, E.D.: “I’m only trying to help you” (“And you go and crucify me like that”).
The Reactivator thereby maintains his existential beliefs: he offers help to the worst and gives them his heart and his secrets. These, envious and cowardly, instead of choosing to be better, turn against him and crucify him. Instead of recognising that evil exists and looking after himself and those who deserve it, he tries again, in order to obtain love and, thereby, the redemption of those who don’t want to be redeemed, since they freely choose evil. In the end, the Reactivator dies assassinated by those who envy him, and the good people cry and blame themselves for his death.

Psychological profile of the Reactivator:
The Reactivator, who in many things is more gifted than average, does not see himself as good or great and overrates other people’s merits. Others, who cannot believe that it is possible to be so marvellous without assuming it, look down on him and reprimand him in order to ratify his judgment of himself and of them. That way they grant themselves the merits and virtues of the Reactivator and project on him their defects and their shadows. He is the world’s sacrificial lamb.
The Reactivator has a magical concept of existence: he sees himself as inexplicably chosen and loved by God. Inexplicably, because he sees others as much better than himself, greater, more endearing, more beautiful. And loved by God, because the Lord conferred on him the power to see other people’s souls, which suffer, and to be able thereby to alleviate their suffering. Others see him as he wishes to be seen and do not consider him to be human, in other words they demand that he give himself tirelessly receiving only criticism and more demands in exchange, since God was unfair to have conferred on him what wasn’t given to them. In this way they use the Reactivator and abuse him.
The Reactivator doesn’t believe in the existence of evil. At most, if somebody very close and loved obliges him to see it, he will interpret it as a greater suffering and greater need to receive his time and passion. Others, when they are good, feel undervalued and abandoned by the Reactivator, who prefers the worst, and, when they are evil, feel lords and owners of a treasure that they take possession of while they burden the Reactivator with the accusation of having all their own faults. The Reactivator ends up believing that it must be thus since not only is he not thanked for his gifts but he is accused of being what others are. He ends up seeing all evil in himself and all his good in others, especially if they are wicked.
The Reactivator sees God, who is his existential passion, as a Legislator who makes him pass tests, which he accepts as demonstrations of love for him and the privilege conferred on him. He will try to show himself to be worthy of that honour and of the divine expectations of him. Thus, instead of complaining and questioning that type of god, the Reactivator will withstand all the blows of evil, and others will see him as somebody without needs and without suffering and challenge him to a new sacrifice, a new test. That way, the Reactivator locks himself in hell on earth. Therefore, for a Reactivator, evil exists, yes, but it is only in him and often is him. And he will redeem himself by being better and more patient with others.
This concept of the Reactivator’s of God, he projects on creation and asks for criticism as proof of love. Those who do not criticise him or make him pass tests are that way because they don’t love him. He is only interested in being told where he goes wrong, so that he can correct it, learn and grow. Compliments are polite comments from those who don’t wish to make the effort of being interested in him. That way he remains attached to the worst and passes countless tests so as to earn their approval. He sees good people as something normal and trivial, which does not need attending. With them he doesn’t feel necessary, nor can he justify being in life. He will not yield to the temptation of enjoying his time or energy with them.
Once he has been crucified a thousand times over, the Reactivator may have an attack of haughty fury instead of becoming aware of the healthy fear that one should have of what is toxic and soulless. He leaves without taking what is his, with a small suitcase, like a nomad in the desert and feels guilty for his haughtiness and his arrogance. The next time he will be more patient and will try one hundred times more. He doesn’t cry so as not to make others feel responsible for his weakness. And he smiles confidently. It is not surprising that one fine day his heart breaks, not in the figurative but in the real sense and that he dies A SUDDEN DEATH. Also, that death, instead of terrifying him, delights him, because that way he will not give any work or worry to those he loves and will leave them with an intact, affirmative and optimistic memory. He doesn’t ask, nor does he like others to guess his suffering and needs for human warmth. However, it is enough to observe the grooves that mark his face from the wings of the nose to the corner of the mouth, it is enough to see that lower lip that trembles like a child about to start crying, to realise that the Reactivator’s face, despite its optimistic and warm gaze, despite its confident smile and enormous energy to give and give itself persistently and with faith, is a true mask of suffering. When he becomes melancholic, the Reactivator assumes it for a second and, instead of asking, starts to give in order to feel euphoric. And to start all over again…
Although the Reactivator is a universal mother, whether a woman or a man, his role as biological father or mother is atypical: he doesn’t want to be his children’s parent, but their friend. He believes that we ought to learn from children instead of trying to educate them. And they need to be supported and sustained when they faint and allowed to fly with their own wings, as soon as possible. And that is what he does.
His social life is rich and bubbly. He has lots of friends and is the soul of his group. He chooses his friends very well from among the best. His friends are his true country, his real family. Knowing that they exist gives him the strength to carry on living. He is a friend for life and capable of any exploit for his people.
He is very homely and has a warm and welcoming home, where he receives everyone who needs to dream with a better world. His house is full of plants, of paintings painted by him, of warm colours, of refined smells, of natural materials. You can arrive there at any time and bring friends. There will always be time, food, beds and space for them. It is an oasis in the jungle and a space of growth for everyone. Because the Reactivator, when he speaks, goes directly to sharing intimacy. He doesn’t waste time in rituals or in socialised ways of spending time.
The Reactivator likes nature and animals but prefers to see them from behind a car window or on film. Direct contact with nature scares him.
What most worries him about himself is his physical and sexual self-image. He doesn’t see himself as attractive, even if he is a beauty, and, since he doesn’t adjust to the stereotype of the female or male, he sees himself as masculine if a woman and as feminine if a man. With this he sees the fading of his most marvellous dream: to be the lead role in a novel of love with his twin soul, which he assigns himself to seek, recognise, redeem and marry for ever after. Only the great Reactivators manage to fulfil this, their utmost dream.
Professions: Director of change processes. Director of the ICU. Fireman. Lifeguard. NGOs. Artist, especially actor, singer and painter. Bullfighter. Marketing. Personnel manager. Defence. Human rights.
S.E.F.: (love and false love instead of fear – paternalism – fear that is transformed into cockiness – joy which is transformed into superstition) + sadness + pride – rage which is transformed into intimidation.
Although the Reactivator is characterised by the disconnection of fear and their reckless bravery, he is also permanently acting out the transcendent function of fear, which is harmony. They are harmony in what is physical, mental and spiritual. They are in the world to make this a place ruled by harmony and peace.
A Reactivator’s spirituality is evident in every one of his feelings, movements and actions. He is only missing a sense of orientation: he mistakes addressees, and gets lost and disoriented on earth. Not so in heaven, but yes on earth, and that is why he doesn’t access joy and peace in this life.
The Reactivator is above all a great creator, a tireless creator, a creator that evokes the tropical jungle. Everything in his universe is creation: he transforms people, detecting what is best in them and completing the process of rebirth with his own imagination. He creates splendid organisations wherever he treads, since he is a vocational agent of change. He creates environments by eliminating routine and giving birth to magical and endearing moments wherever he passes. He creates art because he is an innate and multifaceted artist. He creates systems and methodologies whenever he is asked how he does anything. And it’s that way because the Reactivator has only one conscious goal: to make his life a work of art, because living requires as much art as possible.
And also, the Reactivator is a great midwife: what he most enjoys, and he is a great enthusiast, is to give birth. He is a colossal and tireless mother of others’ minds, souls and spirits. And, like his god Orpheus, he is unforgettable: anyone consciously born into their real life with a Reactivator will retain an indelible light in his gaze.
The proportion of Reactivators in the total population is very low (2%), because more than half choose to die in the uterus rather than be born.

Phases of typological evolution:
CONNECTION PHASE: THE REACTIVATOR –PROMOTER.
He retains and strengthens the qualities of his Map: he aspires to group and personal self-realisation. He is kind, creating, magical, charming and compassionate, faithful, dignified, proud, witty, hospitable, generous, brave, iconoclastic, harmonious, considerate, brilliant, welcoming. He motivates and encourages everyone. Supreme sense of belonging to his people. He never forgets the good things done for him and his people. He forgives all offenses if he believes that there is repentance. He confronts the most powerful and aids the defenceless and victims. He doesn’t tolerate injustice. He is elegant, innovative, ground-breaking, daring and defiant. He likes to scandalise the sanctimonious.
Although he is late in being recognised, because he doesn’t pay any attention to honours, he has prodigious results and ends up choosing the best in order to build an authentic world. He is a great creator who catalyses the best around him. He creates a company that, apparently, may seem derisory or a hobby, and that ends up changing the planet. He doesn’t allow himself to be manipulated, or confused, or tricked by false victims, nor distracted from what is essential for the world. He knows that evil exists and becomes a specialist in diagnosing it and distancing it. His work puts order, rationality, and sanity in chaos. His figure grows during his life and much more after his death. He is spiritual above all and builds the world of God’s creature on this earth. He brings to earth what the most visionary project in heaven as a life to come. But he can be assassinated by the more obscurantist and die a sudden death if betrayed by those he most loves.
He uses 80% of his innate energy and belongs to 2% of the population of Reactivators.
Professions: Director of his own school. Teacher of leaders. Medicine. Dance. Integral health. President of his own companies and organisations that change the environment.
S.E.F.: (love + fear + joy) + pride + sadness + rage.
E.D.: none.

PRECONNECTION PHASE: THE REACTIVATOR – FORTIFIER.
He stops saving and starts researching and creating. He is a great artist and innovator who does not believe in his own genius and who puts his work in the hands of the worst, trustingly. He discovers god and receives his signs, but doesn’t take any notice of them because he doesn’t value himself, and asks himself “why me?” He conserves, intact, all the qualities of his Map.
His work is authentically ground-breaking and innovative, but nobody recognises it. He can die a sudden death. He suffers from kidney problems and puts on weight without eating. He is melancholic and doesn’t wish to remain in this world. He can become a hermit, a cloistered monk, an isolated researcher. He suffers from lumbago, hernias and cramps. He eats instead of enjoying life and sex.
He uses 40% of his innate energy and forms part of 15% of the population of Reactivators.
Professions: Art. Ecology. Biology. Recycling. Modern agriculture.
S.E.F.: (love – fear that he changes into hysteria – joy that he changes for fear of the magical curse of the worst) + pride + sadness – rage that he changes for guilt.
E.D.: “I’m only trying to help you” (very little) and “if it weren’t for (me)”.

TYPOLOGICAL MAP PHASE: THE REACTIVATOR –REACTIVATOR.
This phase is identical in everything to the typological map described above.
He uses 30% of his innate energy and forms part of 10% of the population of Reactivators.

DISCONNECTION PHASE: THE REACTIVATOR – LEGISLATOR.
He seems surer but is more fragile. The entire organisation rests mentally and economically on him. He is impatient and demanding with the best and a compulsive saviour of the worst. He is even more trusting. He doesn’t believe in evil and encourages everyone equally, although he devotes more time and energy to the worst. He wears himself out and ends up in the ICU. Everybody remembers him, but they don’t want him to come back.
He becomes rigid and others don’t like him. He is intolerant and demanding. He is a saviour of the most parasitic. He is not fair and gives what is his to everyone. He overprotects his family and his team and doesn’t allow them to grow. He wants to be indispensable and is jealous of his own power. He forms a symbiosis with Revealers and with Promoters. He mistrusts connected people, whom he deems heartless. He is prone to acute and serious diseases: valvular heart disease, rheumatic fever, tuberculosis, pulmonary embolism and neuropathies.
Professions: Politician. Orchestra director. Coordinator. General secretary. Public relations. Ambassador.
S.E.F.: (Rescuing love – fear (hysteria) – joy that he transforms into pride (dogmatism, idolatry) + sadness – pride that he transforms into joy (magic) – rage that he transforms into guilt.
E.D.: “I’m only trying to help you” and “defect”.
He uses 20% of his innate energy and forms part of 55% of the population of Reactivators.

PREDISSOCIAATION PHASE: THE REACTIVATOR – REVEALER.
He believes that he no longer allows others to abuse him, but breaks off relations throwing the baby out with the bath water. He becomes a revolutionary or a marginal artist and believes that he has conquered his autonomy.
He becomes jealous of connected Reactivators and fights with Revealers, whom he scorns. He is unbearable; he is always angry and protesting. He can become rude and even vulgar and lose his prince-like bearing. He is sceptical about what is great and allows himself to be dazzled by false geniuses, false prophets and false wise men. He hates himself and doesn’t believe in anyone’s kindness. He can sacrifice himself in a gratuitous and false act of heroism. He can become an alcoholic. He is anorexic. His life hangs from a thread.
Professions: Guerrilla fighter. Revolutionary. Artist. Bohemian. Songwriter.
S.E.F.: No authentic emotion and he transforms sadness into rage (resentment, vengefulness, bitterness). Plus he inverts the joy-rage axis and becomes sacrilegious and idolatrous of the worst elements in his family.
E.D.: “I’m only trying to help you” and “yes…but…”
He uses 3% of his innate energy and forms part of 15% of the population of Reactivators.

DISSOCIATION PHASE: THE REACTIVATOR –CONSTRUCTOR.
Only in the improbable case of being 100% in this phase, will we have the following profile. What is most usual is to find one or two zones of life in this lethal phase, and other areas in better states of evolution (see above):
He believes that he is a prophet or a guru, but his messages are all inverted and everyone makes fun of him. He hears voices (auditory hallucinations) that blame him and he can move crowds of misfits like a false prophet.
He alternates extra-lucid perceptions with apocalyptic deliriums. He believes that he is an alien and accepts other abusing him, because everyone else is “of different origin”. He becomes weighed down and supports the worst. He agrees to direct companies that cannot be rescued and sinks with them. He suffers from hallucinations and increasing deafness. He is desperate and clamours for death. If he doesn’t manage to be killed, he will achieve it in a latent manner, for example, in a deadly cardiovascular accident (sudden death).
Professions: Messianic politician. Mad prophet. Magic. Astrology. UFOs. Quack doctor.
S.E.F.: (Lethal formula: false love + false sadness) and inversion of the two other axes, the joy-rage axis, as above, and the pride-fear axis (abject profanation and conceited masochism).
E.D.: “I’m only trying to help you” and “overwhelmed”.
He uses –16% of innate energy and forms part of 3% of the population of Reactivators.

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING, fascicle 27: PROMOTER TYPOLOGY

Dominant dimension: Orienter-joy-sex, his skill.
Disconnected dimension: Protector-love-sight, his talent.
Prohibited dimension: Rector-fear-touch, his vocation.
Healthy dimensions: Synthesiser-sadness-hearing.
Transformer-pride-taste.

MAT Promoter Typology by Preciada Azancot

Sensory perception of the Promoter:

WHAT ARE WE GOING TO SEE? The geometrical shape that prevails in the Promoter’s appearance is the circle (face, eyes, mouth, arms, legs, hands and feet). Joy basically affects the sex glands and the pancreas. For this reason, the Promoter is the most interested and even obsessed about sex and has the features of a big baby. He retains all the features that he had when he was eight months old.
Everything in him is round and reminiscent of the baby that he was and that, in essence, he never stopped being. He has a rounded face, with a broad bulging forehead. His eyebrows are round and his eyes are big and very open, with a surprised and candid look. His nose is small and upturned and his mouth looks like a pine kernel. What seems incredible is that with such a small mouth he manages to have such an ear-to-ear smile, which he offers constantly, seductively, and generously to those around him.
He has a tendency to be plump, his skin shines and his shoulders, arms, waist and belly are round like a baby’s. Like a baby his hair is in ringlets.
He moves a lot and advances in fits and starts at full speed and leaning forward as if he were about to fall into our arms. He is very egocentric and places himself in the centre of attention. He is always laughing, joking, and selling himself as the most incredible and charming thing one could imagine.
He wears the latest fashion and creates fashions. He likes all colours and has a predilection for yellow, black and orange. He uses the entire range of ochres.
His house is very “designer” and has the latest technology gadgets. He likes luxury and often lives above his means. He loves fabrics and carpets in silk, brocade and velvet, which he likes to stroke with a lot of pleasure. He likes gigantic and very modern paintings.
He wants to provoke and never leave anyone indifferent. He is very sexy and generously shows his charms to the entire world and in the most unusual circumstances.
He is of medium low height and easily puts on weight.
He often has sight problems, such as colour blindness.
When he sits he crosses his legs and jerks his leg up and down with a nervous gesture, as if he were kicking a mule to go faster. He is very impatient with everyone else and very complacent with himself. When he is spoken to, he inclines his head to one side and sits back in his chair, to force the other to make the effort to lean in towards him. When he speaks, he leans forward, rounds his eyes and smiles flirtatiously to seduce.

WHAT ARE WE GOING TO HEAR? The Promoter’s voice is also reminiscent of a baby’s: it is slightly shrill and harsh. He doesn’t control his voice, except when he improves in his connection process. He speaks a lot and with contagious fervour. He always has a string of arguments for leading us into action. He is always speaking of himself and selling his various objects of enthusiasm to the audience. He doesn’t tolerate frustration when he has a whim, and he has whims for everything: then he seduces, and, if even so he doesn’t manage it, he becomes hurt, offended and protests. He cannot conceive not to be indulged immediately. He likes superlative words like “the top”, “the best of the best”, in referring to what he likes.
The Promoter is neither too cultured nor too well-informed. He is a person of action. If he reads, he looks for things about magic, aliens, vibrations, positive energy, remote and rare cults, shamanism, and especially sales and the drive towards success.
Nor is he an artist, although he wishes it more than anyone. He would like to be a poet, but is fairly prissy in that subject. He dreams of being an artist, but doesn’t know where to start, because he doesn’t like either to devote his soul to a passion, or to force his spirit. He believes that genius comes through inspiration in an outburst of euphoria. He prepares himself for it by seeking out that euphoria above all else.
His relationship with music is close and very varied: depending on each circumstance, he will look for what is most suitable. He likes Mozart, and more modern music, today minimalistic. All joyful music is his, from the lambada to disco, including salsa. He enjoys it a lot, but can live perfectly without it. It is indispensable for him as a background when he wants to seduce. He loves dancing and does so very well.

WHAT ARE WE GOING TO TOUCH? A lot and well. Promoters love to touch and to be touched. He is even reproached for constantly pawing the people he speaks to. When he was a baby he carried his cuddly toy everywhere and didn’t want to let go even when he had a bath. He would also stroke his ear while he sucked his thumb and used to stroke the edge of a blanket or cover. Touch is the organ of safety, his vocation, and to touch for him is vital. He doesn’t understand why he is reproached for so much pawing, especially by Legislators, Fortifiers and Reactivators, who are the most reticent to physical familiarity with unknown people.
Their skin, as we already said, is soft like a baby’s, and his flesh, likewise willing. It is marvellous to see that luminous skin and to stroke it. And, that way, everybody’s happy.
He is good at withstanding extreme temperatures and does not sweat excessively, although for him happiness is the tropical climate of the Caribbean islands, his natural element.

WHAT ARE WE GOING TO TASTE? The Promoter is very imaginative and a bold inventor. “Nouvelle Cuisine” is his work. And those minimum rations lost on a large super-decorated plate, too. The Promoter devises unlikely mixtures, of which only a few are fortunate. He has a lot of fun cooking and is convinced that he is a great “chef”. That is why he is so offended and hurt to the depths of his heart when his creations are rejected with “Ugh, how awful!” But the truth is that the Promoter is somewhat fearsome in culinary matters. He also invented raw meats and all types of carpaccios which remind him that he is the king of the jungle and that the animals of the jungle eat things raw.
There is also a very traditional and tasty Promoter cuisine. Italian and Lebanese, for example. But here the Fortifier intervention of women has been decisive, and we are speaking of the connected Promoter, not of the one in his Map, as is the case of all the typologies that we describe at the beginning.

WHAT ARE WE GOING TO SMELL? The Promoter, of course, smells of a baby. Like a baby’s, his aroma is sweet and fresh and also decomposes very easily and smells bitter when he is still dishevelled. That’s why the Promoter has to bathe more frequently than most of the other typologies. He loves putting on perfume and resorts to all imaginable and unimaginable essences and cosmetics. He leaves a smell trail in the places that he cheerfully travels through. One cannot speak of a preferred smell, except for moss, since what he likes is rarity and diversity. And fashion, of course. Meaning that he is a great creator of perfumes and cosmetics.

WHAT ARE WE GOING TO PERCEIVE SEXUALLY? Sex, a lot of sex, and more sex. One can affirm that a Promoter is somewhat obsessed with sex, since he places it above everything and relates it to everything. He is sexual before sensual. Having sex, imaginatively, is a matter of each breath. As soon as he meets someone, the first thing he will imagine is how he will make love to that person. Since he loves to seduce, he will immediately pass onto demonstrating it, issuing invitations and sexual insinuations to anybody who comes near and, if he likes someone, he will run to get closer. For a Promoter, sexual curiosity is universal: whether a plant, a child, an old person, someone visibly in love with another person or somebody of his own sex, the Promoter will put the sexual drive and question mark at the forefront always. As a lover, he is of the “unforgettable” type, because he seduces his partner and makes her feel unique in the world. The following day he will even forget her name and disappear. Of course, to expect sexual fidelity from him is a bit like a contradiction. They can contain themselves, a bit better, when they are pre-connected or connected, on condition that the temptation of an adventure is not excessive. Since they do not associate sex and love and feel rage instead of love, they often suffer from premature ejaculation. They do everything at top speed, why not love? It takes them seconds to have an orgasm.
Their choice of partners is as surrealist as they are. They choose those who typologically can most dissociate them, Revealers. Or throw themselves towards their talent and vocation, the cosmic pair, the Constructor. But without thinking of the very high price, necessary to achieve perfection with those two partners… Meaning that it will be up to the other to make the effort.

Structural analysis of the Promoter typology:
The Promoter stands out for the inflation of the Orienter. He is extremely magical, intuitive, optimistic, and can see the future and tomorrow with the same ease as others see today. In this field of what is visionary, he is only surpassed by Reactivators.
His Protector is disconnected and fed by rage. He mistrusts love and believes that it doesn’t exist. He promises and doesn’t fulfil. He doesn’t commit himself or offer solidarity, because the world is a jungle in which only the cleverest win. What he does, and very well, is to seduce using words and gestures and promises of love. Writing poems and making gifts. He wears the mask of love for the other to fall into his net.
His prohibited structure is the Rector. Limits and laws were not made for him. He is specialised in getting round them and he invented the saying “rules are made to be broken”. He is scared of fear and escapes from feeling it. That is why he drives his car or motorbike at suicidal speed and, often, dies in traffic accidents. He is fascinated by risk sports and does bungee-jumping throwing himself into the void. He easily becomes addicted to drugs (cocaine, ecstasy), alcohol, or shopping. He can also easily become a compulsive gambler.
His Synthesiser is well energised and of a good size. He is very intelligent and astute. Although he rushes and doesn’t reflect when it comes to measuring disadvantages or problems. That embitters him. So joy has its way with him and he omits sadness, which he considers ash. But when he starts to analyse, he is frankly magnificent.
His Transformer is very good, but he wastes it. Some – those who are pre-connected – discover their vocation of growth and devote themselves to that exalting task. Most are “creative” or ingenious and cannot stop inventing tricks to be the cleverest and most ahead of a fashion, and the one who will get “added value” out of something. Few devote themselves to art and almost all of them turn their Transformer towards manipulation, publicity, public relations and sales.
His Vitaliser is present but, as in all typologies, its energy, rage is deviated to another structure, the disconnected one, in his case, love. The Promoter looks after himself a lot, it’s true. He does sport and cultivates his body like a demanding and tyrannous idol. He is very active. But he suffers from health problems: allergies, cancer and lung problems very especially, due to the deviated energies. He ages badly and often doesn’t reach old age, because he is the most prone to dying in accidents or by accident.

Emotional engineering of the Promoter:
The inflation of joy that replaces love was already made clear. His obsession for sex also. What it would be appropriate to add is that the Promoter believes that he is obliged to be the entertainer and even the clown of society. He thinks that he will be thrown out if he ceases to justify his existence in this way. This implies and carries with it a lot of suffering, which he hides from the world, by believing that he has the obligation to enliven, sell himself and encourage everyone, but never ask him for joy when he is depressed or worn out. In this case, his “obligation” is to hide himself until he feels ready to entertain everyone again. With such a mission it is difficult to believe in love.
This disconnected love, which he replaces with manipulations and seductions, appears however, because he is very generous and giving. And he also sees himself monopolised by his family, especially his mother, whom he venerates.
Prohibited fear and his proverbial recklessness and love of risk are profiled as something important and even essential for him when he gets so much enjoyment and fulfilment out of situations of risk.

Archetypal beliefs of the Promoter:
The Promoter also has his own personal God. This is Mercury, the emissary with winged feet, the clever one, the one to do with communication and selling. He also has his own myth. This one is Oedipus. They both converge in one same story with a tragic ending. The Promoter is persecuted by the myth of incest. Plus, since his love is disconnected, loving another becomes incest, because the other is then like himself, his twin brother.
His existential beliefs are:
Nobody will be able to love me (because love doesn’t exist)
The world is a jungle (where the clever ones like me win)
His Existential Drama is the “rubber cheque”: when he wants to obtain something, he seduces and promises. This way he achieves his objective. When the gullible person who believed in his promises comes to “collect” his part of the deal, he finds that the “cheque” given to him by the Promoter has no funds. Unfulfilled promises. Or, worse, he makes them believe that there never was a promise on his part and that it was the other’s imagination that believed it. This way the Promoter feeds his existential beliefs: indeed, when he “falls in love” with someone, he believes that he is going to be abandoned since love doesn’t exist, so he overtakes and betrays first so as to be the cleverest and not suffer, the inevitable – in his view – loss. That way he gives into his second conviction that the world is a jungle and that he does the other the “favour” of showing them that it is so. That way they will protect themselves better and learn to be cleverer. Giving that lesson is his way of loving.

Psychological profile of the Promoter:
The Promoter is a seducer, charming, joyful, entertaining, entrepreneurial, pleasant to look at and to touch. He is polite, elegant and generous. He is a gift and a ray of sunshine for other people. That at least is how he sees himself. He is seen as irresponsible, invasive and self-seeking.
He says pleasant and consoling things to others, even if he has to lie a bit so as not to hurt. Others cool his enthusiasm with their reproaches and show how hurtful they are.
He is brave and does not ask others for emotional things, he hides his suffering and his insecurities and presents, generously, his best face. When he feels bad, he disappears so as not to bother anyone. Others say that he is superficial and that nothing ever hurts him. And they turn to him like an entertainer or a clown, and he, turning his heart into his stomach, obliges and entertains them. Why does nobody guess that he suffers like everyone else, and give him a bit of joy?
He knows that love is the basis and foundation of joy and therefore gives the world joy. Others speak a lot about love, but only come along with claims, demands, sorrows, miseries, hunger for power, sense of possession. That is not love and he knows it. Why dream and allow himself to be cheated by something that doesn’t exist? He is seen as a cynic that uses others and abuses them.
Safety is impossible in a world like a jungle, where the slightest distraction will leave you swallowed or plucked to the bone. If he is sufficiently adult, instructed and clever so as not to fall for ridiculous naiveties, shouldn’t he be congratulated and learned from? Others see themselves in a safe world where the only predator is the Promoter.
The Promoter is very witty, since his inflated emotion is joy, which nourishes and overflows the Orienter. With it he is intuitive of truths and opportunities, mostly opportunist, which others don’t see. He is a great sales person, very persuasive, who when he exhausts his emotional argument, moves fearlessly into manipulating to get people to follow him in his adventures. Of the three basic manipulations (with fear, guilt and bribery) he will preferably choose bribery and will flatter the other’s ego, promising compensations that he will then forget to provide (rubber cheque). If that manipulation doesn’t work, he will move onto intimidation.
Although he has, when he recovers his talent and his vocation, a tremendous ease for transformation and creation, the Promoter will rarely become an authentic creator or innovator, and will prefer the comfort of the inflation of his skill, by being ingenious or “creative”. He will start out from the inflated joy that replaces love and will consider others’ work to be his own, like something available to him for use in order to serve his own interests. He will apply the scissor to others’ valuable work, extracting the part he needs, mixing it with bits of other works that he cut out at his whim, and attribute himself authorship of the “invention” without any scruple. Moreover, he will worry about extracting all the grandeur from the torn pieces and will give them an aspect and content that “pleases” the clichéd and typological culture that is in fashion.
He does all of that with such candour and ingenuity, like a child who enters his father’s office and starts cutting out pictures from precious and valuable books, because he found it amusing to do so. His prohibited Rector has no awareness of the limits, the boundaries that shouldn’t be breached without treading on other people’s territory. Everything that is in the universe is at his service. Full stop. With no more complications. Meaning that the Promoter will not behave like a child, but like a baby.
What he most values in his social life, is the enormous number of people that he can seduce. He doesn’t see those that he can lose with his cheating, but the endless reserve that the world offers him to continue as a winner in a world of timorous and unimaginative people. The exceptions that he makes to that concept of the world are related only to his mother, whom he idolises, and, to a much lesser degree, to his created family, who will have the choice of following his trend or being abandoned by him.
Spiritually, the Promoter believes in God. In a God of joy that laughs at his charms. And in a god of love who forgives everything, especially when, as is his case, there is no wickedness. But really, what triumphs in his view is a god of cunning. Mercury in person. A God that tolerates everything except failure, defeat. That is why, on top of everything else that we have seen, the Promoter is very competitive. He is always measuring himself against the best and sincerely believes that what someone gifted has done or discovered has been taken from him, simply out of luck, because they were ahead of him. And, if they got ahead of him, they must have cheated, therefore stealing from them is almost an ethical act, that way he justifies everything and is a plagiarist without the slightest regret.
It is valid to say that for the Promoter, the key to success is the showcase. One is what one appears to be. And therefore he looks after his image so much and lives beyond his means. In everything. His company is an immense showcase and a fair of what is most expensive and novel. His house is an avant-garde museum of gadgets. With that he impresses himself and believes in himself and manages to impress others. He is a splendid host, very generous, since that forms part of his representation expenses. He has a luxurious and modern chalet in the most expensive part of town, has his offices in the tallest skyscraper, in the penthouse, has the most expensive and fastest car and he treads on the accelerator with feverish delight. Because he moves through life at full speed to leave an indelible trail that others will admire in awe.
What most torments him about himself is his jealousy, his tremendous and oppressive jealousy. To love means to die of jealousy, to waste away in the terror of seeing himself abandoned. His secret archetype is Othello. That’s why he tries to make his beloveds compete over him to pass the buck of his jealousy onto them. If he is unfaithful, it is slightly due to his inflated joy and lack of socialising limits, and a lot to do with making the people he loves compete over him and feel jealous about him. That way he will not have to assume that evil that undermines him. Therefore, the Promoter loves to be envied, because for him it is synonymous with and an indicator of success. And he envies the people whom he admires. That should be, from his perspective, worthy of gratitude.
To live in a life and a universe like his ought to install any normal being in the terror of being discovered as a cheat and abandoned by the best. He doesn’t feel fear; he feels joy and excitement for living like that, in a perpetual flight forward.
His preferred animals are the fox, the eagle and snakes.
Professions: Promoter. Salesperson. Entertainer. Clown. Actor. Nightclubs. SPA. Tourism. Fashion. Producer. Public Relations.
S.E.F. (inflated joy – love – fear) + sadness + pride – rage.

Phases of typological evolution of the Promoter:
CONNECTION PHASE: THE PROMOTER – FORTIFIER.
His S.E.F.: He has joy as his skill, is positive and spiritual. Love is his talent and he shows solidarity and is endearing. Fear is his vocation and he is all harmony, he is reliable and safe and knows how to warn of the havoc wreaked by disconnections and the lack of authenticity. His sadness, perfect, gives him clarity and a sharp intelligence, as well as a great talent for synthesis. He speaks in an essential and synthetic manner, with words that come out of a modest and sensitive heart, which directly touch the heart and mind of the person he is speaking to. He doesn’t sell, he reveals essential truths. His rage is less noticeable and is entirely devoted to denouncing lies and trickery, rather than to giving him dynamism and muscular tone. His pride is good, but although it allows him to grow and make grow in an accused manner, he still doesn’t reach notable creating expressions, especially in artistic creation. To do so he must walk further down the path of transcendence.
He retains the qualities of his Map: he is entertaining, cheerful, entrepreneurial, optimistic, creative, seductive, irresistible and trusting. He is a natural salesperson, but of truths. That is why he is prophetic. He is loyal to his family. He is physically brave, he loves adventure, people, and his childhood friends, hustle and bustle, parties, cars, speed. He is a splendid host. He is a refined aesthete. He is a magical romantic. He is very sensual and erotic.
He becomes somebody that cannot be bribed or manipulated. He hates pedantry, false glitter, cowardly and retaliatory anger.
He is a giant who detects everything that is innovative, that is authentically spiritual, that is eternal, transforming, universally valuable. He is wise, humble, patient, calm, strong, mature, fatherly, trusting, authentic, encouraging and is an authentic religious person who knows how to lead everyone to the heart of the Creator. He is the soul and the centre of all connected groups. When he speaks, he reveals the truth to everybody in a deliberate, naked, and moving manner. He is radiant.
If he takes the road towards hyperconnection and transcendence, he will reach human and spiritual levels similar to those of the Dalai Lama.
His S.E.F.: (joy + love + fear) + sadness + rage + pride.
E.D.: none.
He uses 80% of his innate energy and forms part of 2% of the population of Promoters.

PRECONNECTION PHASE: THE PROMOTER –REACTIVATOR:
He is a real delight; he is kind-hearted, understanding, sensitive, simple, refined and elegant. He adores intimacy and solidarity. He is afraid of sadness and disease, and expresses love instead of fear, thus saving people who aren’t worth it. He falls in love with the best but is tormented by the fear of losing them. He adores children. He is passionate and genuinely brave. He is sincere, reliable, delicate, ethereal, loyal, but wants his people to be exclusively his and to love only him. Since he no longer enjoys manipulating or creating jealousy, he flees from love so as not to suffer its potential loss.
But he is too vulnerable and magical. He suffers from jealousy (but doesn’t make others fight over him). He is insecure and is afraid of seeing somebody that he loves not love him. He flees from his psychic mirror. He speaks about himself intimately, but doesn’t allow himself to be helped to grow, to fly, to liberate himself, he is extremely sensitive. He may suffer from asthma and allergies.
Professions: Artist. HR Training Advisor. Coach. Religious person. Doctor. Historian. Writer. Opera Singer.
S.E.F.: (joy – love – fear) + sadness – rage + pride.
E.D.: “rubber cheque” (very few) and “I’m only trying to help” (He becomes the Pygmalion of the worst).
Emotional dysfunctions: although he falls in love, he doesn’t trust love and flees from it. He continues to be reckless.
He uses 40% of innate energy and forms part of 15% of the population of Promoters.

MAP PHASE: THE PROMOTER – PROMOTER:
He is identical in everything to the typological portrait of the Promoter at the beginning.
He uses 30% of innate energy and forms part of 10% of the population of Promoters.

DISCONNECTION PHASE: THE PROMOTER – LEGISLATOR.
He is even more subjugated to the collective Socialiser and proposes to be at the same time the cleverest in the jungle and to obtain honours and prestige by submitting to the most typological clichés in fashion. He marries and has children. He is an entrepreneur and dreams of great businesses with spectacular growth. He creates fashion. He knows how to choose his collaborators according to their devotion to him. He is a businessman. He loves to be envied, since that envy confirms his existential belief (the jungle) and his success. He protects second-rate artists and creative people and scorns and disqualifies the best. He makes Constructors do his work and Reactivators and Legislators stand up for him.
That way he becomes a megalomaniac. He believes himself Napoleon, he believes himself a genius. He is jealous of authentic genius and denigrates them. He legalises the law of the jungle. He doesn’t tolerate criticism. He is afraid of intimacy. He squanders everybody’s money on buying people. He bends wills. He manipulates with fear and bribery. He promises and doesn’t fulfil. He likes false glitter and the worst creative people (pirates), whom he confuses with creators and geniuses “like him”. He is obsequious with the powerful and scornful of the great values. He dreams of overthrowing and replacing the idol of the moment. If he manages it, he makes himself be crowned emperor. He is vain and pedantic. He is prone to cancer and to pulmonary emphysema.
Professions: Banker. Financial expert. Statesman. Politician. Businessman.
S.E.F.: (false joy that replaces love – love (slander and lies in its place) + false pride that replaces fear: masochism and high handedness) – pride + sadness – rage.
E.D.: “Rubber cheque” and “defect”.
Emotional dysfunctions: he only has a bit of sadness left (intelligence) without sensitivity, which puts him at the service of his narcissism as the king of the jungle.
He uses 20% of innate energy and forms part of 55% of the population of Promoters.

PREDISSOCIATION PHASE: THE PROMOTER –CONSTRUCTOR.
It is very exceptional to find somebody 100% in the two following phases. Mostly, when we point this out, there are only one or two conflicting areas of life in which they are this way, and often, only against themselves, since predissociation entails having one’s back turned on one’s real self. Somebody 100% predissociated would be like this:
At last he believes he is an adult and responsible! At last he is going to be able to build something without it collapsing! At last he is going to be able to believe in the love of psychopaths and dissociated people! That is what he believes when he turns his back on his real self. He transforms his world and that of those around him into a bazaar where everybody has their price and where everybody is for sale. He creates a “great” business on an idea of “genius” that grows, grows, and collapses overnight. He inverts sexual roles, truth, the vision of the future. He surrounds himself with a crowd of unscrupulous people, among whom he believes he is safe. He puts the worst in his family in positions of power. He behaves like a tyrant, like a petty local party boss. He is mean and envious. He can order the assassination of somebody who endangers his “set-up” built on nothing. He manipulates with guilt and fear. He is nostalgic, sinister and necrophilic. He is like a tango. He doesn’t sleep well and abuses amphetamines and drugs or alcohol. He declares holy war on tobacco in a terrorist manner. He can have a sudden heart attack and all the diseases of the Legislator phase (cancer and emphysema) but aggravated. He doesn’t eat.
Professions: Administrator. Sales director. Manager. Politician. Mafioso. Unscrupulous business agent. Hotelier. Business centre and crash courses.
S.E.F.: He doesn’t have a single authentic emotion left and therefore all of his structures are fed by false emotions. Plus, he inverts the love-sadness axis. His formula is (sadness instead of love: necrophilia – love which is replaced by rage: slander and lies – fear that he feels as sadness: fatalism, defeatism) – pride (which cedes its place to fear: profanation, being despicable) – sadness (which gives way to love: masochism, martyrdom) – rage (which he doesn’t feel).
He uses 3% of innate energy and forms part of 15% of the population of Promoters.

DISSOCIATION PHASE: THE PROMOTER – REVEALER.
The dissociation phase can reach one or two areas in life, whereas in others, the person remains better and more whole. But if this problem is not rectified, it tends to start invading everything, like the metastasis of a cancer. A person with a 100% dissociated Promoter typology would be as follows:
He believes himself a genius, the angel of the Apocalypse, he believes that he is of divine origin. He is an inverter of values, of transsexual and transvestite sexual patterns. He degrades everything that is authentic and exalts rubbish. He is paranoid and argues with everyone. He confronts everyone with each other. He is deplorably lacking conceptual rigour. He is dull and vulgar and believes that he is ingenious and distinguished. He is addicted to TV, to fourth-rate series, to the worst melodramas and to spaghetti westerns. He has a phobia about solitude, quietness. If he is a man he hates everything feminine and if a woman hates what is masculine. He adopts the despicable methods of the picaresque and the mafia. In the end everyone disowns him and he is left alone, thus reaffirming his existential belief that he cannot be loved. He is very violent and can hit or kill if contradicted. He is the right arm of the Magnetiser against those who are connected, but very particularly against Fortifiers, Reactivators and Revealers. He is terribly superstitious and goes to witches, black masses, etc. He drinks and drugs himself.
Professions: Illuminated politician who leads the holy war and terrorism. Mafia capo. Presenter of trash TV programs. President of corporate and sports guilds, which he leads to destruction.
S.E.F.: He inverts two axes, the one we saw in the previous phase and the pride-fear axis, yielding to the lethal formula and becoming an explosion or flood of inversions and idolatries for those around him. His formula is (false idolatrous fear + false sacrilegious rage) – pride (which becomes fear: profanation) – sadness (which becomes love: masochism) – fear (which becomes pride: high handedness).
He uses –16% of innate energy and forms part of 3% of the population of Promoters.

Next we will examine the three typologies that submit to the collective Connector and who believe that if it were not for them the human being would disappear and be swallowed by the social machine.

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING, fascicle 26: CONSTRUCTOR TYPOLOGY

Dominant dimension: Synthesiser-sadness-hearing, his skill.
Disconnected dimension: Transformer-pride-taste, his talent.
Prohibited dimension: Vitaliser-rage-smell, his vocation.
Healthy dimensions: Protector-love-sight.
Orienter-joy-sex.

Tipología MAT Constructora por Preciada Azancot

Sensory perception of the Constructor:

WHAT ARE WE GOING TO SEE? The geometrical shape that prevails in the Constructor’s appearance is the square (face, trunk, hips, hands, feet).
The gland that functions with sadness is the thyroid, which produces an accelerated metabolism, thinness, agitation, and a lot of down and hair. The hair is what first catches our eye about the Constructor. It is dense, thick, extremely abundant, and starts very low on the forehead. At the same time, facial hair, especially in men, is much more abundant than in the rest of people. The Constructor also stands out for his hyperactivity: he is constantly doing things and cannot sit still. Likewise, he has a great metabolism and is skinny with very dry skin. Sometimes, he suffers from hyperthyroidism.
His face is square, but rounded at the bottom. He has a narrow forehead and his amazing hair starts low on the forehead. He has well-defined and horizontal eyebrows, medium large eyes almost always short-sighted, frequently wears glasses, because they make him look serious, which he cultivates. He has the most perfect, straight and fine nose of all typologies, and mostly thin and horizontal lips. The lower part of his face is gently rounded.
His neck is thin, he has narrow and mostly drooping shoulders, he is skinny and his arms and thighs are shorter than the average. His movements are mechanical, somewhat robotised, as if his joints were not oiled and flexible. His gestural attitude is tense with a lack of elasticity and agility, to such an extent, that he does not crease his clothes after a hard day of non-stop work.
They dress in a very sober and classical manner. They like the colour blue, grey, and sometimes the most daring use touches of red. When they wish to break the mould of their classicism, they wear an orgy of red. It is very rare to see them in green. They prefer quality to quantity and have high quality clothes that they don’t mind repeating. They are the great perfectionists among the typologies. They are always impeccable and their tie is straight and without a single stain or twist.
The decoration of their house, on the rare occasions that they get to choose it, is very sober and simple. Very functional. There are few and very simple items of furniture, made of modern materials for a reasonable price. However, they accumulate a lot of collection works, because they are great collectors. Eggshell white, blue and red prevail. They like photographs and posters, and prefer cubism in art. Sometimes, the roots emerge and they express themselves in baroque architecture and decoration. They are the creators of baroque art.
Although sober and simple, they are fussy in their own way and seek, in everything, quality. The image that they cultivate is that of sobriety, seriousness and perseverance. They don’t like to draw attention and disguise themselves as a serious adult with horn rimmed glasses, strict haircuts with an impeccable line (which is a prodigy given how profuse and rebellious their hair is), clothes without a single twist or wrinkle, of a classic and sober cut. One is rather surprised, when one looks at their faces, at the impeccably perfect and Roman classicism of their features. They are of average height. They are thin.

WHAT ARE WE GOING TO HEAR? The Constructor’s voice is fairly monochord with a continuous rhythm that can be sleep-inducing. The volume is average. When Constructors speak, they do so seriously, like everything that they do, and they give data and more data, offering evidence of how well-informed they are. They want to be “perfectly” clear and, to this effect, overwhelm the audience with an overabundance of details. They introduce parentheses that provide interminable clarifications that make one lose the thread of what is essential. When, half an hour later, they finish a sentence with its numerous parentheses, the listener already lost the thread of the speech, and the Constructor despairs for not having been sufficiently clear and promises himself to be more “perfect” on the next occasion and give even more information. Which makes his audience reluctant to ask him anything. Fortunately, the Constructor only speaks when asked and they are exceptional and patient listeners. He uses a lot of adverbs, such as “perfectly”, “obviously”, “naturally”, “specifically”, which shows his high perfectionism. He is over informed and subscribes to all the specialised magazines of his sector. He is a great reader who collects books on the strangest and most diverse topics that one can imagine.
He adores music and cannot live without it, especially classical music, and baroque in particular, at least when they are initiated, and jazz music. Sometimes they play an instrument and learn it as an adult.
He is rarely an artist, and when he is, he favours photography or hyperrealism, in which he can become one of the greats of his time. He is very observant and visual and retains details that nobody else is capable of perceiving.

WHAT ARE WE GOING TO TOUCH? The Constructor has no special inclination in favour or against physical contact. He is not afraid when touched, nor particularly seeks to be touched. He is sober and assertive in his physical contact with others.
His skin is very dry and needs constant hydration. His fast metabolism gives him a tight and dry skin, with no water retention or excess fat. What one touches, above all, is the muscle in a Constructor.
He withstands cold better than the heat, although he is very sensitive to both. He puts the air-conditioning on, indispensable for him, at an excessively low temperature so as not to sweat, something he hates to do.

WHAT ARE WE GOING TO TASTE? The Constructor is sober and simple in everything, especially where food is concerned. He likes simple and natural things, such as grilled meat and fish, classical salads with not much dressing, natural vegetables, simple desserts such as cream caramel and egg custard. He is a great enthusiast of frozen foods, which he seeks out for their practicality. When he cooks, he does so very honestly, on condition that he is asked for classicism. He is not creative or inventive in this aspect. At the other extreme, there are marvellous, imaginative and consecrated chefs in the world who are of the Constructor typology. But they are the exception to the rule because, in this aspect, they have achieved connection to their real talent: creating pride.

WHAT ARE WE GOING TO SMELL? The Constructor, in his extreme perfectionism, is fairly manic about cleaning. He adores the shower, which he prefers to the bath, and showers constantly. He washes his hands about twenty times a day or more. He always smells of soap and water. When it is possible to penetrate his personal body odour a note of fern can be detected. He does not use perfumes excessively and prefers cologne, of lavender or citrus fruits in particular. He likes orchids. Olfactory Constructors are close to their connection.

WHAT ARE WE GOING TO PERCEIVE SEXUALLY? The Constructor is the least sexist of all the typologies. He doesn’t conceive male or female chauvinism. For him, a person is that, a person. He is not going to cultivate chivalrousness or sex appeal and expects from others the same straightforward and unisex treatment. He is a tender lover, attentive, meticulous and obliging, but not very imaginative.
For him sex represents a simple pleasure and one without complications. He doesn’t add the taboos or magic that others include in erotic relations. Sexually he is very faithful.

He chooses his partners well, without risking great spiritual adventures. He prefers Legislators and Revealers. In general, he flees from Promoters, who are his cosmic pair because that would complicate his life and force him to tackle the phase of transcendence. And that is too much for his disconnected pride.

Structural analysis of the Constructor typology:
The Constructor’s dominant structure is the Synthesiser, which is hyper-present in all its manifestations. He fully performs all of the functions of the Synthesiser and has the memory of an elephant, he is very tidy; he likes to file and preserve everything, he loves thinking and reasoning. He is an addict of development and communication, at least where information is concerned. Because he is worried and afraid by the human emotions that people display when they communicate. He is very auditory, as well as visual.
His Transformer is disconnected and he feels hostility towards what is novel, what is inventive, what is imaginative, what has not been consecrated by the majority. That’s how he understands democracy: as the numerical majority being right. He is very fearful of others’ envy and is blind towards his own. He swears that he is never envious, but when he comes across what is authentically great and genius, he declares his scepticism and sometimes assaults and attacks the discoverer. He doesn’t realise his envy, because he pays homage to geniuses. Yes, but once history has consecrated them, after one thousand attacks and disqualifications from people like him. He has an obsession where the Transformer is concerned: all geniuses and creators are crazy. And he will be the first, if he allows himself to be tempted to listen to such a dangerous structure.
His Vitaliser is prohibited and this is noticeable in everything related to the Constructor: he doesn’t know how to say “not that way”, he is neither vital nor vitalist, he is fairly rigid and mechanical, he does not believe in a universe of justice, and acts out the art of quietly withstanding injustices.
His Protector is healthy and normal-sized: he is warm, friendly, loyal, loving. He has a sense of solidarity and cordiality. What he is missing is time, because, although he denies it fervently, he does not know how to administrate his time and never has a moment for what he really likes.
His Orienter is healthy in day to day manifestations of enjoying the small pleasures in life, which he knows how to appreciate like nobody, but very short-sighted where his spiritual life is concerned. The Constructor is an agnostic who lives perfectly well without God and believes that we are the fruit of evolution and Darwin’s laws. For him, we have all descended from monkeys and full stop.
His Rector is discrete and somewhat underdeveloped. He does not know how to place limits on the invasion of his intimacy and his time and space. Especially, of his time. He is almost never in harmony and lives under stress. And hyper.

Emotional engineering of the Constructor typology:
The Constructor has an inflation of sadness. He feels all the stimuli and signs that ought to produce sadness, but also changes the reactions to stimuli that ought to produce pride transforming them into false defeatist and overwhelming sadness. He is very intelligent, sensible and rational. He is basically deductive and analytical. He is not prepared for inductive thinking that seems adventurous and somewhat crazy to him, or for synthesis. He drowns in the details and does not know how to prioritise or choose.
Pride is his disconnected emotion. The mere word pride irritates him, since he confers on it a meaning of false pride, arrogance and pedantry. He feels rage instead of pride. When he is shown an innovation, he attacks the inventor discrediting him. When he, exceptionally, dares to express his creating or liberating pride, he does so defensively and aggressively. Which makes the other party reject him, ratifying his decision not to trust his imaginary world to anybody. He is too interested in being approved and in finding his place among the majority to risk the adventure, high and solitary, of the creator, of the innovator. When somebody in his environment takes that risk, instead of admiring the innovator, the Constructor feels envy and denigrates them. Since he is very well informed he always searches for where the creator copied their work from. Since he doesn’t find this deceit that he looks so hard for, instead of admiring what is novel, he feels irritated and cheated as if the creator had indeed copied their work from somebody that he doesn’t know.
Rage is his prohibited emotion. The Constructor makes his way in the world as a victim and complains a lot, but submits to all abuses and injustices. In terms of the vitality and energy that authentic rage confers, the Constructor is hyperactive but does not have authentic vitality nor feels his corporality. He is all brain and cerebral. Although very disciplined and goes to the gym and practices sports like squash and tennis, he drops dead from a heart attack, or undermined by a cancer at an early age. He has circulatory problems, ischemias, migraines and high cholesterol, on top of high blood pressure.

Archetypal beliefs of the Constructor:
Although he is the one who most denies the existence of God, the Constructor has his own particular god that he obeys blindly. Here it is Sisyphus, son of the wind, the most astute of mortals, father of Ulysses (also condemned to impossible and heroic journeys and tests), condemned by Zeus, for having been proud and avenging, to push an immense rock towards the peak of a mountain. Every time that Sisyphus “almost” managed to place the rock on the peak, the rock would roll down again and he had to return to his frustrating task, eternally. No matter how astute he showed himself to be, he was never able to escape that curse, in life or in hell.
Subject to the curse of such a god, it is not surprising that the basic existential beliefs of the Constructor are:
If I reveal what I discover nobody will take me seriously (I will be envied and condemned as a madman). And
Nothing can change (everything repeats itself eternally, with no possible escape).
His Existential Drama (E.D.):
Is “overwhelmed”: the Constructor, believing himself condemned to work and work, does not realise that he uses work as a shelter so as not to prioritise and create, whereby he guarantees not connecting his authentic pride. To this effect, he overwhelms himself with a thousand things to do, which he does not prioritise, and even gladly offers to do the tedious work of others as a guarantee not to have room to breathe or a single moment to be and to grow. Whereupon, he behaves like a victim and quietly blames all other free beings who have their own time. This way he shuts off his access to rage and remains a slave to his own Map.

Psychological profile of the Constructor:
The Constructor has a rich and intense inner life, an inexhaustible curiosity and a dazzling imagination. They show themselves as the grey men and women, of the masses, who only know how to work, serious, but, so boring!
They are perfectionists and pure, great refined aesthetes and are seen as ordinary, brainy, yes, but so unimaginative and not at all refined!
They suffer with firmness of character and dignity the envy and injustices of their surroundings and propose themselves to prove that, even in the smallest and most discrete tasks, it is possible to be a revolutionary. They are seen as the developers of others’ ideas, reliable and discrete, but so insensitive!
They improve anything that they are doing, putting all of their effort and heart into it, and are seen as boring and repetitive by everybody else.
They are fair and suffer in the face of any lie, manipulation and injustice. Except that they don’t believe in the others’ sense of justice and, therefore, are patient and decide that by taking small steps big changes will occur in the end. They are seen by others as conformists and sustainers of the inverted social order.
The Constructor works and works, cornered between Legislators, who only grant responsible, serious and reliable people the noble status of citizen, and Promoters, who are convinced of having in him a slave to execute their brilliant ideas. This ingratiates him with the two typologies and he finds his place in society. With that he is happy. Since the Constructor’s highest interest in life is to be useful.
Unlike the Legislator, the Constructor does not behave like a father in life. He behaves like an adult, irrespective of his age. It is funny to see Constructor children behave like adults even in the most relaxed and festive conditions.
The Constructor is hyper-cerebral and hyper-rational. He is pure logic. Pure deductive and linear thinking. Plus he is super-perfectionist and minutely examines every concept down to its microscopic consequences. He is the king of analysis. Also he analyses everything and discredits whatever does not have a rational cause or effect. He is pure left hemisphere.
What he most values in his social life is having a specialisation and thereby a guaranteed usefulness. The second thing he needs is a family to whom he can be faithful and for whom he can sacrifice himself. He is also an excellent friend, but he has little time for them. He doesn’t even have it for his own family, that he loves so much! He is always busy and, often overwhelmed. He complains and sighs but doesn’t know how to prioritise and differentiate what is a priority from what is accessory. All tasks are a priority for him, moreover, when he does distinguish between them, he proposes to start with the most tedious in order to enjoy the most exciting. But since he accepts and even likes to take on other people’s tasks, he doesn’t find time for what is most delicious, unforeseeable and creating.
The Constructor finds his spiritual elevation in a job well done and in music. He cannot live without it. With it he dreams, flies, and finds himself. It is rare for him to find fulfilment in the most contemporary music. He is a classic lover and feels particular veneration for Constructor musicians like him: Bach, Vivaldi, Monteverdi, and if he is very daring, Shostakovich, Mahler and Mussorgsky. But he loves Beethoven, although it expresses so much rage. It has the effect of a lymphatic drainage on him.
The Constructor does not believe in god. He is an agnostic democrat who believes that everything starts and ends here, on this earth, and he will walk his part of the way with honesty and humility, his two best virtues. He will give himself completely, without expecting any reward on this earth or beyond. He will do so out of honesty and because he is a perfectionist who likes things done with pulchritude.
His perfectionism is his greatest virtue and his worst enemy. He is mercilessly critical with himself and benevolent with others. He never does things sufficiently well. That leads him to be maniacal about cleaning, order, with gestures of verification. From there to having tics, manias and repetitive compulsions there is a step that he will cross easily.
He abuses his resistance and his emotional dysfunctions predispose him to circulatory, ischemic, heart diseases and neuropathies, in particular to Alzheimer’s, which is an escape to rest from so much labouring and perfectionism.
Although he loves his home, he spends little time there, unless, naturally, he is a housewife. But even then he doesn’t enjoy his home fully, because he spends his time cleaning it. He is not a great host and is more prone to being his partner’s collaborator and helper. Neither is he a great cook, except on extremely rare occasions of Constructors near their connection. Nor does he have a developed talent in the art of informal conversation. He is a little mean and prudent, like the ant from the fable with which he so identifies. His preferred colours are blue, with touches of red, and off-white.
What most despairs him about himself is his difficulty to choose. For him, choosing is a torment and he is never convinced of having made the best decision. Even if he has made all the shoes be taken out and tried them all on, for example. He is also tormented by his morbid curiosity and attraction for the occult, the esoteric, the fantastic and the paranormal. Although he scrupulously hides it, so that people don’t think that he’s mad, he sees himself as a voyeur, a scrutiniser of others’ secrets and intimacies. That is why he identifies so much with photography.
His relationship with rage is very epidermal: he hates it. It is the emotion of madmen. Full stop. He reaffirms this belief when he feels and expresses rage instead of pride. When he assumes it, he sees himself as a madman, and with reason. His ideal is a world of justice, but ideals are utopias. In the real world injustice will always rule and he is an adult because he knows that things don’t change.

Structural energetic functioning:
S.E.F.: (sadness–pride–rage) + love + joy – fear.
He has two authentic emotions: love and joy when he is in his Map. He feels authentic sadness, but mixes it with 40% of pride that he converts into amputating and jailing defeatism. He feels rage instead of pride (envy) and fear instead of rage (timidity, cowing).
That is his formula and his equation.
Professions: Researcher. Consultant. Trainer. Doctor. Engineer. Scientist. Computer Scientist.

Phases of typological evolution:
THE CONNECTED CONSTRUCTOR: THE CONSTRUCTOR – REVEALER.
He has his six structures fed by their six authentic emotions connected to their six respective senses.
He conserves, magnified and refined, the qualities of his Map: he is tender, intelligent, loyal, generous, and acute. He is hard-working, honest, curious, scientific, rational, mature, obliging, has a sense of belonging to his family nucleus and workplace. He is sober, impartial, he gives excellent advice. He is aware of his attraction for what is magical, erotic, religious and spiritual and devotes himself to its study. He pays attention to detail and is meticulous.
He becomes a reanimator of everything that has collapsed and is diseased; he is the best creator of the Intensive Care Unit, and its boss. He is a natural catalyser of the best creative and innovative forces. He is a creator and an artist of great constructivist purity. He is joyful, optimistic, reliable, and brave. He loves people based on their genuine worth and makes no exceptions. He is the best confronter of psychopaths who flee from him like rats and leave others in peace. He is a refined aesthete and a collector of rarities. He is an excellent cook and he loves to eat well. It is impossible to disorient him. He is extremely sensual, erotic and acute. He is brilliant and ground-breaking. He is irresistible and pure. He is a biophile. He is the best friend and defender of geniuses, whom he recognises and consecrates before anyone else. With them he walks the path towards also becoming a genius.
He immediately and without delay puts himself on the path towards his hyperconnection and his transcendence, and aims towards the stature of a Goethe and a Cezanne.
E.D.: None.
Professions: Director of Organisational Change Processes. Head of his own company. Plastic artist or poet. President of his professional Association, which he resuscitates.
S.E.F.: (sadness + pride + rage) + love + joy + fear. All authentic.
He uses 80% of his innate energy and forms part of 2% of the population of Constructors.

PRE-CONNECTION PHASE: THE CONSTRUCTOR –FORTIFIER.
He stops stressing himself out and stressing out others. He knows how to listen and to speak in an essential and synthetic manner. He congratulates his environment for what is most creating. He admires and supports innovators and publicly puts his neck on the line for them. He assumes his attraction for what is novel and authentic. He is discrete and brave. He is patient, wise, acute, has a sense of humour. He is attracted by solitude and devotes himself to knowing himself emotionally and spiritually. He is a great friend of the best. He scales the powerful of the moment down to size and unmasks cheats. His preferred typologies: connected Revealers, Promoters and Reactivators. He flees from vanities and agitation. He has all the time for what is essential: love, friendship and creators. He is authentically spiritual, although very secular. He does photography and it relaxes him to be a culinary creator.
But he is afraid to stand out, to be admired, to be loved for what he is. He thinks he is going to let people down. He hides. He compensates his sensuality with food and puts on too much weight. He has slight neurological complaints. He feels a particular tenderness towards the worst Promoters, who manipulate him and suck his life essence from him. He is afraid of psychotics and psychopaths, and gives them open ground for their misdemeanours.
S.E.F. (authentic sadness – pride – fear) + love + joy – rage. He is no longer envious, but is afraid of standing out. He is still timid.
Professions: Wiseman. Psychologist. Writer. General Secretary. Photographer. Painter. Musician. Biologist.
E.D. a bit of “overwhelmed” and “if it weren’t for…”
He uses 40% of innate energy and forms part of 15% of the population of Constructors.

MAP PHASE: THE CONSTRUCTOR – CONSTRUCTOR.
He is in everything identical to the Constructor map portrait at the beginning.
He uses 30% of innate energy and forms part of 10% of the population of Constructors.

DISCONNECTION PHASE: THE CONSTRUCTOR –LEGISLATOR .
He has only one authentic emotion left: love.
He is even more hard-working and reliable, but blocks his own and other people’s growth. He consecrates himself to an organisation whose culture is counter to his and devotes his life and moments of intimacy with his own people to it, in exchange for small creative and clandestine conquests that others attribute to themselves with his blessing.
He loses authentic joy. He is used by disconnected Legislators and Promoters, whom he admires and pays tribute to. He is looked down on by Revealers and Fortifiers and avoided by Reactivators due to his tediousness. He idolises the archetype of the moment and loses his virtual iconoclastic potency. He feels rage and envy towards authentic creators, whom he dismisses as being illuminated and utopian. He mistrusts what is novel, except for what is technical and robotises the environment. He is seen as a cynic who prevents the flow of life, as an insensitive person who allows himself to be subjugated by the establishment’s most powerful. He has a phobia about envy and is blind to his own. He suffers from health problems: heart diseases and ulcers. He is short-sighted.
Professions: Consulting. Hospital medicine. Organisation. Secretary of associations. Teaching. Banking.
E.D.: “overwhelmed” and “defect”.
S.E.F.: (inflated sadness – pride + false pride instead of rage) + love – joy – fear. He becomes servile, on top of retaining the defects of his Map.
He uses 20% of innate energy and forms part of 55% of the population of Constructors.

PRE-DISSOCIATION PHASE: THE CONSTRUCTOR – PROMOTER:
He has no single authentic emotion left and turns his back on himself by inverting the joy-rage axis. Therefore, on top of all the foregoing, he is idolatrous, a fanatic and sacrilegious. Whereupon, he sees himself as a late genius who is going to prove to everyone how clever he is.
He suffers from feverish and disconnected motor function, almost epileptic. He is a revanchist and envious. He plays the genius and everyone laughs at him, because he is empty and delirious. He imitates the baron Von Frankenstein: he joins pieces of corpses (dead things) and pretends to be a god by creating (false) life. He takes himself for a redeemer and appears pathetic. He sinks his company and his team. He is extremely narcissistic and feels pride instead of love. He makes everyone neurotic with his agitation and diva-like demands. He has several heart attacks and dies from the third or fourth. He can suffer a mortal cerebral stroke. He is prone to cancer and neuropathies.
He is enthusiastic about Promoter-Constructor art (Arte Povera). He ruins himself by investing all of his savings in overambitious projects with feet of clay. He is deceitful and plays “rubber cheque” in order to feel important. He arranges dates and then neither attends nor receives them. He takes cocaine and amphetamines. He doesn’t eat and puts on weight.
Professions: Organisational leader chosen by a Promoter-Constructor. Fashion editor. Porn artist. Scientist. TV host.
E.D.: “overwhelmed” and “rubber cheque”.
S.E.F.: (inflated and necrophiliac sadness – pride + false joy instead of rage (self-idolatry, fanaticism) – love – rage – fear.
He uses 3% of innate energy and forms part of 15% of the population of Constructors.

DISSOCIATION PHASE: THE CONSTRUCTOR –REACTIVATOR:
In the exceptional case of being 100% in this phase, we would have the following profile. But what is most likely is that the dissociated person will only be this way in one or two problematic and stressed out areas of his life, and, most frequently, only against himself:
Not only does he lose all of his authentic emotions, but also he falls into the lethal formula: false inflated love + false inflated sadness which he feels at the same time. This provokes the collapse of his immune system, not only physical but also psychic and he gives in to a socially accepted schizophrenia. He believes himself to be the messiah, the prophet, god’s envoy, and inverts everything. He is a fanatic of death.
He is depressive and apocalyptic. He falls into a delirium and, often, into epilepsy. He adores psychopaths and hates connected people. He looks like a madman, talks like a madman, and scares people because he is mad. He suffers from psychosomatic diseases and has visual hallucinations. He manipulates his environment with guilt and pity. He is full of envy and resentment. He confuses God with the devil and obeys him. He is the anti-planner, since he sees everything the wrong way round. He dreams with the purity of the bloodline, genocide and invents concentration camps, the gas chamber, bacteriological warfare, and the crematory ovens. He is a technocrat of the extermination camp and monstrous genetics. He is anti-Semitic, anti-blacks, anti-yellows, anti-Indians, anti-homosexual and denies his own roots. He hates natural law, connected Reactivators and Revealers: he sacrifices them in the name of the Magnetiser. He venerates dissociated Promoters and Revealers and allies with them for the war of extermination against the purest. He looks down on everybody else.
Professions: Shaman. Guru. Predicator. Leader of sects. Fundamentalist politician. Leader of resentful minorities.
E.D.: “overwhelmed” and “I’m only trying to help”
S.E.F. (inflated sadness + inflated love) – pride – rage – joy – fear. He is fanatic about monstrous proselytism. He inverts the love-sadness and the joy-rage axes.
He uses –16% of innate energy and forms part of 3% of the population of Constructors.

The Splendour of the Human Being – Preciada Azancot

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING, fascicle 25: LEGISLATOR TYPOLOGY

Dominant dimension: Transformer-pride-taste, his skill.
Disconnected dimension: Orienter-joy-sex, his talent.
Prohibited dimension: Protector-love-sight, his vocation.
Healthy dimension: Synthesiser-sadness-hearing.

Tipología MAT legisladora por Preciada Azancot

Sensory perception of the Legislator:

WHAT ARE WE GOING TO SEE? The prevailing geometrical shape in the visible features of the Legislator is the rectangle: face, neck, waist to knees, hands and feet.
Pride, his dominant emotion, stimulates the parathyroid glands and the entire bone system. Therefore, the prevalent visible in the legislator typology is the importance, balance and elegance of the bone structure. The bone is hyper-present and is the first thing that leaps out at us: rectangular face with a wide and high forehead with a receding hairline at the temples, marked cheekbones, strong and rectangular jaw, sizeable nose, wide shoulders, long and elegant arms and hands, narrow hips, long thighs, strong legs and long and narrow feet.
His eyes are deep and small, with an inquisitive look. His eyebrows are well defined rising up and he frowns upwards with an inquisitorial gesture, as though always examining and judging. That causes him to have horizontal wrinkles on the upper part of his forehead. His mouth is wide with thin lips that curve downwards, giving him a severe look. He smiles little, but when he does his smile is marvellous and lights up his entire face.
His way of moving is loose and elegant although often somewhat rigid and stiff. He always looks like a monarch at an official presentation.
His clothes are elegant and conservative, he uses a lot of suits and ties, and if a woman she will have a large number of tailor-made suits and pearl necklaces.
The colours that he prefers are beige and green. He uses a noble and traditional decoration, with wood and leather, as well as tapestries and carpets. His environment is like him: it possesses majesty.
He is smart, elegant and tidy although very conservative. He has glamour.
He is tall and thin. Most top models are Legislators and almost all others are in Legislator phase.

WHAT ARE WE GOING TO HEAR? His voice is deep and profound and comes from the chest. He speaks in pauses and very fluently. He has a very rich and very careful vocabulary. He hates swear words and vulgarity. He has a large number of stories and uses them a lot, because everything that he wants to emphasise, and he emphasises everything, is an excuse for a story that will be designed to “cultivate” and “illustrate” his environment. He is the champion of social gatherings. He reads a lot, and learnedly quotes the great stalwarts of civilisation. He is a great student of history, civilisations, philosophy. He writes poetry in secret, which he doesn’t show to anybody because he thinks that it is sentimental nonsense to reveal this facet of his. He doesn’t read novels because he has no time for frivolities, and he discovers them with pleasure late in life, after retiring. He loves painting and is good at drawing but does not master colours.
He uses words like “perfect, perfectly” and makes Nominalisations in series: for example, he won’t say that mother, but A MOTHER, he will not say this country, but THE FATHERLAND, he will have a tendency thereby to consecrate what he admires and that is evidence of a strong tendency to idolatry. He talks a lot about his family and childhood tales. He is very marked by his grandparents and has a vocation to be a grandfather. His mother is sacred and he has a lot of taboos that make it impossible to even go near that topic.
He is keen on patriotic and military music. He is moved when he hears the national anthem and sees the flag raised.

WHAT ARE WE GOING TO TOUCH? The Legislator does not like being touched with familiarity, although he does warmly embrace his relatives and friends. When we shake his hand, ceremoniously, we will feel a strong and somewhat rough skin. His muscles will be very close to the skin, with no permeations or soft spots, and if we sink our index into his flesh we will feel the sensation of bouncing back with enormous elasticity. He has a perfect thermostat that protects him against both the heat and the cold. He almost never sweats. His body temperature is warm and constant, very balanced. Although he loves touching and feeling his touch, he deprives himself of it because he considers it an unacceptable informality and invasion, at least where touching or being touched by people is concerned. Not so with animals or things. There he has a feast.

WHAT ARE WE GOING TO TASTE? Taste is the Legislator’s most developed sense. He loves eating. He demands a table and tablecloth and for him each meal is a real ceremony that he enjoys like a child. He prefers traditional dishes, which for him represent civilisation and a sense of patriotism. He is a great gourmet and has an exquisite palate for both liqueurs and meals. He loves stewed dishes for eating with a spoon, roasts, potatoes, pulses, and regional and native cuisine. He takes gastronomic journeys and is very informed about culinary awards. For him a meal is a complete feast for his six senses and for discussion. He cooks well, but very conservatively. It is a guarantee of quality to eat something prepared or chosen by him.

WHAT ARE WE GOING TO SMELL? The Legislator is not very much a smells person or fond of perfumes. He has a very sexual body smell: if he is a man he will smell of male and if a woman, of female. His favourite perfume is the rose. He smells of leather and he loves the smell and the texture of leather, which he uses and sometimes, abuses. He likes the touch and smell of oak and mahogany, using these lots in decoration. He is addicted to the smell of his partner when he is in love, and if he stops being in love rejects her smell.

WHAT ARE WE GOING TO PERCEIVE SEXUALLY? Although with great modesty and timidity, the Legislator’s gaze pays homage to the sex of the person he is speaking to. His talent is noticeable, although it is disconnected and he is ashamed of it. The Legislator feels sex as something hyper-present and dangerous. He punishes and beats himself for his great sensuality, which he feels like an urge the way Freud describes them (a Legislator if ever there was one). The libido and urges of any type, but above all sexual, are the invention of a Legislator, logical consequence of rage instead of joy, his disconnected talent, inherent to his typology. He is a dependable lover unless he is having an affair, and then he is ardent and marvellous. Then he becomes ashamed of it. He marries soothing partners (Constructors) in this regard, although he remains in love platonically with Reactivators. He loves dancing and does so marvellously. He collects jokes and is very good at telling them.

Structural analysis of the Legislator typology:
His personality structure reveals the invasive importance of the Rector. Indeed, although his Transformer ought to be his dominant structure, he makes the energy pass from the Transformer, pride, to the Rector. His Rector, very large, instead of purple is predominantly green. Therefore, the Legislator is the great judge of all the typologies. He is exceedingly conservative and his Rector is stuffed full of all sorts of beliefs on all sorts of topics. He constantly states opinions and about everything. He is implacable with faults and perceives all of them. And he imposes his judgment on his surroundings. He is a person of principles who only trusts those like him.
His Protector, which is very large, is not well perceived by his environment and this for two reasons: the first, because although he is the great romantic, he is shy and doesn’t show it, although his sense of social and family or business solidarity is proverbial. And he is a fried who finds it difficult to give himself because he is wary of people he doesn’t know, but when he does, it is unconditional and forever. He is a great idealist. He knows how to detect the quality of people’s souls when they are not in his family nucleus, which is taboo. He devotes himself when he sees that somebody has a very clean and fervent soul: then he “skips” the calendar and becomes an admirer, protector and knight of the new acquaintance.
The Synthesiser is of normal size and very tidy, meticulous, perfectionist and well informed and organised. He is always open to development, he knows how to organise and he is a great communicator. He is very intelligent and even wise. He admires intelligence, which soothes him.
The Vitaliser is not very energised. He is a conservative who fears revolutionaries. Although he is very tenacious and struggles to withstand all sorts of blows, his health is poor. He is the most prone to chronic and dangerous diseases. He looks after himself with great discipline, but does not enjoy his body, which he sees as a tyrant that needs to be subjugated. He likes sports related to enjoying nature: sailing, cycling, mountain-climbing.
The Transformer is large but somewhat robotised. He prefers to create organisations to creating works of art, which he admires a lot when others produce them. He sacrifices himself, building companies and organisations that bear witness of civilisation, the family and inter-regional or international cooperation. He is the creator of multinationals and foundations, because for him they are family and civilisation. He has advisors, but decides on his own. He loves poetry and painting. He admires, above all, civilisation and philosophy which he searches for radically, etymologically (love for wisdom).
The Orienter is thin and lacking fluidity. Although for him the spiritual has the highest of values, his own Orienter is stuffed with idols. Sometimes he has outbursts of wisdom and perceives the future in a visionary manner, but more often than not he is an enemy of change and happiness, which he only tolerates in very young children and in old folk. The rest should sacrifice themselves for society.

Emotional engineering of the Legislator:
Pride and more pride is his dominant note. He is very touchy and sensitive when his pride is scuffed, and he doesn’t realise that he curbs and stamps on others’ pride with his permanent judgments and intolerance for the slightest defect or fault.
Anger instead of joy more often than not. He only tolerates enjoyment when all duties have been “perfectly” fulfilled. He is idolatrous and conservative and resistant to change. He doesn’t like happy people, unless they are professional comedians, whom he then adores. He considers others to be, simply, irresponsible. His talent is noticeable when he allows himself to smile and laugh. Then everything shines.
Fear instead of love: he doesn’t love the person who most deserves it for their worth: he makes them pass an exam. He loves his lifelong people, even though there may be vampires and wickedness among them. For him these people are sacred, and it is a taboo to make him question them. His vocation for love is noticeable from his great romanticism, which he hides from the world, from his tremendous solidarity and from how well and how much he uses his sight and, also when, before dying, he confesses that he has been platonically in love, all his life, of a Reactivator, without her ever having known.

Archetypal beliefs of the Legislator:
The Legislator confuses himself with an archetype that he dutifully venerates: Atlas (Atlante). Like him, he believes that he is obliged to sustain the weight of the world, inhabited by irresponsible people. He will sacrifice himself thus for all of us and offer himself as volunteer for those tasks that most repel his joy and most flatter his vanity: president of the neighbourhood association, of his professional guild, of his university college, of an NGO, and, of course, of his company. He considers himself to be an unmoveable mountain that sustains what is immutable and eternal and that will remain once all fashions and crazes have passed. That’s the curse of Medusa upon him: to turn him to stone, into a mountain as a monument to himself and his own convictions.
As a result of this existential veneration, his two basic beliefs are:
1) “There will be no justice for me in this world” (although I was always a fair judge of everyone else).
2) “Life is not a party” (it is tough and ungrateful and has to be endured with as much dignity as possible).
His Existential Drama (E.D.) is “DEFECT”. The Existential Drama is inspired mostly by the Psychological Games discovered by Eric Berne, creator of Transactional Analysis, with some improvements that we have introduced. It is not a question of explaining here in depth what an E.D. is. We will be content with saying that it is the most toxic way of using time and communication, since it is what most sinks people into their typological beliefs. The “Defect” E.D. consists of commissioning or controlling a job. The victim brings along a marvellous work that the Legislator inspects, frowning and serious, without saying a single positive thing about it. At the end, he gives it back in disgust and orders it to be redone because “it’s wrong, there is a spelling mistake on page 186 and a grammatical error on page 239”. That earns him hate and resentment from those around him, while he alleges that people are ungrateful and unjust because he only wanted to leave the job “perfect” so that another judge, less benevolent than he, doesn’t find faults with it. Then he reaffirms his belief “There will be no justice for me” instead of correcting his manner, congratulating on what’s good and proposing, joyfully, a few corrective touches that will allow for a better result.

Psychological profile of the Legislator:
Legislators are above all dignified, proud, sensitive, and touchy. They are the natural judges of all situations and people.
They see themselves as impartial, good-natured, joyful, patient and highly spiritual. They are seen by everyone else as spoilsports, boring, dogmatic, severe, idolatrous and excessively demanding.
They are persistently concerned with cultivating, socialising and civilising everybody else. They are seen as narcissists who only find their own ego divine, who weigh on everyone else’s time and patience with their constant anecdotes and unending speeches about any topic. They feel as though they talk like civilised and patient beings who compensate for others’ lack of culture and egocentrism. They are seen as pedants who read like a book and give lectures on any subject, impeding the flow of diversity, exchange, and change.
They torture themselves with internal dialogues that are evidence of their extremely high level of self-expectation and their enormous sense of justice. They are seen as insensitive monuments that destroy others’ self-esteem by establishing the norms and guidelines to legislate over the world as though never a single doubt about themselves ever crossed their minds.
They have such a high concept of joy and partying that they take care of preparing a party as if it were a sacred ceremony. Others flee from them during celebrations and don’t invite them, convinced as they are that people with such a level of criticism and demand for perfection will never relax sufficiently to give in to the joy, bustle, and mayhem.
They are incurable romantics and tender idealists; they are knights in shining armour and the troubadours of their ladies and gentlemen. For everyone else, they appear to be tough, insensitive and above good and evil.
It is no surprise therefore that the existential belief of the Legislator is that there will be no justice for him in this world, even though he is the fair untiring judge of everyone else.
They are extremely tidy and keep documents, photographs and files that go back their entire life. Every Legislator has meticulously ordered files regarding the surroundings and circumstances of his childhood, adolescence, romances, adult life, children, and he adores his grandchildren. He is the inventor of the genealogical tree, of museums, of grandma’s recipe book, of lotions and other traditional effects of herbs, plants, and essences, of roots in short. And of the army and of the organisation of the country’s defence. They are conservative to an extreme and enemies of change, which, in their eyes, could destroy what is to be admirable of tradition and carry innocent victims in the name of an impulse for innovation that has neither been crowned nor consecrated by the academies. He is, obviously, the creator of said academies.
They are very parental and, since childhood, have played the role of critical parents and carers who control their own parents and brothers and sisters. When they impose their criteria of what “should and shouldn’t be done” they raise their index finger, while giving their lecture and imparting doctrine to those around them.
Elegance and respect for form culminate their scale of values. He does not tolerate vulgarity, hicks or trickery to avoid the law. He is the good citizen par excellence. He is very active in care, community and guild work. He creates organisation and civilisation with each breath.
He becomes ecstatic and moved by nature. Before it he discovers his profound sense of religion and spiritual union with his Creator. He adores every type of landscape, but especially the open sea and the mountains. He loves horses and bulls, with which he identifies totally. He also venerates elephants and sometimes owls.
His house gives evidence of his stateliness, his sobriety, and his taste for tradition. It is full of noble woods, leather, bookshelves, pictures of landscapes with a special veneration for trees, sober and elegant tones in which beige and green prevail. He doesn’t like pure colours, which he deems strident. He venerates orange, but almost never uses it.
He cannot conceive a celebration without food. He loves eating and he is a gourmet. As the years go by he loses his marvellous thinness, especially around his stomach and belly. He also likes to taste drinks and has a great talent for wine-tasting. He is a great host, attentive to all details in order to please and relax his guests. On top of surrounding them with universal and culinary culture, he is a pleasant and untiring speaker. He improvises conferences on any theme and is much more cultured than his surrounding social class. He is a self-taught person who is passionate about universal history and about philosophy.
What most despairs him about himself and which he scrupulously hides from others is his enormous sensuality, which tortures him and makes him believe that he is going to lose control of his orderly life. He is dominated by urges that he is ashamed of. These urges, which are the result of the repression of his talent, joy, transformed into aggressive rage against himself, are reflected in the work of Freud, the paradigm of the Legislator: libido, fear of incest, death urge and urge to destroy, worrying and cryptic dreams. Another exemplary Legislator, already in the pre-connection phase, is Fritz Perls, the creator of the Gestalt, who at the age of around 80, wrote that his anguish was not to have been able to control his compulsive masturbation. When that occurs, he frowns severely and disapprovingly and crosses his arms like an inquisitor. He is condemning himself. In that situation, it is meritorious to maintain, as he does, a placid and serene marriage, a united and numerous family, and the dignity of an irreproachable citizen.
Love for him is a matter of veneration and a pending subject at the same time. A matter of veneration because he adores and even venerates his family and lifelong friends. He would give his life for them. A pending subject because he distrusts love and closes his traditional nucleus off from everything that is apparently valuable and passionate. Then he makes others pass interminable exams that end up discouraging even the greatest enthusiast. Unless he perceives an exceptional soul tempered in diamond. Then he bows before her. But, instead of loving her, he venerates her.

Structural Energetic Functioning (S.E.F.):
His emotional equation, which governs the functioning of his structure is:
(Pride – Joy – Love) + Sadness – Rage – Fear
He has only one authentic emotion, sadness, when he is in his Map.
He feels pride, sadness, fear and rage. But those three emotions are false and replace fear, love, love and joy, respectively.
Preferred professions of the Legislator:
Teaching. School teacher. Tax. Notary. Defence. Marine. Essayist. Talent scout. Consultant. Philosopher.

Phases of typological evolution:
CONNECTION PHASE: THE LEGISLATOR –REACTIVATOR.
In this phase, the Legislator recovers his entire structure, his authentic emotions and senses. He retains the qualities of his Map: he is noble, chivalrous, loyal, idealistic, keeps his word, a man of honour, romantic, delicate, discrete, obliging, considerate and protective, cultured and studious. He is a natural self-taught person, a lover of letters, art, popular traditions, his country, family, national honour, civilisation. He is rigorous and sensual. He loves eating and dancing.
Plus he becomes the providential being who can change his surroundings. He is a great iconoclast and reinforces what is most valuable in the human being. He only kneels before God, and bows before the connected Reactivator to whom he declares his love and for whom he would put his hand in the fire. He loves connected Revealers, whom he discovers to be the most endearing and valuable. He associates with a connected Fortifier and they build an authentic kingdom governed by the perfect balance between justice and compassion. He is joyous and passionate. He is sensual and is proud of it. He is the best architect of authentic democracy based on an authentic and fair social pact that respects all differences. Everyone grows and is soothed near him. He is irreplaceable and he doesn’t even know it or want it. He is a vocational grandfather.
He places himself with optimism and decision on the path of the sequential phases of hyperconnection and transcendence. When he reaches it, he belongs to the profile of Albert Einstein. He becomes a great discoverer, and a great artist, especially in painting, music and poetry.
Professions: Fairytale king. Friend. Grandfather. Statesman. Poet. Metaphysics. Plastic artist and man of letters. Advisor. Ecology.
His S.E.F.: (pride + joy + love) + sadness + rage + fear. All authentic.
His E.D.: None.
His emotional dysfunctions: All of his emotions are authentic and therefore nourish their corresponding structures. He is sensitive. But his emotions jump from one to the next without any sequential accumulation of energy. He crashes and disconnects on the axes. He does not perceive his Centre and places love in its place. He uses 80% of his innate energy and forms part of 2% of the population of Legislators.

PRE-CONNECTION PHASE: THE LEGISLATOR –REVEALER:
He manages to rescale his inflation and gains access to authentic creating and growth-encouraging pride, his skill. He does not recover either his talent (joy) or his vocation (love). His structure consists of two adequate dimensions: the Transformer-pride-taste and the Synthesiser-sadness-hearing.
Advantages: He fights the paralysing status-quo and is on the side of its authentic victims. He adores art and even more artists, and protects the best. He supports the typologies subjugated to the Connector and is their errant knight. He distrusts love, but falls in love and suffers in silence. He is a marvellous and mischievous grandfather. He is the best and most faithful of friends. He has a marvellous and biting sense of humour. He loves social debate.
Inconveniences: He remains somewhat rigid and idolatrous. He only changes idols. Instead of love he demonstrates rage and is seen as a righteous and merciless avenger. He hides his immense sensitivity and delicacy. He neglects his family and shelters others whom he treats as his new family, which becomes a taboo. He can drink or smoke too much. He is vulnerable and naive. He is tremendously romantic, but hides it and is ashamed of it. If he finds his ideal sexual partner, he becomes drunk with ecstasy but then abandons her to go back to his imprisoning partner, devoting himself to catching butterflies for example. He neither assumes nor tolerates his sensuality.
His S.E.F.: (pride – joy – love) + sadness – rage – fear. He feels false rage instead of joy, false fear instead of love, and false rage instead of love. That shows a marked tendency for sacrilege, timidity, lack of commitment, mistrust and also, in the face of pure love, for malicious gossip and slander.
E.D.: a bit of “Defect” and a lot of “Yes… but”.
He uses 40% of his innate energy and forms part of 15% of the population of Legislators.

TYPOLOGICAL MAP PHASE: THE LEGISLATOR –LEGISLATOR:
He corresponds in everything to the description at the beginning. He uses 30% of his innate energy and forms part of 10% of the population of Legislators.

DISCONNECTION PHASE: THE LEGISLATOR –CONSTRUCTOR.
He does not have a single authentic emotion left. Therefore, his structure does not function nor fulfil his innate vocations. Plus he inverts the love-sadness axis and loves what is dead, devoting his life to it to make it into an institution and then an idol. He becomes mean and envious of what is great. Since on top of perfectionist he examines everything minutely, he seems more rigorous but he becomes mechanised and impoverished of his noble, romantic and idealistic essence. He withstands and is worn down by companies and mechanised and robotised groups, to which he devotes all his loyalty. He creates companies, academies, foundations for mechanicist science. He makes consecrated geniuses his own and speaks in their name although in real life he is in combat against them. If he finds a genius still in life and not yet consecrated, he envies them and invents malicious gossip about them. He rationalises in order not to feel.
He becomes sad and rigid. He suffers from ischemic and valvular heart disease. He has high blood pressure and high cholesterol. He is obstinate and somewhat of a maniac for order. He searches for defects in others. He is seen as a pedant and a spoilsport. He nourishes and protects a parasitic and non-conformist environment. He advocates and sustains a regressive order disconnected from the flowing and live reality. He creates Reactivators, Revealers and Fortifiers who suffer because of him. He punishes himself for his sensuality.
Professions: President. Human Resources. Administration. Banking. And the professions of the Constructor.
S.E.F.: everything is false and twisted except for a bit of authentic pride. In addition to the faults of the previous phase, the inversion of the love-sadness axis turns him into a masochist and a martyr, as well as a necrophiliac.
E.D.: “defect” and “overwhelmed”.
He uses 20% of his innate energy and forms part of 55% of the population of Legislators.

PRE-DISSOCIATION PHASE: THE LEGISLATOR – PROMOTER:
In the rare and hypothetical case of having his back turned 100% on himself, on his profound being, we would have the following profile. If his back were turned by a lower percentage, we would merely have a degradation of his ethics and an obsequious opportunism towards fashionable clichés that would make him loathe himself more all the time. The 100% pre-dissociated legislator would mean the following disaster:
Not only does he not retain any authentic emotion, but also he turns his back, militantly, on himself. Whereby, he believes that he loses his vulnerabilities and ensures himself social status and acceptance. To this end he inverts two axes: the one of love and sadness and the one of rage and joy.
He believes that he has recovered flowing and joy because he kneeled before the archetype of the moment, the one of the age in which he lives. He forgets his sense of justice, his dignity, his rigour and builds castles made of sand, dragging his loved ones to failure.
He is obsequious with the powerful and implacable with the best and purest. He knows undermining envy. He falls hopelessly in love with vampires and human rats, becoming their puppet and armed wing and becoming a little rat. He legalises and legislates over the jungle. He is the head of the mafia. He suffers from pulmonary emphysema and is prone to cancer and having a stroke. He has diabetes. He confuses and sometimes inverts sexual patterns.
Professions: Fashion talent scout. Fashion businessman. Protector of the “beautiful people”. Mafia baron.
S.E.F.: no authentic emotion and inversion of the two axes. On top of the previously examined defects, he is a masochist and arrogant, a desecrator and mean. Additionally he is invasive and self-seeking.
E.D.: “Defect” and “Rubber cheque”.
He uses 3% of his innate energy and forms part of 15% of the population of Legislators.

DISSOCIATION PHASE: THE LEGISLATOR –FORTIFIER.
In the improbable case of being 100% in this phase of supreme degradation of his personality, we would have the following profile, but more often than not it is just in one or two areas of his life – mostly, against himself – that he can be like this:
On top of the two inverted axes, he falls into the lethal formula of false pride with false fear at the same time. Meaning that his structure is broken out of rigidity and he yields to this socially accepted psychosis: Atlas becomes Achilles crazy with fear because his heel has been touched.
He is the executor and armed wing of psychopaths.
He is a regressive fanatic who burns all “infidels” towards his idolatrous beliefs. He is a visionary who, in the name of a god that he inverts, can send all innocents to the death. He is a sadomasochist who starves himself, beats himself and sends his “troops” to the holy war. He is an assassin of what is alive, what is divine, what is authentic. He is idolatrous and an idol. He is a devotee who crucifies Jesus with a clear conscience. He is the most terrible of psychotics and has an army of terrified and fanatic followers. He is obsessed with death and, if contradicted and he cannot kill, he will commit suicide.
Professions: Dictator. Inquisitor. Tax official. Guru. Fundamentalist religious fanatic.
S.E.F.: His structure breaks due to excessive rigidity. Lethal formula false fear + false pride, which are felt at the same time.
E.D.: “Defect” and “If it weren’t for…”
He uses –16% of innate energy and forms part of 3% of the population of Legislators.

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING, fascicle 24: THE PERSONALITY TYPOLOGIES

The MAT typologies, as we already saw, are defined by their functional equations of innate origin. On top of the innate imbalance in question, there is the environmental response, which is going to “install” each person in their typological prison. We call that typological prison a PERSONALITY TYPOLOGY. Since, as we already saw, the personality is already a mask that hides the being and that is manufactured in the mother’s uterus, as we illustrated in the previous chapter. If that “personality” does not find an adequate response in his early environment, and if he is given the wrong response, he will install himself in his typology.

MAT typologies by Preciada Azancot

In MAT the typology is characterised by:
– The inflation of the dominant dimension (140%, of which 100% is authentic emotion and 40% replaces part of the innate talent). We call that emotion the inflated emotion of the typology.
– The disconnection of the innate talent which is replaced by 40% of the false inflated typological emotion and 60% of false rage. We call that emotion the disconnected emotion of the typology.
– The prohibition of the innate vocation which is replaced by 100% of false fear and, then, by 25% of false fear and 75% of the dominant false emotion of the phase that we are in. We call that emotion the prohibited emotion of the typology.
– The lack of authentic fear and authentic rage to a considerable extent, because these are replacing the prohibited vocation and the disconnected talent.

To go back to the example of our child, the Constructor, he will have:
-140% of sadness, which will be the inflated emotion of his typology. This sadness will consist of 100% authentic sadness and 40% false sadness that replaces authentic pride.
-60% of false rage, which will replace authentic pride, his innate original talent.
-100% of false fear, which will immediately become 25% of false fear and 75% of the false emotion of the typological phase that he is in. This false fear will be the inadequate expression of his innate vocational rage.
Whereby our Constructor child will feel sadness instead of pride, rage instead of pride and fear instead of rage. This will mean that his Synthesiser will be inflated and will contain 40% of energy deviated from his Transformer, that his Transformer will be fed by 40% of energy originating from the Synthesiser, sadness, and by 60% of energy designed innately for the Vitaliser, and that his Vitaliser will be fed by 25% of the Rector’s innate energy, fear, and by 75% of the energy destined for the dominant structure corresponding to his phase of evolution. If we consult the table of deviated emotions and their corresponding vices, our Constructor child who was born in order to be prevailingly serious, intelligent, sharp, a developer, a genius creator, a transformer, growing and brilliantly just, vital, a leader and healthy, will become amputating and jailing, jealous, timid and cowed, on top of what will apply of the phase in which he chooses to situate himself.
We have not yet explained the 75% of the vocation that is transformed into the false typological emotion of the phase of evolution that he is in: in fact, in his strict typological prison, the Constructor, like any other typology, will feel 100% of false fear instead of his prohibited vocation, in this case, rage. But it is very uncomfortable for him to be in his typological prison and the Constructor will examine the invitations and models of his environment and will choose ways out, incorporating visions of the world of the other typologies. Let’s say for example that a Legislator, who has inflated pride, encourages him to imitate him with the promise, thereby, of recovering his original talent of pride. Then our child will incorporate part of the mask of the Legislator and will become a Constructor in Legislator phase. But he will not find what he was looking for because his inflated emotion will remain the same, his disconnected emotion also – he will not have authentic pride – and his vocation, rage, will become 25% false fear and 75% false pride. That pride that he was looking for so much will only be a mask that will replace part of his rage, in other words, on top of everything else, he will be servile. And he will be worse off and even more imprisoned than beforehand.
Does this mean that if we receive inadequate responses from our environment at an early age we are condemned to remaining prisoners of our typology for the rest of our lives? No. MAT shows the way out, which, in any case, some people have found alone, without the help of MAT since, as we have already indicated, 2% of the population (of our sample of 120,000 cases) are outside their typological prison. In other words, 2% of the population have their skill, talent, and vocation active and although they do have a personality, they do not have a typological prison.
MAT shows us how to leave the prison without therapeutic aid and how to increase the small elite of 2% of people who are clearly aware of and act out their skill, their talent and their vocation.
MAT teaches, as of that state of liberation that we call the process of connection, how to recover more potency through a series of processes whose objective will be to make us into integral human beings who have transcended their mammalian condition. This work will not deal with the growth processes that follow the process of connection. These will be the object of a subsequent work. The connection process places us in our innate potency, in other words, makes us reborn to our lives as a one day old baby. Then we will have to start growing.
How then to abandon the typological prison? In a three-step process: the process of connection. These steps must, obligatorily, retrace the mistaken path and be made one after the other. Our experience of approximately 3,000 students that we have reoriented towards their connection bears witness of this. Simple logic and common sense, also.
The first step consists of recovering our skill, rescaling our inflated emotion and reconducting the deviated 40% to its original structure, that of our talent. In our example, the Constructor, already at an age of analysing and processing, will observe that his sadness, in 40% of cases, does not respond to the appropriate stimulus for feeling sadness, in other words, does not correspond to a loss. Then, once alerted and with this tool at his disposal, he will observe that in those cases of false sadness the adequate and authentic emotion corresponding to the stimulus is pride, his original talent. He will learn to feel sadness in the face of losses, and admiration in the face of his own and other people’s greatness. Since let’s recall that admiration is the minimum expression of authentic pride. Once he recovers his perfect sadness, and has a Synthesiser that is sharp and clear, our Constructor will be able to take the second step. This phase of the process in MAT is called the pre-connection phase. In order to reach it, the Constructor must, imperatively, become aware that he is the prisoner of an archetype, Sisyphus, and decide to recover his freedom and let go of his typological archetypal beliefs.
The second step will then be the recovery of his innate talent. Our pre-connected Constructor will observe that in the face of stimuli that are apt for feeling and expressing pride – grandeur, creative works, own and others’ genius, discovery, growth – he feels false rage, in other words hostility and envy. In this stage it is absolutely necessary for the Constructor to recover the unconscious memory of his early childhood and to realise that that rage, authentic, is what he felt against the parental figure that plagued him for his talent and treated him as crazy for having it and expressing it. Then, once his rage has been focused and assumed, he will be able to recover his pride, and, with it, his original talent. This phase is simply called the second step in the connection process.
The third step will be more difficult and slow and will require a spiritual leap, a cry of liberation that questions, at least as a conscious act, the spiritual vision of a structure without a fixed and universal Centre. God is not justice, he is the six functions and infinity more functions that escape our rational understanding and that can be intuited from our Orienter and captured exclusively with our Centre. It is mammalian nonsense to believe that the Centre is just one of the six basic dimensions of the human being. Then liberating laughter emerges. Only afterwards can the Constructor, like any other typology, “decode his phobic fear” which, he then becomes conscious of, is fear of a jailing and archetypal god that authorises rage (understood as meaning his vocation, whichever it is) to everyone but him. But it is also fear of installing his rage in place of the Centre and becoming something worse than a typological prisoner, a narcissistic psychopath who believes himself god. This process does not require acts of faith or any religion. We can decide that god does not exist, as long as we leave the Centre empty and dethrone the idol that occupied it. Then, after hard training in reconducting the vocational emotion towards its structure and returning authentic fear to the Rector, we reach connection. This phase is called, in MAT, the connection phase. Then the personality leaves its prison, and works with 80% of original innate energy. 20% is lost because by having a personality we are inevitably going to yield to a certain level of fear, of 20% instead of our vocational emotion.
The connection makes us recover the unfolded structure that we show in our graph on page 198. Now comes a second process, which if we dedicate all our energy to it, lasts no less than 24 months: the hyperconnection process. Here it is a question of recovering our foetal energetic sequence. We start from the first step: Vocation to next emotion in the sequence. In our example, we pass from rage to pride. That way we no longer need to move back and forward by passing from the skill, to the talent, and then the vocation. Suffice to say that the structure starts to integrate at one point, the first step. Each phase means something very valuable and important that we are not going to develop in this work, which only deals with connection. We have two works that deal with the path of growth towards recovering our full integral stature of being human.
At the end of six phases, the hyperconnection process ends and we move onto having an energy of 5,000% of innate energy, in other words that of a one day old baby.
The third process is called the process of transcendence. It consists of just waiting calmly, since it comes by itself and is expressed, at the end of a process in seven phases, by the first perception of the Centre through a white light that remains in a normal and permanent manner, without illusory exercises of transcendental meditation. All humans have a Centre and it shows its first and most innocent and virginal manifestation. Then we move onto using 640,000% of innate energy. And it doesn’t end here.
This is not, much less, the end of the path of growth. It is just the beginning. Then we have the equivalent of 13 years of age as people. Just that.
We are not going to deal in this work with the following processes. They are not relevant. But it is useful to point out that we have a slight glimpse of the glory at the end of the hyperconnection process and a suspicion of what the splendour can be in the phase of transcendence. In this work it is necessary to have very clear what connection is and to have a conceptual idea of what hyperconnection means. Just that. We cannot provide statistics about how many people are in the transcendence phase. Of the 120,000 cases studied, we only found three.

IMPORTANT NOTE ON THE PHASES OF EVOLUTION:
MAT is the most precise set of tools for diagnosis and treatment available at present. MAT diagnoses have the added advantage that we do not tend to deliver truths under anaesthetic, instead with authenticity, love for the being and value. The degree of perfection or deterioration of a personality is reflected by their typological phase of evolution. It is very rare to find people in a single phase in all of their roles, but there are very simple general rules that we have been able to extract from our analysis of more than 120,000 cases. These laws can be expressed as follows:
1) The degree of a person’s deterioration is directly proportional to their longing for power, their desire to control others. The more one chooses power the more one loses potency. Plus, the longing for power is addictive and becomes a drug, the most dangerous of all, since it makes us soulless, in other words, replaces the natural fear of damaging and being damaged, with the pride of dominating; the sadness of spoiling what is alive and valuable, for the arrogance of placing oneself above the natural order; the love for what is valuable and sacred (our own and others’ integrity) for the drunkenness of domination over the laws of Creation. That takes us to a socially accepted form of madness that we call the phase of pre-dissociation (15% of people) or, worse yet, phase of dissociation (3% of people).
2) In the opposite sense, the possibilities of recovering our full potency depend directly on the amount of love we have for life and truth and courage to face up to said truths and to avoid easy, sterile and destructive temptations.
3) The diagnosis provided by MAT is very precise and must be interpreted following our exact instructions. If we say of someone, for example, that they are 20% pre-connected, 40% in their typological Map and 40% pre-dissociated, it means precisely this: that the person in question, on their best days and in their healthiest roles, is on the verge of their typological liberation and follows the guidelines that we describe in that phase. It means that in most of their times and places, they behave however as indicated by their pure typological profile, described above and are subjugated to their personal archetype, whom they confuse with their Creator, obeying him. And that in some areas of their life, these ones problematic, they already have their backs turned on their true being and behave, whether inwards – in other words against themselves – , or outwards against the most grown and pure in their environment, as we indicate in the pure profile of the pre-dissociated person.
But this also means that we are providing them with more SAFETY, pointing out a danger, just as a doctor could, precisely so that they can seek the adequate treatment and recover their lost plenitude. A normal and healthy reaction in the face of a diagnosis is to feel joy and safety in the knowledge of what is healthy, fear for what is diseased and could worsen, sadness to understand and look after oneself, rage against the lies that we have swallowed and pride for the decision to cure ourselves, love for the profound being that is still alive in all of us, and joy to be alive and enthusiastic to recover our lost plenitude. And gratitude towards the person making the diagnosis, who has gone out on a limb for us and has respected us sufficiently so as not to be “opportunist” or “commercial” and has told us exactly what they saw in us.
4) The most ideal and potent treatment is to follow the MAT Master Course of Integral Leaders. If for any important reason you cannot, we advise you to read the emotional saga of seven books in which we reveal everything that can be known about the entire universe that each emotion and its function encompasses, in other words, fear and safety; sadness and development; rage and justice; pride and status; love and belonging; joy and plenitude; lust for power and sociopathy. We also offer coaching, mentoring, and more simple and straightforward mass seminars.
5) In our diagnoses, we also provide, although it may not be your case, the description of the best starting phase of evolution, the connection phase, since in reality you ARE like that deep down, once you have understood your typological prison and made the decision to abandon it. It is the energy and the state that you had with one day of life, when you were born. And since nobody is created, nor does humanity evolve, in order to die with one day of life, it is as of the phase of connection that life begins, your real life and the one that can grow infinitely more (read The Pacifying Strategist and MAT Metamethodology of Innovation and Creation, all by MAT’s creator Preciada Azancot). Take heart and make the best decision, the most profitable and also the most economical, since one spends a lot more energy on being bad and unhappy than on being good and happy! It’s worth your while!

Each typology can be, in its connection process, in six common phases of evolution. There are three more phases that we are not going to contemplate in this work because they correspond to phases of psychopathy. These concern only two of every one thousand people and we will leave them for a work about psychotisations and psychopathies. The six common possible phases of evolution are:
The connection phase: the person has recovered his skill, talent and vocation and has his three other dimensions perfect. He does not function in sequence but on a flat plane and does not accumulate energy. He does respond to each stimulus with its authentic emotion, and his six structures function adequately. He has 80% of innate energy and forms part of 2% of the population.
The pre-connection phase: The person has recovered his skill. Not his talent or vocation. He has other adequate emotions and structures, the ones that are not in his personal equation, nor deviated fear or rage. Four typologies have three authentic emotions, the one of their skill plus their original ones. The Fortifier has four authentic emotions because fear is his skill and he recovered it. The Legislator preserves only two because of his intact original emotions he only preserves sadness, since fear and rage are deviated to his vocation and his talent. His other authentic emotion will be pride, his recovered skill. A pre-connected person has 40% of innate energy and forms part of 15% of the population.
The typological Map: this is the prison that we already talked about, in pure state. In this phase the person has two authentic emotions, three if he is a Fortifier, one if he is a Legislator: the ones that do not form part of his personal equation (nor rage nor fear, diverted to occupy the place of the talent and the vocation) and that corresponded to part of his intact innate structure. 75% of the emotion of his vocation is transformed into more of the inflated emotion of his skill. That way he becomes a caricature of his inflated typological dimension and lives very uncomfortably. In our example of the Constructor, rage will be replaced by 25% of fear and 75% of sadness, which adds up to 215% of false sadness in total. He has 30% of innate energy and forms part of 10% of the population.
The disconnection phase: He only retains one authentic emotion, two if he is a Fortifier and none if he is a Legislator. The thing is that he took the wrong path and installs himself in a phase that makes him lose one of his intact original emotions, which, in this phase, is inflated in the typology where he chooses to install himself. Whereby, instead of growing, he loses one intact emotion. He has 20% of innate energy and forms part of 55% of the population.
The pre-dissociation phase: He turns his back on his real being and his personality. He has not a single authentic emotion left, they are all false and they nourish inadequate structures. Plus, he inverts one of his axes. This is very serious because it closes the door to his connection, in other words to the recovery of his vocation. This way he becomes someone toxic that will fight for others not to access their connection. They have 3% of innate energy and form part of 15% of the population.
The dissociation phase: He is a socially accepted psychotic who, not only does not have a single authentic emotion, but who also, on top of that, is in the lethal formula of his axis. We already know that there are three lethal formulas:
– False love plus false sadness, which produces the collapse of the immunological system, both physical and psychic.
– False pride plus false fear, which produces rigidity, cramps, fractures due to ossification, fossilization, petrifaction both on a physical and psychic scale.
– False joy plus false rage, which produces floods, leaks, the rupture of flows and explosions on both a physical and psychic scale.
In addition to falling into the lethal formula that causes his structure to break, he inverts the two other remaining axes. That is why he is very dangerous, since he not only fights so that others do not reach their connection, the way the pre-dissociated person does, but also he identifies with his archetype and believes himself to be the incarnation of that archetype on this earth. That is why he is psychotic. He has -16% of innate energy and forms part of 3% of the population.

The six personality typologies are divided into two trios: the first trio believes that they are indispensable for society to be able to exist. They are, according to the vision that they have of their own “existential missions”, the product of the exaltation of their skill, those who, through their dedication, make it possible for us humans to live in an organised society so that civilisation, democracy, abundance and the common good can triumph. When they reconnect their talents and their vocations, they assume that their real vocation consists of defending the human being from being crushed by the mimetic society organised to exalt the typological prisons. They assume that their real vocation is to strengthen, reactivate the human being and reveal to him his unalienable freedom. These are the Legislators, the Promoters, and the Constructors.
The second trio defines itself as those who defend people’s individuality and prevent them from being phagocyted by the mechanicist society. When they connect their talents and their vocations, they realise that where they are truly irreplaceable is in building a happy, safe, intelligent society in permanent growth. They are the Revealers, the Reactivators, and the Fortifiers. We will describe all of them first in their typological Map, in other words in the phase of their typological prison, in which the emotion of the vocation is felt and expressed as that of their skill and invades one third of their personality. In this phase, defined as a double prevalence of the dominant typological emotion, that emotion will be inflated and will weigh on the skill with 140% and will also be felt as replacing 75% of the vocation. His belief in an overwhelming existential mission will be the dominant note of the scheme. Although only 10% of people will be 100% in their Map, since it is difficult to live with a crushing mission, it is important to show that Map in depth because in a crisis situation, of anxiety in the face of change, of definition of one’s identity, the person of that typology will inevitably give into his Map. In other words, into his archetypal vision of the world and of himself.

To best describe each typology, we will follow an organic scheme:
– We will start by describing them in the context of sensory perception. When we are in front of a typology, what are we going to see, to hear, to touch, to taste, to smell, to feel sexually?
– In the second place, we will describe their structure.
– In the third place, we will analyse their emotional engineering.
– In the fourth place we will visit their archetypal beliefs and we will have an idea of their spiritual universe.
– In the fifth place we will carry out a description of their psychological profile.
– In the sixth place, we will examine their phases of evolution from best to worst. We will not occupy ourselves with the marginal phases of psychopathies.

Since the members of typologies are identical, whether they are children, adults, male or female, we will use the masculine gender and refer to the adult. Whenever there is something special to point out in children or women, we will do so. Therefore, please consider that we are addressing all three as the same: men, women and children.

I. LEGISLATOR TYPOLOGY: (read it in the next fascicle)

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING, fascicle 22: THE HISTORY OF OUR GESTATION

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

Let’s summarise, in laymen’s terms, the process of GESTATION: Shortly before the primary ovocyte (original state of the ovule in the ovary) is released from the follicle, its nucleus divides by meiosis and the first polar body is eliminated. It is left immediately outside the egg’s cell membrane and will form the placenta and all the maternal bodies that will feed and protect the foetus. There is a first “shedding” of herself by the mother in order to offer the child a safe space. It comes from love and, more especially, from the love-sadness axis, which distinguishes “what there is” for the child from what there is of the child, without mixing them. The released egg is transformed into the secondary ovocyte. In this process, each of the 23 pairs of chromosomes loses one of its partners of the polar body and we have 23 unpaired chromosomes. In this second process, the second axis pride-fear intervenes. A series of transformations take place in which the mother’s identity is discarded as a cloning process and each pair sheds one of its chromosomes in order to prepare half of the child’s individuality. No life is possible without these chromosomes finding their pair. It is the half of a potential being, from which “the image and likeness with the mother” has been separated, since each pair is removed from each chromosome.

Several hours after the sperm enters the ovocyte, the nucleus divides again and expels a second polar body, with which the mature ovule is formed. This third process demonstrates the intervention of the joy-rage axis of the three present beings: the one of the father who enters and fuses and demands to form something other than the sum of two, the one of the child who aspires to be genuinely himself and different from both his progenitors, and the one of the mother who stops being protective and creative and allows each to do their own thing, breaking off any unnecessary support which could become an invasion that would prevent the emergence of a complete being. To this effect, the second expulsion of the polar body. This way there are 23 unpaired chromosomes, those of the child. One of the chromosomes, the X chromosome, is female. It will need a Y chromosome from the sperm to be male and an X to be female.

Of the 300 million sperm contained in an average ejaculation, 1,000 to 3,000 manage to get close to the ovule. The strongest and the healthiest. Those sperm finalists attack the radiated corona of the ovule to make way for themselves. When one of them enters, its head swells disproportionately to form the male pronucleus. The 23 chromosomes of the male pronucleus and the 23 chromosomes of the female pronucleus align themselves to constitute a complete element of 46 chromosomes in the fertilised ovule. This is how the fusion-differentiation of the third axis: joy-anger is established. Then the complete and autonomous potential being emerges: the three axes at the service of the Centre growing in the human emotional sequence. This way the process of cell division and differentiation can intervene, so that the promise becomes an available, existing and present reality: a baby. This process is what is known as fertilisation.
Then a difficult process of transportation of the ovule down the Fallopian tube towards the uterus begins. During this phase, several processes of cell division occur and the zygote is created. This remains between 2 to 4 days in the uterine cavity where it is nourished until it becomes a mass of 100 or more cells that transform the zygote into a morula. The morula segregates cells that digest uterine cells and liquefy them to prepare itself a cushion for implantation in the uterus.
Shortly following implantation, a cavity develops (empty Centre) in the mass of cells and the embryo starts to develop along one of the walls of the cavity. This is the stage at which the embryo is a blastocyst.
A one-month embryo already has all its organs outlined. The first process is that of circulation between differentiated maternal and embryonic blood. And the first complete organ that forms itself is the umbilical cord, not only for receiving nutrients from the mother, but also to be able to expel waste materials from the embryo. The first structure is like that, The Centre. Then the diffusion of oxygen begins and production of enormous quantities of oestrogens and progesterone by the mother. Both the absorption of oxygen as well as the production of sexual hormones depend on one emotion: joy, and nourish it, forming the child’s Orienter. This enables the cell reproduction of the embryo and the foetus. The child is an embryo until the end of the second month. In the third month it is already a foetus, up until nine months. Following labour it will be a baby.
At three months, the foetus measures 15 cm and weighs 125 grams (fear and sadness). Its face is already designed (love), its genital organs are already defined (joy), its skeleton is formed (pride), its bone marrow is already working (pride), its heart has been beating for two months (love), its liver has been working for a month and a half (rage), and it breathes! – joy – (then, as it grows, breathing will be inhibited so that it doesn’t swallow faecal matter thus avoiding the lethal formula joy-rage). Such is the prodigy.
At four months, it measures 21 cm and weighs 250 grams: its sex is clearer (joy). It moves (rage). It has all of its organs (six structures with their six emotions and senses). It has most of its peripheral reflexes (pride-fear axis).
At five months, it measures 27 cm and weighs 500 gr. It is covered in down (sadness). It moves but is not capable of living on its own because it does not have independent vitality (lacking the complete Vitaliser and some rage). It ingests and digests and expels meconium (faecal matter of the foetus) – rage.
At six months, it measures 33 cm and weighs one kilo. It looks senile due to lack of fat, it cries out (full joy-rage axis), it swallows if fed, it sucks, urinates. It needs an incubator in order to survive (love and fear). Otherwise, it dies.
At seven months, it measures 39 cm and weighs 1,750 gr. It already looks less senile. It can cry out, swallow and suck. It is fairly vital and if it can spend some time in the incubator, so much the better.
At eight months, it measures 45 cm and weighs 2,500 gr. It is already a chubby and smooth baby. It survives on its own.
At nine months, it measures 50 cm and weighs 3,250 gr. It is a perfect and normal baby. Its brain will need one more year of life to reach total maturity.
The MAT analysis of gestation
Everything starts with the Centre, it is the first thing that is manifest in the ovule of the mother, who sheds herself twice from the nucleus to make way for the being of the infant that she will have the privilege to shelter and nourish. The same thing happens in the sperm, and it deletes itself until being no more than the genetic and chromosome load of the child. In the child, the first thing to emerge is also the Centre. And, after appearing and taking root, twice, it makes way for the emergence and the multiplication of cells that carry within them all the potential of an autonomous and authentic human being. Perfect. Just as we are all created to be.
The first awareness of the child, integral awareness, is that of emerging from a Centre inconceivably superior to itself, which fosters all of its faculties to be. That, before the formation of the umbilical cord, in other words, before one month of gestation, when one is pure autonomous potency. The formation of the umbilical cord, indispensable for receiving all the nutrients and expelling all waste, introduces, at the same time as an organic Centre, a relationship to the other, to a live being that is not Centre but has a Centre. And that, is received by the embryo as a shock and an absolute loss of the very origin of the glory and the splendour in which it had been bathing beatifically. This first grief is born of the wisdom of not BEING the Centre but of having a Centre. The second grief stems from the obligatory relationship between one’s own Centre and the mother’s, an inevitable relationship that is experienced as an intolerable subjection and as a deceit. The child’s second emotion, following beatific joy, is absolute rage towards that Centre which promises so much and delivers so little. There the sequence starts to function actively and, from rage, passes onto pride, “Since I am here, I am going to be everything I can”. And from pride to the other point of the axis, the fear of being pulverized for that first rebelliousness and, also to safety upon seeing that the disappearance does not occur. From fear it passes onto authentic sadness for two reasons: one positive, upon realising the unprecedented development going on in itself, and another negative, for life being that way, subordinated to another life. Then it passes onto the other end of the axis, to love, because one becomes aware of the entire marvel that is being received from the Centre first of all, and from the mother after. Then the functioning, in order, of the three axes is triggered: the love-sadness axis that opens up the second axis: pride-fear, which opens up the third axis: joy-rage. That is where the mammalian human being starts to exist, to accept it and to cooperate. And the work in team with the mother begins, so that both can be as best as possible for as long as intrauterine life lasts.
The embryo becomes a foetus. That first rebellion and its causes are erased from memory. That experience, as all others when they are erased, is retained in the body. That second rebellion against the mother and its causes are deleted from memory. And one starts living and existing with full awareness of oneself and of the other. And that awareness becomes, as a consequence of those two deletion processes, more important than the awareness of the Centre. However, during the first four months of gestation, the Centre continues to function and sustains the three axes that sustain and enable the emotional sequence that in turn allows life to develop. But the perception of the Centre becomes increasingly distant and intermittent. Why?

MAT Personality Structure – Preciada Azancot

Development of the personality as a prison:
No expectant mother spends 24 hours of the day in the glory and the splendour at the service of the Centre. We, human beings, live our daily lives and unbalance our emotions permanently. At the origin of this constant imbalance is our mammalian condition. Indeed, if we reflect a minimum on the foetus, who is already experiencing his Centre, his axes and his sequence badly, badly for the two already demonstrated reasons, we will see that, inevitably because of his mammalian condition, he is receiving from the mother, in addition to the sublime nourishment and marvellous shelter and protection, constant interferences that limit and obstruct his wellbeing, his individuality and his autonomy. For example, the foetus is in his love-sadness axis and is managing, passionately, what is available, and is therefore very busy with the energy of sadness. Then along comes his mother with an enormous discharge of love. Who could reproach her for it? She cannot guess what the foetus was doing, who, upon receiving an enormous discharge of the opposite emotion, runs the risk of falling into the lethal formula and must, so as not to die, rapidly abandon that emotion and move onto the sequential one, rage, in order to survive. Thus, from jolt to jolt, the foetus starts fearing the axes, which represent, at the same time as the greatest potency, the greatest danger. It is as if we had the gift of flying but, whenever we did, were bombarded with a missile once out of every five times. It would make us think twice! Since, let’s not forget that the emotions are not just feelings that the foetus captures perfectly, but that they are, also and especially, energies that make the structures function. The mother’s fear will represent an enormous discharge of cortisone that the blood flow will carry to the foetus through the umbilical cord and that he will swallow, whether he needs it or it swells him up. An enormous discharge of sadness will mean a discharge of thyroid hormones and agitation, nervousness and a hyperactive metabolism that consumes the small reserves of fat he manages to store. A discharge of joy will inject an insulin overdose that could kill him if the human organism, like any other live organism, were not so miraculously perfect and solid. And we are only speaking of the relationship between the emotions and endocrine functioning, which is, only, one of the many systems of the human body. The appearance of down that covers the entire body of the foetus at five months shows, not that we are descendants of the monkey and better it, but rather that we are dominantly super-sad, since we verified, in our hospital investigations, that down and hair are directly related to authentic sadness. And we are super-sad because we have suffered a loss that leaves us disconsolate: we have lost our constant connection with the axes, our natural functioning in the three axes, in the fourth month of gestation.
But that is not all, nor is it the most dramatic: for being mammals, we are going to acquire, in our mother’s uterus, a personality which is the result of the imbalance of our structure following parameters of inevitable laws that govern our nature – the ones that MAT discovers – and that, in crisis situations, when not receiving that complete safe space that we need, will move us to function in such a way so as to receive the maximum possible in adverse situations.
Let’s go back in our story, to the moment when we have an umbilical cord that communicates us to our biological mother. Each of the mother’s emotions will set in motion the expecting mother’s corresponding structure and produce hormones, blood, calcium, vitamins, minerals, antibodies, and all that can be expected because that is what the emotions are for: to make the structures function and to allow us to be and live. Nonetheless, throughout most of her pregnancy, the expectant mother is going to have a dominant emotion, the one corresponding to her circumstances and her situation: she may feel happy to have a baby and that joy will be her dominant emotion; she may be sad because her husband has left her, she was made redundant and her father is very sick and will die during her pregnancy; she may feel mostly love if she already has a baby she loves, is in love with her husband and is tenderly awaiting her second offspring; she may be afraid if she has a high risk pregnancy and on top of that the war broke out in Iraq and her husband has been sent to the front. Let’s take this last example to illustrate the baby’s gestation as the story he experiences. We will call him our baby.
Our baby has one day of gestation. He already has 46 combined chromosomes, 23 of maternal origin, and 23 of paternal origin. He experiences metamorphosis, the emergence of his being within the maternal ovule. Of course, he doesn’t feel either the paternal or the maternal part, but he does feel. He feels more than if he had a full brain, because there is no reasoning, nor deduction, nor inducement, instead there is pure sensation that impregnates everything and that will be fixed forever in his Vitaliser.
He is shaken and transported jolting down the Fallopian tube and undergoes various cell divisions: from pride he passes onto the fear of disappearing and holds on to himself. From a fertilised ovule he becomes a zygote. He remains for 2 to 4 days in the uterine cavity and is nourished. He feels love. He is love. He stays that way until he becomes a mass of 100 cells or more. He is a morula. He becomes sad because he loses his identity. Then he reacts and, angrily, makes himself his own niche by segregating his own cells, with great vitality, which digest and liquefy the mother’s uterine cells until he builds himself his own soft and moulded cushion. That is how he implants himself in the maternal uterus. Then he passes onto the ecstasy of joy of the glory and the splendour and is “of the” Centre. Shortly after he starts to assume his being of the Centre as his only belonging and makes a cavity, empty like the Centre, while he, at its service, retires to one of the walls of the cavity. Our baby is already an embryo and is pure happiness, order, harmony, metamorphosis, clarity, yes, but also is immortality, eternity and infinity. He is everything at the service of the Centre that is creating him. Circulation between maternal blood and his own blood is made in him, which is not distinguishable as a sensation and which brings him plenitude. And he continues being, more so every day, in permanent ecstatic metamorphosis. He experiences and engraves in his body (Vitaliser) the knowledge of the Glory and the Splendour.
From his Centre an umbilical cord is formed that joins him to the part of the mature ovule that transformed into his placenta. There the interferences start because he receives strange and shocking products coming from his mother’s emotions, which are not his own, and that he needs to take into account, and just how! Because they destabilise him. And, very particularly, the hormones segregated by the prevailing fear of the mother that we took as an example: cortisone, adrenalin, and other products of the suprarenal gland. This represents for him a risk of death: cortisone inflates him, adrenalin accelerates him, he passes from being amorphous onto being hyperactive and combative. Also, that fear of the mother’s, added to his own, inflate his Rector and, that way, he loses the harmony of his structure. Then his own human constitution, his own natural order, his pattern of functional engineering obliges him to find the best of all options in order to survive. But how does he experience that “shock”? As a collapse, as a fraud, as an intolerable lie that contradicts the marvellous and perfect state that he was in and thought that he could keep forever because that was HIS order. And that is experienced as a total and unconditional hate towards the Centre. Then the moment of truth comes: either he chooses not to accept anything other than the lost order and then he disappears because he continues to function on his axes and in his sequence at the service of His Centre. And there is a “miscarriage”. Or he decides to adapt and to make his way in life without illusions: that immutable and marvellous Centre exists and disappears intermittently, and he passes, from the happiness of being, onto the effort of surviving. And then the foetus continues his formation and will give way to a live baby. How will he manage it?
The foetus is conscious of a few things only: of his Centre, in the very first place, of his three axes, and of his perfect emotional sequence. Plus, to continue forming himself and growing he needs those three things. But he already lost the sensation of eternity, infinity and immortality. The sensation of eternity was lost because, not only is he not alone with the Centre, but also the mother’s emotions are sometimes marvellous, when they accompany him in his own on the axes and in the sequence, and are sometimes murderous and terrible, when they unbalance him and force him to “do things” in order to survive. From the start, the mother’s being is experienced as dual: she is the good nourisher who helps him to be, no longer so happy and independent as before the umbilical cord (that marvellous thing was already lost forever as long as he’s there), who feeds him, who evacuates his waste, who gives him safe warmth and shelter; and is, also, the terrible being that is killing him, and, even worse, who hides his Centre and puts herself in the Centre. Mummy is then the utmost terror.
And what is his sensation of himself like in that trance? Well like passing from what is divine onto hell itself as a passive subject and without finding any relationship between what is happening and what he did. Absurdly, whimsically. That is where the experience of God collapses and is replaced by magical visions of archetypal powers that will pursue and confound us throughout our entire existence.
But, how does the foetus defend itself in order to survive? Our baby receives daily the products and consequences of the mother’s fear. If the baby is in one of the emotions of his axes or in one of the sequence, he will be obliged to abandon his precious journey of personal growth and to resort to his own fear, which is the emotion that “calls him”. There his installation will alert him of the great danger he is in if he remains there, because on top of receiving the dangerous discharges from the mother, he will receive his own of the same nature and effect and would die. In our example, if the foetus also places himself in fear, he will produce more hormones of the suprarenal glands, and his skin and his cerebellum would become thick and gigantic, to mention just three of the effects of fear. And his Rector would close itself off to any contact with the mother, producing, for example, an occlusion or a hernia of the umbilical cord. So, it is clear for him what he SHOULD NOT DO: he should not, under any pretext, also stay in fear. Then, the foetus places himself in the sequential emotion that follows the mother’s dominant emotion as the only alternative in order to survive: balancing the mother’s prevailing emotion by drawing on the next emotion in the sequence, for the entire time that the destabilising discharge lasts. And we say as the only option because first the foetus tried another more potent and pleasurable option: placing himself in the opposite emotion to the mother’s on the axis, in our case, pride: “You pull one way and I try to balance by placing myself on the other end of the seesaw”. And he must desist from this because he experiences the terrible and mortal effects of the lethal formula. Indeed, the fear of the mother produces the fear of disappearing in the child, and not pride, because this is false, and since the remaining fear is the mother’s and not his, it is also false: false fear + false pride = lethal formula.
Having, as an inescapable obligation, to place himself in the following sequential emotion to that of the mother’s, in this case sadness, in order to survive, produces, in our baby, several and serious effects that will condition his entire existence and his vision of himself:
In the first place, our child experiences an immediate relief from the suffering that was afflicting him: sadness, to give a few examples of its effects, stimulates the thyroid glands, burns fat and reduces the swelling caused by the cortisone generated by the expectant mother, activates the metabolism that the suprarenal gland slows down, activates the lymphatic system which drains excessive retention of liquids and toxins generated by cortisol. The organic equilibrium is restored. Not so the emotional one.
In the emotional context there is a first effect: the sensation of impotence and inevitable death disappears and makes way for a sensation of pride and self-confidence: “I am capable of avoiding being made to disappear”. The foetus found, all by himself, the best option to continue being. But it is a sad pride because he had to do something that, in justice he should not have had to do. There emerges a feeling of abandon and hostility first towards the mother and, what is more serious, towards God, or towards the order of what is human, if one prefers, it doesn’t matter what we call it. In Transactional Analysis it would be the existential position Me good – You bad, both towards the mother and towards the natural order.
A second, even more serious, effect, is that the child, who to be and grow needs to function on the axes, could not rebalance naturally the imbalance produced in him by using the natural law of the axes: he was unable to rebalance fear by calmly installing himself in pride. That, to make matters worse, produced the lethal formula, fatal if he had remained in it. Then an inevitable symbiotic vision develops in the foetus: he and the mother are two, but one “HAS TO” function as if they are one. Indeed, not only does one have to work dragging the mother’s emotion and struggling in the sequential one without this stemming from a personal or genuine need but from an imposition to survive, but also, to continue functioning on the axes, our baby is going to have to place himself in the opposite emotion to the prevailing one of the mother, in that same one that he could not install himself in because of the lethal formula, when the pressure is over and he has to travel it on his own axes or in the sequence, in our case, pride.
Indeed, as he already has sadness as the dominant emotion of his own structure of functioning, the foetus is not going to be able to place himself in love because the balance would be broken due to the inflation of sadness, which would require an overload of “inflated” love that would compromise his own emotional, but also physical balance (in addition to hyperthyroid he would have too many products from the hypophysis gland), and, not only that, but also that way his first axis love-sadness would develop more than the others and he would lose the entire harmony of his natural structure. Also and above all, these two emotions, love-sadness, would be false and would cause him the deadly lethal formula.
Then the foetus finds a second brilliant solution for survival: he will become accustomed to strengthening the opposite emotion to the mother’s dominant one and this with two ends: to rebalance his second axis pride-fear, to compensate for the messes produced by the mother’s fear, and, also and above all, SO AS NOT TO BE LIKE HER. In other words, to preserve the perfect law that is perceived from the Centre and that is implemented in the axes.
In fact, that symbiosis that the mother forces him to submit to so as not to die is not GOOD, it is not in the law of the Centre. The Law of the Centre favours authenticity and autonomy, not symbiosis. And the foetus, that way, will not have it as the existential choice for himself.
But what happens, as a result of this simple prevailing emotion of the mother’s, is something even more serious and terrible than anything we have mentioned up until now: something very serious happens in the spiritual context of the foetus. Let’s take a look:
When the foetus is in his own forced emotion, the one that follows the mother’s prevailing emotion in the sequence, he is obliged to remain there as long as the prevailing emotion of the expectant mother lasts. If the perfect sequence is 100% in each emotion, which gives us 600% in total at the end of the sequence, the average time that the foetus will be in the forced emotion so as not to suffer irreversible damage will be 140%. When the foetus sees himself freed from the pressure of the mother’s prevailing emotion he passes onto the sequential emotion that follows the “forced” one and feels an authentic liberation. At last he can do his own thing! And he restarts his sequence. In the case of our child, he passes from obligatory sadness to liberating rage and feels so light, liberated and fulfilled that he will give a special meaning to the liberating emotion, a meaning of self-fulfilment, of culmination, of freedom, of order, of justice, of autonomy. Because he is going to experience that emotion as if the door to his prison had been opened, and will see himself as free and happy at last. But he will have just 60% of energy left for that emotion if he does not wish to mortgage the other emotions. Therefore, short is sweet, and the foetus will have a sort of fixation for that emotion that means so much to him and where he can never enjoy himself at ease, at least not the times that he gains access to it as a result of the release from the mother’s pressure. Therefore, sometimes, when the foetus is in his emotional sequence or in his axes and doing his own thing, without any pressure or frustration, he will savour that emotion and see it as something his, as something normal. And, when that emotion acquires an added value, because he gains access to it as a result of the liberation from pressure, he again gives it that special meaning of happiness that is pursued and never fully reached: sometimes yes, sometimes almost, halfway. The foetus, which does not even have a mature brain, or objective data, is not going to reason, instead he will have experiences that, although unexplainable are no less fully experienced and determining: corporal and emotional sensations that are stirring and repeated. And, instead of deducing that things are happening to him, he will feel that things for him are that way. Like a misfortune.
On a separate note, the experience of the foetus with his Centre, as we already saw, is very much interfered with and mediated. At the very beginning, before having an umbilical cord, it is splendorous and complete. There is a Centre which is complete ecstasy and he is from that marvellous and perfect Centre that gives him everything and in which he is everything. The embryo does not confuse himself with the Centre; instead he receives from it and communicates with it.
Then the Centre is occupied by a cord that ties it to another being. Another being from which he receives marvellous things, and then the foetus socialises and joins to his mother and forms a winning team with her. All goes well and the foetus feels his own Centre when he does his own thing, and feels the Centre of his “good” mother who gives everything for him. Life is as it should be: marvellous.
But when the mother has false, deviated, disconnected and inflated emotions, the foetus suffers aggressions that damage it in every way: physically, emotionally, where his mood is concerned, spiritually, and mentally, and establishes connections which, albeit abusive and false, do not cease to be necessary so that everything fits in, in other words his Transformer, when it does not find the possibility of establishing healthy connections, will distort them to make sense of what is happening to him. He doesn’t say to himself: my mother is out of harmony and that will last for a while and then I will be me and decide about my life. Of course he cannot say that because he knows nothing about anything. What he does, and he has no other way out, is to say that the Centre loves him and protects him and then threatens him and attacks him without his having done anything to deserve it. Then he will resign himself to that whimsical and fickle God with whom he will have no choice but to ingratiate himself, and whom he sometimes loves and sometimes hates. And, the worst thing is that, obliged to function with a forced dominant emotion, a strong compensating emotion and a unifying but fickle emotion, the foetus, in the image and likeness of his mother, will have a destabilised and inevitable functional engineering. That emotional engineering of his structure will condition his neuroendocrine functioning, and he will have fixed tendencies to use some structures more than others, until he confuses that dysfunctioning with his own being. Plus, it will be true that our child has an exaggerated Synthesiser, with the biological consequences that this implies. For example, and from the little that we have researched, too much thyroid, too much down and hair, a face shape that is rectangular at the top and rounded at the chin, a tendency to short-sightedness, and, if the mother is in the lethal fear-pride formula, a tendency to Down’s syndrome. Little fat and nervousness: and, because of poorly energised rage, a lack of vitality, limited emotional control, limited sensory control, and, due to strengthened pride, an enormous creative and transforming capacity, strong and thick bones, a hyper developed brain in the left hemisphere (sadness) and rear right (pride). When he is born he will have a personality typology with three anomalous emotions: sadness, pride and rage, and three normal emotions, fear, love and joy. And those emotions will be no more than the reflection of his structure with three dominating structures: the Synthesiser inflated, the Transformer on edge, and the Vitaliser sacralised (in other words, given a special “magical” meaning) which distances him from the Centre and occupies its place.
In other words, for the foregoing reasons, which we do not wish to expand on in this work, the foetus is born, not in the image and likeness of his Creator but in the complementary image of his mother. He will not have six structures in harmony because they are perfect in proportion, quantity and quality, instead he will be a creature with three structures with “added values” and three normal ones. He will have a PERSONALITY. And that personality, in other words, that mask that hides his being, will be innate, biological, and scientifically analysable and detectable using all possible clinical tests, starting with a simple electrocardiogram that shows, in the example of our baby, a straight axis of the heart instead of inclined towards the left. We have also made preliminary tests on fingerprints that are “within the same family”, and, for certain, are anxiously waiting to start with our genetic research to demonstrate our extensive clinical research on personality typologies and the propensity to certain types of diseases.
What we can affirm categorically is that, of the 120,000 analysed cases, ALL OF THEM belonged to one of the six typological families, and that each typology had its own pattern of emotional engineering that was shared with all the other members of the same typological family.
But what confirms the amazing thing about these discoveries and the strict and universal law of the Centre, of the axes and of the innate sequence is the foetal history of two of the six personality typologies. Indeed, of the six possible typologies, four follow the same formation pattern as our baby: babies that are the fruit of fear, of rage, of pride and of happiness. Absolutely ALL OF THEM follow, strictly, the same pattern. In other words all the babies that emerge from the prevailing emotion xxxx of the mother have, if this emotion is:
-Fear: dominant sadness, strong pride and idolatrised, “spiritualised” rage. We call them Constructors.
-Rage: dominant pride, strong joy and “spiritualised” love. These are the Legislators.
-Pride: dominant love, strong fear and “spiritualised” joy. These are the Reactivators.
-Joy: dominant fear, strong rage and “spiritualised” sadness. These are the Fortifiers.
But the children that emerge from the love-sadness axis cannot follow that same law, and have it harder. Due to the LAW of the axes. Indeed, we have already pointed it out in the previous chapter, that the love-sadness axis is the very same, first and necessary axis that sustains the two remaining ones. It is the beam of beams. Without this axis, the other two cannot be created, and, what is worse, the person ceases to be human and becomes heartless. The love-sadness axis, although it is hierarchically subordinated to the second one (pride-fear) and the latter to the third and highest (joy-rage), is the one that enables the minimum necessary in order to be human: to have a soul. Which means not being soulless. Suffering for losses and deaths and loving what is authentic and valuable is the least that we can ask of a human being. Or of an animal. Or of a vegetable. Or of a mineral.
To demonstrate it we have confirmed that all babies born in the imbalance of this axis had to face the enormous risk of falling into the lethal formula before managing to have themselves, as the strong emotion, the same weak (dominant) emotion of the mother. To demonstrate that ONE CANNOT PLAY WITH THE FIRST AXIS, we will show that absolutely all babies whose mothers had as the dominant emotion:
-Sadness: have dominant rage, strong sadness and “spiritualised” pride. These are the Revealers.
-Love: have dominant joy, strong love and “spiritualised fear”. These are the Promoters.
These two babies have followed the same universal pattern in terms of the inevitability of compensating the mother’s dominant emotion with the following sequential emotion. They have also followed the same inevitable magical “spiritualisation” of the one that sequentially follows their own forced dominant emotion. But when it came to forging their own “strong” emotion, as the counterpoint of the own forced dominant one, these foetuses could not go to the opposite one of the mother’s dominant one but rather return to the same dominant emotion as the mother’s, once the pressure was less, until making it their own strong emotion. An entire lesson in heroism. And a demonstration of the strict law of the axes. With which, the choice of these foetuses has not been: “I don’t want to be like you”, but “I am going to show you how to be better by not having the same weakness as you even in the worst circumstances”. Faced with the dilemma of not having the first axis strengthened, these foetuses have had it harder and more difficult than the four others. Then, in life, they will also have it harder with the process of hyperconnection, in other words, the recovery of the innate emotional sequence.
This is, in a nutshell, the history of a longed-for, loved and normal baby.

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

THE SPLENDOUR OF THE HUMAN BEING, day 20: THE ACCESS TO GLORY: THE OMEGA THEORY IN ACTION

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot

We will start from the first level of human motivations, the need for SAFETY, in other words, with the Rector, fear and touch functioning to the full. This will give us access, in the very first place, to profound self-knowledge and instantaneous knowledge of others. The faculty of making permanent and always updated diagnoses of ourselves and others will rest on the confident joy of the plenitude for which we are all born and that constitutes the foundations of the pyramid which sustains and enables the unfolding and achievement of that safety.

MAT Omega Theory – Preciada Azancot

This way, and perpetually, we will be deepening and expanding our knowledge of ourselves, in each time and place, and diagnosing the state of safety or risk proffered by those around us. That way we will protect ourselves and we will know how to surround ourselves by the safest and how to defend ourselves from the most toxic. When we detect a lack of internal harmony, harmony based on the natural plenitude of the human order, we will immediately know where the danger is, whether in ourselves, because a particular structure became inflated or ceased to be suitably fed, or in the other, because we will know how to measure what is happening using the same parameters.
Since we will have fear connected to the Rector, and plugged into our sense of touch and our skin, we will be great at diagnosing what levels of risks, internal or external, threaten us at each moment, making it impossible to become overly distrustful and defensive against what favours us or unconsciously reckless against what endangers us. That way, we will be safe, respectful, upstanding, harmonious and ethical. We will feel through our skin what and who is safe and beneficial, and what and who is dangerous and toxic.
Also day by day we will reinforce that particular sensitivity and knowledge of the human being, both inwards and outwards. Since our Rector will be fed by authentic fear, it will duly fulfil its functions of diagnosing, establishing necessary limits, legislating, defending, localising and separating, which will increase the state of plenitude at the outset and prevent the danger of losing harmony and wellbeing. We will be strong at the same time as sensitive and porous and we will know that change is life and that we are safe if our Rector, our fear and our skin work as a team. When this doesn’t happen, and we detect or give in to fatalism, defeatism, hysteria, bravado, masochism, haughtiness, paternalism, weakness, recklessness, we will know how to feel fear in order to diagnose immediately where and in who the right circuit tripped, without becoming overly alarmed, rectifying with accurate certainty and advising others about the short-circuit problem. We will do all of this in perfect tranquillity. That way we will be sure of ourselves and of others.
That, as a normal, basic and accessible function for any human being. This way we will access the transcendent function of the Rector-fear-touch trinity: harmony. We define harmony as the beauty of equilibrium, in other words, the rectitude of being in our own place and respecting others’ places without allowing imbalances to occur through the inflation or deflation of any of our structures and any of our senses. As the maximum hierarchy of our Rector, and in order to establish harmony in ourselves and towards others, we will be subtle and respectful, never invading others’ time or space, nor allowing it to be done to us. Since every day we will be surer of ourselves and more respectful of others, we will be deterrents for those who wish to invade us. Gentle but firm, that’s how harmonious and reliable and solid we will be.
Because we will offer this safe, solid and reliable space to others, we will be able together with the best to gain access to the second level of human aspiration: development enabled by the Synthesiser-sadness-hearing triad. Achieving, on the basis of what is solid and safe, the development of all the real available possibilities will give us access to dynamic knowledge of ourselves and of others. Dynamic because in change and in development.
What we will obtain, in each field of action of a Synthesiser fed by authentic sadness and connected to our hearing, is copious, valuable and unpostponable:
The first thing will be to know with certainty how to manage our time, so as to thereby develop our internal and external space. We will know how to avoid dedicating time to sterile tasks and to dramas that place us in the roles of Saviour, Persecutor, or Victim, when we violate, castrate or draw from others, thus losing our dignity and becoming, instead of developers of what is alive, highly toxic predators. Whereupon, the Synthesiser, which basically serves to prevent losses and to find solutions, becomes its opposite: something that will not only produce, but also institutionalise amputation.
By choosing to devote our time to what is essential, in the knowledge of how to discriminate, to what is alive, to what is salutary, to what can lead us to the clear certainty of being a builder of what is most intelligent, we will access the first step of full development.
Then, we will know what damaged parts there are in us, and in others, and we will know how to give the corresponding strokes to each individual, according to their real needs, in order to keep them motivated and whole, thereby avoiding the ongoing fracturing of the other’s self-esteem. We will know how to be the rebuilders of the damaged structure and emotions of others and, also, of our own. Indeed, if following our diagnosis in the safety phase we detect, for example, that the person we are speaking to has a serious problem of insecurity and lack of pride, we will say to him: “I very much admire your talent. You can do it! I trust you!” And that way we will keep them motivated and enthusiastic, willing to develop and to show us how right we were to see and use what others, less subtle and sensitive, neither saw nor stroked. And if we detect some insecurity in ourselves, we will know how to give ourselves and how to ask for the incentives that we need in order to lose that sadness.
When it comes to communicating, we will know, through our analysis of the other person’s and our own sensitivity, how to use the others’ communication channels, forgetting about the egocentric mechanisms that make us believe that if we talk to someone else the way that we would like to be talked to, we will be giving them what is best. And no, the Synthesiser that works properly detects what forms the other receives most effectively, wearing the others’ shoes, with sensitivity, placing itself in the other person’s skin.
And, finally, a Synthesiser in good shape will always find what new ways and what new data to use in order to develop its intelligence until attaining its transcendent function, clarity, omniscience. We will be knowledgeable about all the whats available in each time and place. In the field of time-management, we will know what to do and what to avoid in order to sew life in ourselves and in others. In the domain of motivation, we will be wise distributors of strokes and potent and sincere permits. In that of communication, we will be almost like aliens, because in general nobody bothers to speak to us the way we would speak to ourselves in the moments of greatest intimacy and on the basis of a MAT analysis of our personality. And in the field of developing our intelligence, we would learn how to eradicate the causes of losses instead of limiting ourselves to repairing what is damaged time and again, with which each loss would become a lesson in putting an end to the cause instead of the effects.
This is how we will access clarity, which we define as universal wisdom made of the perfect organisation and ingenious combination and relationship of those data that instead of overloading our mind, clear it completely turning it into a receptacle of the universe. That is what is so sought-after by Buddhists through the meditation that gives way to illumination, which is no more than the transcendent function of the Synthesiser that knows how to enter a state of profound relaxation that clears highways of light and connections between everything that exists. Let’s not forget that the Synthesiser archives, organises, relates and processes the entire data that comes from our six structures, our six senses and our six emotions, and not only the logical and rational data that comes of itself.
In that clarity as a natural habit and environment we will be acute, knowledgeable of our own and others’ entire universe, honest and effective, authentically compassionate.
When, instead of sadness, our Synthesiser is fed by another of the five emotions and we are or see ourselves as being impotent, resentful and vengeful, pedants and usurpers, masochists or nihilists, we will have the wisdom to understand what other emotion we are using to feed our Synthesiser and will immediately resolve the cause, thus eliminating the effects.
In this way, we will construct the permanent development that is offered by knowing what to do at each time and we will be ready to build the third phase: JUSTICE. We will gain access to the administration of the triad: Vitaliser-rage-smell. We will be capable of “smelling” each lie, each manipulation, and each injustice and of saying “Not that way!” We will be capable of offering a personalised leadership and culture that allows the human stature of each and every member to expand fully and of saying “This way!” To do this, we will implement in our family, business, administrative, national and global organisation, the system of values of the Omega Theory, as a system of current values that allows everyone to have access to the innate emotional and structural sequence that they were born to have, and to access, at least, hyperconnection and transcendence. In terms of the MAT leadership model, we will implement it in such a way that, each person, irrespective of their hierarchical level in the organisational pyramid, builds it as follows: on the horizontal axis placing management of their own talent; on the vertical axis management of their own vocation; as a result being able to measure at each moment what percentage of their skill they are achieving. These terms and concepts, which could seem somewhat obscure and empirical right now, will be explained at length and depth later on in this chapter.
This system of culture and leadership allows us to obtain an unprecedented thriving, which institutes the path to glory as the natural habitat of each and every member of the organisation.
Thus we will know how to formulate and respond to all the hows of things: how to treat people and how we treat ourselves, how to make each individual’s potential blossom, how to recognise uniqueness and excellence with delighted joy and surprise, how to make ourselves better each day, more just and more vital. This way we discover, as something natural and innate, that rage is the tip of the master beam that corresponds at its opposite end to joy, as we have already analysed. If there is full justice, authentic joy will blossom for everyone in rapid succession, not as a favour but as a natural right for every living being on the planet.
This way we will access corporality as the transcendent function of the Vitaliser. In MAT we define corporality as the materialisation of what is sacred. Indeed, it is interesting to recall that the other definitions of harmony, clarity, metamorphosis, soul and spirit, transcendent functions of our five structures, do not include words that could refer to or sound like what is sacred understood as what is religious. And it is precisely the body, which in all religions is seen as the burden, as what prevents us from gaining access to and being soul and spirit, the shell from which we are freed upon dying, the enemy that we must deprive and punish and flagellate, it is precisely the body that we come to designate as sacred. And we will explain this immediately: the five transcendent functions elevate us and give us access to what is sacred. All five, and equally, if there are other lives beyond death, go with us onto the next world. The six make us gain access to transcendence, in other words spiritual elevation in this world, in the here and now. The thing is that, it is easily understandable for the five others to have sacred dimensions. Not for the body. Unless we fall for cults of Dionysian and mythological licentiousness, orgies and profanations. Nothing further from our approach to corporality. We simply state the transcendent function of each of our structures and explain the sacredness of corporality, very simply, like all our demonstrations, as follows: Einstein, and many of his followers and continuers, have demonstrated that matter does not exist as such, that it is a system of condensation and assembly of energy and only that. And the fact is that that condensation and assembly does not take place randomly, but for operative and scientific reasons that end up taking form, a body, a density, an appearance, that suffers, endures, enjoys and takes pleasure. This happens with all of nature: with flowers and clouds, with the rain and the trees, with stones and with animals, with human beings, of course, also. So, who is the short-sighted person who could believe that that space that we are and that we occupy for a period of life does not carry within it, in the event of resurrecting in other lives, the innate substance and principle for becoming another type of body or its own same body? Perhaps the kingdom of beyond, if it exists, will be a world of dilution and ghosts without substance, or, on the contrary, a world of masters, angels, kings, of beings with identity and corporality? However, here we will not preoccupy ourselves with silly answers that only translate into and make evident a determined level of growth in the infinite succession of processes and phases of integral, therefore, also, spiritual growth. Arguing about such matters proves only one: that the person arguing is not on their own path of growth and that if he is, then at a very low level. Whether or not we set out from the conviction that there is or isn’t one or many other lives, we cannot but state that in this one, the one that we are concerned with, we arrive with one body and all of creation is made corporal in beings that are individuals and elements, different and unique, and that that body will provide us with, if we know how to handle it properly, pleasure and vitality and, also with transcendental experiences regarding the mystery and finality of our life through our sensations and emotions.
And, what transcendent experience can occur without sensations and emotions, without any intervention from those twelve prodigies with which we are equipped?
If we access the vigorous management of our Vitaliser-rage-smell triad we will be just and impartial, we will be vital and healthy, we will be prodigiously iconoclastic – in other words demolishers of idols, because all idols are a deception and a lie; we will be authentic, we will be spontaneous. And that way we will be able to fulfil to perfection all the functions of the Vitaliser, in other words: to perceive and sense, share and assign, react and dilute, denounce and attack, dissolve and vitalise, reinstate, eradicate and mobilise. To do so, we will react with rage when appropriate in an authentic and operative way.
Whenever we give in to or see others give in to false anger or to the false emotions that substitute anger, in other words to timidity, intimidation, sense of guilt, servility, ingenuity, the Stockholm syndrome, idolatry and fanaticism, we will know with certainty and speedy efficiency, how to decode the substituting emotion and how to reconduct it with energy, recovering the healthy and innate Vitaliser.
This way we will achieve not only control and enjoyment of the body but also corporality, the maximum expression and dimension of the Vitaliser that reaches its transcendence.
Since we will have built this third level of glory, we will be able to have the foundations for moving onto the fourth phase: management of the Transformer-pride-taste triad.
Because STATUS rests on justice, which rests on development, which rests on safety, which rests on the foundations of plenitude (joy), we will be able to access, in an organic, orchestrated and natural manner, taking care of each individual being himself, growing, and becoming, not only a creator, but also a genius, and, all of this without arousing envy, but admiration, valuation and consecration instead. Because we were all born to be geniuses. Because we all have, at least all human beings, a Transformer, pride as a natural energy and a sense of taste.
What we will obtain in each field of action of our triad is integrity, growth, genius works of creation, and the authentic status of every autonomous being.
Integrity: every being will be sustained by a single objective, being himself, what he was born to be. Each individual being similar to all others in his basic engineering and installation, and every one being, unique, irreplaceable and in permanent transformation.
Growth: with triggers like this, not only is growth infinite, but also especially and moreover, it reaches categories and essences of eternity because each human being carries inside, since the first human stepped or emerged onto this earth, the same means to achieve the same ends, reaching perfection in perpetual transformation and metamorphosis. Moreover, it is in this structure, carried to its maximum expression, where infinity and eternity fuse. And that fusion is the essence of metamorphosis.
Genius creation: the triad in question is the one that makes it possible to realise oneself as a genius. To do so, the necessary and sometimes sufficient condition is to function in the sequence. The sufficient condition is for pride now to be the basis of love and the latter to be so of joy. If, additionally, all our emotions function along the three axes at the service of the Centre, our stature will transcend that of the genius, since, as well as being one, as a basic condition, we will be transformers and openers of pathways for all of humanity in infinity and in eternity: in other words, universal.
Because everything that was former is updated, we will know how to formulate all the whys and becauses of creation, and how to respond to them. We will know that everything is causal and that nothing is casual.
And because this happens, we will reach the transcendent function of our triad, metamorphosis. MAT’s definition of metamorphosis is liberating potency. Thus, the butterfly contained within the caterpillar frees itself of its former shell and upgrades, becoming more itself. And we, humans, will free ourselves of our condition of mammals, in order to become, first good people, then individuals, then human beings, then human beings that transcend their condition of mammals. That’s all. There is no more possible journey. One human being, to our knowledge, has reached the last phase and stage of our existential journey: to transcend, as a human being, their mammalian condition. This is MAT’s ultimate objective. As long as another one of us can achieve it one day and tell us how they did it, we will all be able to achieve it, as long as the versions of the two coincide. And that, as well as possible, is inevitable. Then, and only then, will we be human beings and can be proud of it, and will we be able to give account of the utility and finality of the only structure that distinguishes us from animals, our masters for now, at least those living in the wild.
Where everything else is concerned, the only structure that allows us to transcend is our Transformer. It is the only one that allows us to reach harmony, clarity, corporality, metamorphosis, soul and spirit in a conscious and testimonial manner by leaving a creative footprint of our discoveries and reflecting them in inventions, such as concepts, language, the work of art, and so many more ways that the Transformer has of expressing itself and pride connected to taste. The final goal would be to be able to capture and embody THE ESSENCE OF BEING OF THINGS AND PHENOMENA.
Because we will be in permanent and perpetual creation of ourselves, which will be reflected in our works, we will be able to fulfil and transcend the functions of our Transformer: to choose, determine, recognise what is valid, discover, affirm, test, search for what doesn’t yet exist, access, declare, grow, represent, decide, imagine, evolve, create, pronounce and pronounce ourselves, transform, consecrate.
Also, our taste will become more and more refined, which will allow us to select what is best in order to give it that jewel, which is our love, and to open our soul to it.
On the basis of the certainty of our capacity to detect what is most valid and valuable, we will gain access without losing ourselves to BELONGING, in other words to the triad Protector-love-sight. This triad is the only one that can elevate us to BELONGING, because love emerges from admiration, which is its only possible base. And if we admire what can destroy us instead of helping us to be more ourselves every day, we will yield to “loves that kill”, devoting ourselves to the worst and running away from the best so as not to have to compare (pride) and suffer (sadness), which means that we will stop analysing and thinking and also growing and liberating others. We will live with the nostalgia of what could have been and never was, for example my mother or first girlfriend didn’t love me, so I am going to find someone similar and marry them, in the hope that I will now find an answer to my need to be loved. Then we mortgage our Protector and surrender it for life to somebody of the same profile who didn’t love us because, simply, there is no love in that type of person. And when we see someone who does have it, we will run away like a soul carried by the devil, as long as we don’t have to question that “sacred” character who didn’t have the minimum stature to be a person. Nor, much less, an individual. And whom we continue to devote our soul to, while rotting in the process.
On the contrary, on the path to glory, and basing our love and our sense of belonging on what is worthy of it in its own right, because it is better, more valuable, more authentic, more admirable, in other words on pride, we will choose to devote ourselves to and to form part of the sense of belonging of the best, those who have the most right to access that privileged emotion that is our love. For others we will be able to feel fear, if they are toxic, sadness and compassion if there is no love in them, rage if they intend to chain us to them to put us at their service or at the service of degrading values and interests. Only on the basis of pride, in other words valuation and admiration, can we select who to love and who not to. Then we will open up our love, in other words a safe space where everyone can be themselves, in other words, what they were born to be. A space where we can preserve and nurture our own faculties and where lost faculties can be recovered. That is love. And that is what we should give and ask for when we say or when we are told “I love you”. And then we must keep our soul closed and protected by our Protector, until we verify, using the five other structures and emotions, whether that space that is being opened up to us is conditional or unconditional where our highest virtues and merits are concerned. Obviously, we cannot demand, not even ask for, that unconditional space for our vices and faults, in other words for the false emotions that we saw in the corresponding table above, instead, on the contrary, we will have authentic fear of contaminating the other’s soul with what is rotten in ourselves. Then we can expect from the other that sacred space for what deserves objective pride in any person that functions correctly. “I love you because I value you and love me for what you can and should value” would be the minimum that we could demand. The term demand and the term love could be found shocking in societies contaminated by a distorted version of Jesus, who dared to say to his own mother “woman, what have I to do with you?” when she came to ask him to abandon his greatness and his disciples in order to go back to his “real family”, in other words, to her and her brothers. It appears that no church that dares speak in his name recalls the most basic teaching that that great Master of humanity gave in front of all those witnesses. We all recall the Sermon on the Mount. But if we do not understand the base, how can we understand the transcendent function of love: the soul displaying the universal love that is evident in the sermon on the mount? Or is it perhaps the unfolding of a contaminated soul that indiscriminately mixes what is rotten and what is healthy, and is thereby contaminating, what can be called our soul and what can be the source of our faculty to work miracles? The achievable miracle of healing and the miraculous miracle of gaining access to the SPLENDOUR that is inside us and for us, for all of us?
We refer to our right to demand from ourselves, when we say “I love you”, to really give that space and to demand that the person who says it to us gives it to us. The admiration that comes from pride does not lead to commitment towards the person who is grown, towards the creator. To love, yes.
That does not mean being able to demand, or entitling us in any way to demand love for the simple reason of being greater, in other words, more grown than others. We can demand to be valued and respected when the other understands, and declares to value that difference. When that person says so from his sadness (understanding), from his anger (sense of justice) and from his pride (admiring and declaring so). Then, when that person demands that we renounce our potency acquired by our own merit and cuts off our head because it stands above their mediocrity so that they do not have to give into the sadness of understanding themselves and the pride of saying to themselves “this is admirable and if I admire and love that person they will give me the space that allows me to be what I am”, then we can demand respect first (fear) and to be valued afterwards (pride). We must never demand love under these circumstances. We can hope for love if we decide to share that talent with others. We cannot love Mozart if we have never read or listened to a score of his, love him for his genius, it is understood. But it is not enough to admire Mozart as a genius and, perhaps, we do value him as that, the greatest of geniuses of music and, very specially, of transcendent joy. If we recognise him as such we will need to do two more things in order to prepare ourselves to love him and to conceptualise that love in us:
We must, before anything else, achieve the maximum demonstration of the basic function of pride: TO CONSECRATE IT IN OURSELVES. Thus, we give it the place it deserves in our scale of valuation, which rests on our scale of values (rage-justice).
We must, in the second place, and that is already opening the test door to love, ensure that its principle of metamorphosis works in time with ours, in other words dances with ours in order to experiment whether that elevates us and makes us transcend or degrades us and lowers us. If it elevates us, then and only then, will the door to love open.
But before anything else, we need to clarify a point related to love. Why do we assert that a newborn baby deserves our absolute, universal and unconditional love more than any genius? Because he is defenceless (fear) and needs us (sadness) in order to live? No, because that would not be love: we ought to love him more than ourselves and more than anyone else because HE IS PERFECT. And what is perfect is maximum pride. Whereas a genius, no matter how great, is someone who knew how to maintain himself perfect in his Transformer and in his pride and who gives us testimony of what is possible. Which is no small thing. And he deserves our love. It will be up to us whether we give it to him or not. And may it be for good reasons and not out of miserliness or envy.
When we decide to value something in someone and, basing ourselves on that decision, to love him, it is recommendable to first open our transcendent Transformer, our metamorphosis and to dance with that which we say we value in order to see whether it elevates or degrades us. Because that way we open, in a way that is safe for us, that safe space for the other. And in that space our transcendent love will emerge, the soul that will become purified instead of profaning and contaminating itself through the fusion with the other’s soul. That is complete love.
But before complete love, let’s speak a little about the basic function of the triad Protector-love-sight: BELONGING. What does belonging mean? It means managing the moment, the when, being part of something or someone. Only that. For example, we can say that we are members of our couple, of our family, of our country, of the world, of our circle of friends, of the Friends of the Prado Museum, etc. When and for how long? That is the key word. There are countries that, when we choose to ask them for their nationality, force us to choose between it and our country of origin. There are other countries that grant us their nationality until we acquire another one. They see it as a betrayal and force us to choose. If we are married and we fall in love with somebody else with whom we wish to establish an official bond of belonging, through matrimony, we are, in general, obliged to choose to divorce first and marry after. That is the when. And then we will declare that we were in the same system of belonging with our first partner from such a date to another date and with the second one thereafter. This is the when of belonging. If we function well, we will belong to our family of origin until we found our own, which will come to occupy a dominant position in our system of belonging. When our children marry, we will help them, without guilt or conflict and with justice, pride and love, to create their own family, which will become more important than our own. That is if there is authentic love, if there is a real Protector and if we have vision.
When we function badly in our system of belonging, we are rigid and idolatrous instead of free, grown and loving. “Having to be” replaces “being”. That is what we call “as if”. Our system will be like a rigid and unmovable pyramid in which our parents will occupy first place forever, our partner and children the second, our fatherland the third, our lifelong friends the fourth, the values we choose fifth, and so on until, when something or someone who deserves all our love comes along they will find a banner that reads “no room at the inn”. And, little does it matter whether our father is a dear and our mother a viper, little does it matter if one of our children is a serial killer and a childhood friend betrayed us, little does it matter if our fatherland obliges us to become a Nazi, and if the association of lawyers opts for intrigue and the basest corporate spirit. We are obliged to love them equally and unconditionally. It’s that way because it has to be, and that’s that.
A system of belonging that functions adequately is always available for what is best. That, as a first characteristic. And, in second place, chooses the when each minute. That way, we will be loving the child that we adore always, but we will not feel that love when he is not being authentic, just, truthful, sincere, etc. We will feel something else during that when, at that moment: fear, sadness, rage, or whatever is appropriate. We will neither cease to love him forever when he is not himself, nor love him when it is not appropriate, because otherwise, we would not help him nor make him grow. We would be his fodder, not his mother or his father. And, when we are in the new world, we will always be available to love what deserves it. With pride and joy instead of guilt and shame. That does not make us unstable and promiscuous. The other way round. What makes us immature, unstable and promiscuous is the guilt for what the rigidity of an ossified pyramid forces us to do every time we wish to be and to be being.
When our system of belonging is alive and is authentic, it is like the sea, like an ocean that has tides and waves that place everyone where they belong at each moment: we will feel sadness for our great love who is losing the glory of living in themselves for a moment and love for our greatest enemy who allowed something marvellous to blossom that we see him sharing with someone. The system of belonging is, definitely, the manager of when to love what or whom and for how long. That is why there are immortal loves when they are authentic: because the when is situated in all of eternity plus one day. Authentic love is a when that is chosen always and forever as long as the object of our love is increasingly themselves. Everything else is a prison, with walls and bars painted orange.
And now that we have seen the basic function of the triad love-belonging-sight, let’s look at its transcendent function: the one of governing the soul, defined as the longing to devote oneself. Let’s take an extreme case that can help us to understand better the Sermon on the Mount: let’s take a case in which we are observing and watching with full attention the human being who, in our criteria, is the most despicable, the one that least deserves our authentic love as we have just explained it. Let’s imagine a serial killer who has murdered our child. Let’s imagine that we can observe him from behind a glass window like those that the police have, one that to him looks like a mirror. Let’s imagine that we have a device that allows us to hear what he says. We are listening to him recount with pleasure how he murdered and quartered our child. And we feel horror, anguish and fury. Let’s imagine that the policeman comes out and a dog or that person’s favourite son goes in. Let’s imagine that from our Transformer which functions perfectly we capture greatness and devotion (real love) during five minutes, from what that assassin is doing with their dog or their child. Let’s imagine that we are fulfilled geniuses in that greatness that EXISTS and is being before our very eyes and ears. At that precise moment, we will feel proud of that execrable creature and love for him. Thus, the “when” will transcend our minor personal story. Now let’s imagine a more common and familiar example. Let’s imagine that our great love and wife falls in love with another man. For us that woman continues to be our great love. For her we are no longer hers. Let’s imagine the scene of her encounter with her new love as we observe behind the glass window through which we can hear. With our heart in tatters we are going to be able to assess the situation. Let’s imagine that our wife chose someone who genuinely loves her and that moreover deserves her love more than us, because of his greatness. Then we will feel love for that rival and joy for our wife, and peace. We will be less sad, because what we have lost, she, whom we love, gained. And we will encourage her with our blessing into the arms of the person who ceased to be a rival and became our master. And we will be close friends of the two of them. That is gaining access to the soul, and with it, to UNIVERSAL LOVE. When this occurs we grow and we start being real human beings. When this occurs we are always going to find something to admire and love in anyone, no matter how rotten they seem to be. When this occurs we are going to know, and that is joy, that that being, at some point (the when of eternity) and in some place (the where of infinity) will be what he was born to be. In other words, lovable, and we will love them for the GOOD! that they have and will have. We will wish for that moment to arrive as soon as possible for that person. That is what is called praying. And we will be left in peace. In other words, we will access the triad Orienter-joy-sex.
When we access this last triad, we will achieve the glory of PLENITUDE AS THE BASIC FUNCTION, AND SPIRIT AS THE TRANSCENDENT FUNCTION. The access to joy along the path that preceded it and that made it possible in this sequential process will be able to settle and consolidate in an explosion of serene and certain happiness. We are going to feel alive and in communion with all that is alive. The gratitude for being so (love) will take us to freedom (joy) and, with it, to the elevation that will emerge like a cry of hallelujah towards the entire universe and towards what we take to calling God, or universal intelligence, or natural order. Little does the name we give it matter. What is essential is to feel that all of that marvel has a purpose and is a gift. A gift for every living creature, for every mineral, for every plant, for every star. Then the exaltation of fission with the universe arises and the certainty of finding a first truth: we are in this world to feel happy and complete. In MAT, we call this certainty of finding answers and truths, spirit.
Then we will feel close to the great revealers and prophets that agreed to find answers in order to satisfy the spiritual peace and plenitude of human beings:
We will think of Jesus who introduced us to a God of love that leads us to the joy of resurrection and transforms us into a phoenix.
We will think of Mohammed who brought us a God of joy that leads us to safety and harmony.
We will think of Buddha who brought us a God of harmony that leads us to mental clarity and omniscience.
We will think of Zoroaster who brought us a God of intelligence and organisation that leads us to justice.
We will think of Mani who brought us a God of justice that leads us to creation and metamorphosis.
We will think of Moses who brought us a God of dignity and creation that leads us to universal love.
Then we may perhaps understand two things: that that liberation of the spirit can and should come from each and every one of our structures, our emotions and our senses; and that God, if he exists, can be perceived by all of those six dimensions of ours, but that the error was to create him in our image and likeness and not to position ourselves as creations of his, made in the image and likeness of six of his infinite dimensions. And, that, therefore, our life doesn’t end here, rather it starts here, because then, after our death, not only we will take with us those six immortal functions and energies, but also we will acquire other ones to be, this time, not only humans and mammals, but also more evolved and complete beings. Then we will realise that this same discourse is valid for any of us. An agnostic will call it evolution, which, just like what allowed us to step up from a monkey of five dimensions to a person of six, will take us to seven, and eight and so on to the end. An atheist will feel peace and sympathy, and admiration for the greatness of the human being, who does not need any magical and mysterious intervention, inexplicable for his intelligence, in order to be in plenitude. A religious person of any of the religions of the founders mentioned above will feel affinity and love and joy, with the certainty that, in each place, there are people like him at the same time as different, who follow the teachings of those great masters of humanity. And everything goes well in the best of all worlds when we all orient ourselves towards the finality and spirituality of all living beings.
That is how the visionary capability will arise that will convert us into strategists capable of capturing the totality of the environment in permanent but not unforeseeable change. And we can only capture it with the Orienter and joy. That way we will see future trends with total clarity and, as we confirm our correct forecasts, we will recognise the unexploited goldmine that we all have and which is the triad Orienter-joy-sex. As an example of this installed potency, we will refer the reader to the last chapter of this book.
We will find answers to all the “what fors” of existence, starting with the simplest and gaining access to the most hidden. What are we in this life for? Our answer, in MAT, is to change from person to individual and from individual to mammalian human being, and from mammalian human being to non-mammalian human being, in other words, completely free, happy and realised in the glory and the splendour. That is what we can answer. For now.
What does the unconscious exist for? For, at least, two things: to preserve truths and answers that we have not been capable of accepting without going crazy at the time and that remain there, at our disposal, so that we can find them as we grow. And to serve as an infallible compass, that we can use to orient ourselves in the knowledge of ourselves and of the universe.
But that is an illustration of answers of finality. Everyone will provide their own. We all have, at least, one existential question that we would like to answer. Ours was, aged three, why are the world and people upside down? And the answer was MAT, which emerged from our Orienter 33 years later. Every person has their question and their Orienter preserves it and sends it to them every day, every day. That is what we call vocation.
That way we will gain access to the golden light of the serene and tireless spirit, fast and accurate, which raises its upwards flight towards the skies and brings answers to our conscious mind. With this, not only do we elevate and transcend ourselves, but also we change. The values that we access then are faith, optimism, certainty and tenacity, a lot of tenacity, unfaltering, with no pressure on ourselves or on others.
Then we will fulfil the functions of the Orienter, which are those of clearing paths, finding truth, revealing, discerning, irradiating, elevating, experimenting fully, giving testimony, illuminating, changing the world and changing ourselves, renewing and renewing itself, planning strategically, flowing, enjoying.
And, when in periods of change, we give in to the false emotions that replace authentic joy, in other words superstition, nihilistic negativity, sacrilege, dogmatism, idolatry or dependence, we will know how to rectify and how to go back to enjoying and taking pleasure.
That way we will access the mastery and perfecting of the spirit, which we define simply as THE CERTAINTY OF FINDING (TRUTHS), and we will know firsthand the maximum hierarchy in the functions of the Orienter and joy.
Because this basis will already be consolidated, we will be able to access the next ladder, that of the Rector-fear-touch triad, which will offer us greater safety and harmony than we had at the outset, thus opening up another sequential process, on the path towards infinity.

The Splendour of the Human Being – Preciada Azancot

An extract from the book “THE SPLENDOUR OF THE HUMAN BEING” by Preciada Azancot

©Preciada Azancot